Adham Murched

Through the patience of Al Khansa, the fierce justice of Al Shanfara, and the unbreakable resilience of Zubaiba, this drama unearths the untold stories that shaped pre-Islamic Arabia.

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Even though Sami is safe in the United States with his 9-year-old daughter, Aya, the injures sustained during the war in Syria are making his life difficult. When news breaks that the rest of his family will arrive from a refugee camp, he should be as elated as Aya. But as Aya grows more eager to see her brother Saeed, Sami grows more anxious.

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With his daughter's wedding quickly approaching, a Syrian deli owner, Amir, is struggling to let go. He distracts himself by joking and bickering with his employee, Ali, while they work the night shift. Down the street, a high school girl, Iris, lies to her father on the phone and prepares for a night of partying. When Iris and her friend Rachel meet a handsome stranger in Amir's deli, things don't go as planned. Reminded of his own daughter, Amir decides to help the girls out.

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Life returns to a building abandoned after the Lebanese Civil War when it becomes a temporary haven for Syrian refugees, as war ravages their homeland.

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Hudud Shaqiqa is a 2013 Syrian-Lebanese political comedy set in two neighbouring villages — Umm Al-Nour and Umm Al-Nar — straddling the Syrian-Lebanese border. Through sharp satire and situational humor, the series explores the social, economic, and religious tensions shaped by political borders, while taking pointed jabs at power, manipulation, and the absurdities of Arab political life. Starring the beloved Syrian comedian Bassem Yakhour.

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The events takes place in the village of (Al-Kharba), near Al-Suwayda Governorate, as it highlights the lives of two families living in the village within a comedic framework.

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Abu Janti — self-proclaimed "King of the Lancer" — is a Damascus taxi driver whose cab doubles as a confessional, comedy club and social mirror. Each episode brings a new passenger with a new story, and Abu Janti can't help but get involved. Written by and starring Samer El Masri, born from a beloved sketch on Spotlight (2003), this Syrian black comedy uses the taxi as a window into everyday Damascus life — funny, sharp and occasionally heartbreaking.

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The series deals with the biography of the great companion Al-Qa’qa’ bin Amr Al-Tamimi, with its many heroic deeds that raised the banner of Islam in several situations, by highlighting an important Islamic stage and re-dramatizing it.

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The events revolve around the daily conflicts of Masoud and his family which consists of his wife Lama and their four children, in addition to Majid, his brother-in-law, and his sister Maysa who are staying at his home against his will.

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A seemingly ordinary life is shattered when a woman uncovers a hidden truth about her husband, plunging her into a high-stakes international conflict. As loyalties blur and danger escalates, an Egyptian intelligence officer is tasked with a critical mission where failure is not an option.

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The show tells the story of a playwright, Jalal, who holds secular views, and his close friendship with Michel, his childhood friend. Michel initially worked as a lawyer but later transitioned to journalism, founding his own magazine in which he boldly addresses societal issues, drawing significant criticism. Additionally, the narrative explores themes of separating religion from civil and political life through a love story between a man and a woman from different faiths: Jalal (a Muslim) and Hanan (a Christian). Their relationship culminates in a secret marriage, which lasts until Jalal’s sudden passing. Throughout the story, the work focuses on two major issues related to secularism: the demand for a civil personal status law that permits civil marriage, and the call for a secular education system that allows students the freedom to seek their own truths instead of being indoctrinated with a predetermined "absolute truth." It also tackles issues of political and social corruption.

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A drama series that tells the story of the coastal environment during the era of the French mandate in Syria, especially the environment of fishermen in light of the exploitation and greed of some people and the bitter struggle of others against the French occupier.

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The series discusses the stories of young university students, their reality during their studies, and the hardships and unknown fate they endure after graduation.

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The series explores the lives of ordinary people in Syrian society navigating personal struggles, societal conflicts, and the gap between dreams and reality

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As far as one can remember, water has been dropping from this ceiling. One drop after another, slowly, like an ever-repeating dream that spreads all-over and changes the rhythm of life, creating a partition in-between the internal and the external. One camera for Nidal Debs, another for his hero Marwan, One camera shooting what the other sees. who makes the film?. Marwan lives in Damascus since a long time, since when refugees arrived and filled the city, since hardship was even harder. He & his friends lived those times when life was different, when dreams were bouncing in the streets. Something is happening today, the friends awaken as Ahmad passes away, a life-time of silence has passed, a life-time of frustration and loneliness must end, dreams are searching for a few minutes, for last moments, there is still a little time left. There is a new space today.

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The first comprehensive dramatic telling of the Palestinian Nakba, seen through the eyes of a poor rural family from the 1930s British Mandate era through the massacres of 1948 and the defeat of 1967. Written by Palestinian poet Walid Seif — based on his own family history — and directed by the late Syrian master Hatem Ali, this is widely considered one of the greatest Arab television dramas ever produced. A monumental work of collective memory, historical witness and human endurance.

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Matar disappears under mysterious circumstances for 20 years, during which everyone has believed he had died a martyr. However, he returns in a new form and builds a financial empire amidst the mystery surrounding the source of his wealth. Using the spider's method, he tightens his grip on everyone and exploits them to achieve his goals of doubling his wealth and taking revenge on his past friends.

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After a long separation, a sister and brother are reunited for a visit at an isolated lake house during an extremely cold winter. The sister, Yasmeen, has just arrived in the U.S. from their home country of Syria. Her brother, Omar, is a musician and has been in the U.S. for many years. He is coping with his own exile from his ex-wife and child, who have recently moved to another part of the country.

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