Giuseppe Bertolucci

An attempt to reconstruct the complete version of Pier Paolo Pasolini's segment of La rabbia.

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We are on the set of "Salò or the 120 days of Sodom". Pasolini lets a small camera team led by the journalist Gideon Bachmann follow him around engaging him in a long and extraordinary interview/conversation. The interview turns into a long, clear-sighted and violent attack on society that accompanies photos of the set in a surprising juxtaposition of film and reality, revealing Pasolini's metaphorical portrait of modernity.

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Sofia is a young student in an acting class who learns some of the secrets of the trade from three great actresses: Mariangela Melato teaches her to lie, Stefania Sandrelli teaches her to tell the truth, and Alida Valli teaches her about the illusion of art. Lies, truth, and illusion that Sofia tries to apply to everyday life, to her relationship with her man and her best friend.

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Sofia, a budding young theater actress, unwittingly discovers that Bruno, her beloved acting teacher, is gay. Heartbroken and determined to flee as far away from him as possible, she meets a young girl on the train who gives birth and abandons the baby. Sofia makes a life-changing decision: she takes the child and passes him off as her own son, naming him Bruno.

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The "1968" movement in Italy and around the world represents an extremely complex and nuanced event. The curator attempts to unravel some of the main threads of an intricate web of events, figures, processes, and cultures. From the first signs of the new youth movement in 1966 to 1969, the narrative unfolds non-chronologically, exploring emotion as well as historical reconstruction.

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Pier Paolo Pasolini's voice introduces a monologue featuring Carlo, the poet's alter ego, set in a desert space with an almost lunar appearance: an expanse of sand under a starry sky. The man stages a sort of erotic liturgy bordering on self-destructive anxiety: he will offer himself to twenty hustler street boys, before a spectacular sunset, which recalls the strong colors of Sirk or Kazan melodramas, puts an end to the whole affair.

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Four lighthearted stories set in the idyllic Italian countryside: an old grouch is befriended by a stray dog; a lonely widow spies on her newly-wed son and daughter-in-law; a German tourist tries to seduce a younger nurse. The fourth segment was cut in the US by its distributor Miramax.

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Three girls spend some days in a country manor in Toscana. Waiting for a boy? Their friendship will increase during the time passed together and, when a boy arrives, maybe - they won't be there.

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Promotional omnibus film, made for the 1990 FIFA World Cup in Italy, featuring portraits of 12 Italian cities.

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Children play hide in seek in the city of Bologna

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Ferruccio, who knows everything about camels, and Camillo, who acts as his manager, go to Milan to take part in a telequiz.

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A psychologist acquires wife and lover of a friend of him. But he has two more relationships yet. What will he do with four women following him?

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Young terrorist Laura shoots both a judge and a comrade, and over time her violent act becomes a thread linking the lives and fates of several other women. Each has her own secret, including the lawyer who listens to Laura as if in a ‘trance’: moments before, she discovered her husband was cheating.

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A film of Enrico Berlinguer's funeral in Rome, briefly tracing his career as leader of the Italian Communist Party.

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The film presents many clips taken from the television and theatrical shows of the Tuscan comedian who makes fun of the habits of the Italians and of the governing politics of the eighties.

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Oppressed by her husband, her lover, and her obsessive mother, a bourgeois woman is reunited with a childhood companion at the central train station in Milan. Throughout 24 hours there, she will experience her particular descent into hell.

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A young poet falls in love with a sophisticated woman who hates poetry. But the poet wants to win her with poetry — and a bit of help from his mum.

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"The Man With The Golden Eye" tells the extraordinary figure of Marco Melani through a live projection of materials collected in over ten years of research. Found footage, unpublished interviews with cinema and television personalities, fragments of films, extracts from television programs, photographs, readings and interventions by the author, intertwine giving voice to a chorus of precious testimonies.

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An attempt to reconstruct the complete version of Pier Paolo Pasolini's segment of La rabbia.

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A street strewn with papers. The legs of passers-by. A young man crosses the street. Then we find him in the middle of a discussion with a friend. “Are you still determined to leave? – Yes, I'm leaving today at five o'clock by plane. »

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An attempt to reconstruct the complete version of Pier Paolo Pasolini's segment of La rabbia.

Open details →

Open details →

Sofia is a young student in an acting class who learns some of the secrets of the trade from three great actresses: Mariangela Melato teaches her to lie, Stefania Sandrelli teaches her to tell the truth, and Alida Valli teaches her about the illusion of art. Lies, truth, and illusion that Sofia tries to apply to everyday life, to her relationship with her man and her best friend.

Open details →

Sofia, a budding young theater actress, unwittingly discovers that Bruno, her beloved acting teacher, is gay. Heartbroken and determined to flee as far away from him as possible, she meets a young girl on the train who gives birth and abandons the baby. Sofia makes a life-changing decision: she takes the child and passes him off as her own son, naming him Bruno.

Open details →

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Ferruccio, who knows everything about camels, and Camillo, who acts as his manager, go to Milan to take part in a telequiz.

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