Gianfranco Bellini

A little boy meets the old hero Garibaldi who tells him the story of his adventures.

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Heidi leaves her beloved Alm and moves to Frankfurt, where she finds a new good friend in Clara. Aunt Dete wants Heidi to leave her grandfather on the mountain pasture and go with her to Frankfurt, where she is supposed to live with the Sesemann family and keep their paralyzed daughter Clara company. In this way, Heidi would enjoy an excellent upbringing and grow up with one of the richest families in Frankfurt. Aunt Dete sees a bright future for Heidi in the city. However, this idea is not met with enthusiasm by Heidi and her grandfather, Peter and his grandmother are also very reluctant to let Heidi go. After much persuasion and many promises from Aunt Dete, Heidi finally leaves her beloved mountain world with a heavy heart and travels to Frankfurt.

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A re-edited Italian-language dubbed version of the original Godzilla, using as a basis the U.S. version, "Godzilla, King of the Monsters!" (1956), plus WWII newsreel footage and clips from other science fiction films. The re-edited film was then colorized via a process called "Spectrorama 70" consisting of applying various colored gels to the black and white footage. The film's opening and ending also features new music composed by musicians Fabio Frizzi, Franco Bixio, and Vince Tempera (under the pseudonym Magnetic System).

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Little Dick, the well-endowed dwarf servant of Master Limpcock is being pursued by Nymphomania, an ugly witch who must have 69 orgasms to turn herself beautiful again.

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The film was directed by Giuliano Cenci with assistance from his brother Renzo. During production, Carlo Collodis grandchildren Mario and Antonio Lorenzini were consulted. The subtle movements made by fidgeting children whilst speaking or under scrutiny were incorporated into Pinocchios movements, particularly when he lies to the Fairy with the Turquoise Hair over the fate of his gold coins. For the design of the Fairy, Italian portrayals of the Blessed Virgin Mary in art were used as starting points.

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A greedy villain tries to coerce a woman into marrying him so he can take over her land, when a stranger rides into town intent on taking down the bad guys.

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The trials and tribulations of a group of artist friends and a gay gallery owner living in the Via Margutta neighbourhood of Rome. Stefano is a talented painter, devoted to his art but not interested in promoting himself, while many of his fellow artists are far more adept at selling their persona than creating art.

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A captured architect designs an ingenious plan to ensure the impregnability of the tomb of a self-absorbed Pharaoh, obsessed with the security of his next life.

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In a series of simple and joyous vignettes, director Roberto Rossellini and co-writer Federico Fellini lovingly convey the universal teachings of the People’s Saint: humility, compassion, faith, and sacrifice. Gorgeously photographed to evoke the medieval paintings of Saint Francis’s time, and cast with monks from the Nocera Inferiore Monastery, The Flowers of St. Francis is a timeless and moving portrait of the search for spiritual enlightenment.

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