Pâmela Germano

On the border between the real and the fantastic, between the colonial past and the overwhelming modernity of agribusiness, the city of Goiás is the scene of the meeting between the young Fernanda and her secret roots. She returns to the home of her wealthy uncle, after the death of her adoptive mother, in order to implode the certainties and to reveal the painful truth about its origin.

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Julia and Sérgio set out in search of Rebeca, a missing cycling activist, moving through Brasília, a city marked by silence and unresolved histories. Their investigation leads them to forgotten tragedies, where ruins, memories, and unsettling presences begin to intertwine. Blurring the line between the real and the fantastic, Mapas unfolds as a journey through ghosts of the past that continue to echo in the present.

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21 sequence shots depict moments in a defining night of the Battle of Rua Maria Antônia, in October 1968, from the point of view of the students and professors of the Left-wing Student Movement, in the Philosophy Faculty building of USP.

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Three women live together: Maria is a scientist, Lia is a kindergarten art teacher, Raquel is an android with AI. They need to organize the traditional Saint John's festival for Lia's school.

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Paz is a self-centered influencer who arrives in the town of Água-Marinha, where she clashes with a local activist and is “canceled” for offensive insults. One hundred years earlier, in 1922, Cecília is facing a forced marriage — a life she doesn't want — in Água-Marinha after her parents’ death. Mysteriously, the universe gives the two women an exit as they are swapped into each other’s bodies.

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Two young women retreat to a remote holiday home. While one of them undertakes a medical abortion, the other quietly cares for her. A snake slithers around them, unnoticed.

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Since 2016, Pope Fracis allows women to take part in the washing of the feet ceremony. The girls of St. Peter Church are preparing something special for the ritual. Camila just hopes to find Giovana.

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