Abdul Emam Abdullah

The Kuwaiti TV series (Al-Faraj Ba'd Al-Shidda) recalls the solidarity and support of the people of Kuwait, including merchants and the rich, in donating during the time of famine between 1867 and 1870, which was called (Year of Al-Hailaq). The Year of Al-Hailaq is a famine that struck Kuwait, beginning in 1867 during the reign of Sheikh Abdullah bin Sabah Al-Sabah. Al-Hailaq is a word that means destruction or perishing. The regions neighboring the Emirate of Kuwait were exposed to a massive drought that was not expected. Kuwait was fortified and had the ability to survive this drought. The Kuwait Wall became the main destination for these afflicted people.

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Having spent almost half her life incarcerated, 80-year-old Ghanima is finally released from prison. She must strive to let go of the past and make a fresh start.

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The film's story revolves around the most important question in the mindset of the Egyptian and Arab citizens in recent years after 2011, which is "What Happens in Egypt and the Middle East" and the constant and ongoing struggle of international Masonic organizations and countries that support terrorism to control Egypt and the Arab countries.

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After leaving prison, Meshary decides to try to start his life anew, which puts him in many troubles he did not expect, and he enters into a struggle between his past and his present when he meets love.

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When a flight attendant faces an unpleasant problem, she decides to avenge, but as luck would have it, her situation gets even worse when she is accused of hijacking a plane. Has she hijacked it in retaliation? Or is it just a scheme against her?

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Eager to rejoin her divorced parents, an inventor's daughter drives his time-traveling car back to 1982. But a secret crush accidentally follows.

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A strange, unexplained phenomenon is spreading among young people, suddenly claiming their lives. This has led to a profound change in life, as everyone feels fearful and unable to understand the causes or find a way to stop the disease and save those who survive.

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A young man (Mohammed Ramadan) travels from Qena to Cairo for work, but the only job he can find is as a painter. He is constantly running into trouble, as he deals both with his extreme poverty and his desire to live a decent life for his mother. His world gets turned upside down when he finds himself way in over his head, and it becomes clear that he must find a way out before it is too late.

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A TV presenter discusses several issues concerning the Arab region and Arab identity through the representation of a Kuwaiti student who travels to Egypt to resume his studies and crosses paths with an Egyptian girl whose parents oppose their marriage.

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This comedy series addresses the issue of class distinctions from the perspective of two sisters. One of the sisters is working class while the other is part of the bourgeoisie which creates a variety of comical and ironic scenarios.

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The series discusses the issue of love, and whether love can fix all our mistakes and change our destinies, and love here is not limited to love between men and women, but love in its comprehensive and complete sense, such as the love of parents and love of the homeland, the series also sheds light on many issues that affect the Gulf society in general and the Kuwaiti society in particular.

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Laila lives with her mother in London. After she spends her life wondering about her father whom she has never seen, her mother's death leads to the discovery of important papers that reveal a shocking truth about her father and what he did to her mother's family.

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The work, which revolves around the story of five teenage girls in a secondary school, monitors the relationship of these girls with their society, their families, and their academic environment. Each episode deals with a new event in the girls' lives in terms of raising teenage problems, their issues, their view of society, principles and beliefs, and the impact of family and social problems on them.

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The role of the film as part of a comic story deals with the circumstances of life and social and economic conditions difficult, which became the Egyptian people suffering from high prices as an issue.

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Al Kabeer seeks to find love again after his wife was gone, unaware that what he is looking for is closer than he imagines.

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Layali is a pharmaceutical student whose father urges her to give false testimony in a corruption case. Refusing to obey, she flees to Cairo and gets into a relationship with a Lebanese producer who promises to help her rise into stardom, but fails to honor his promise.

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When a Kuwaiti diplomat finds out that his long-lost son in an Israeli invasion in Beirut is still alive, he sets out to reunite with him at any cost. A tense and gripping watch.

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Menahi is a Saudi Bedouin young man, single and living with his old mother. He is a simple, spontaneous and kind-heart man, instinctive and adhering to the ethics of the environment from which he emerged, such as honesty, honor and virility. He dreams of owning a small farm to raise sheep. But he went out into the city and didn't adapt to civic life. —Akram Gus

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The series deals with the alienation of the Egyptian family in search of money and its impact on the cohesion of the family and on the future of their children, through Zahra, who travels with her husband to one of the Gulf countries, and when the children reach the university stage, the mother is forced to return them to Egypt.

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A typical day at a nightclub at Al-Haram street is turned upside down when a terrorist decides to blow up the building. A plunge into the lives of a group of people who are drastically different but equally interesting.

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The Show discusses several social issues through the character of a woman who runs a daily publication.

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The series deals with an important era in the history of Kuwait, the period of the rule of Sheikh Mubarak Al-Sabah in the period between 1896 and 1915, and narrates some of the events that occurred in that period, such as his receipt of power, the Battle of Al-Sarif, the Battle of Hadiya, the attacks of Youssef Al-Ibrahim, his relationship with the Ottoman Empire, and the signing of the British-Kuwaiti protection agreement.

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The work deals with the story of a woman named Ebtisam who suffers from many psychological knots in her life after being assaulted in her youth, and seeks to overcome the matter in order to obtain a normal life.

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Qannas Khaitan is a Kuwaiti comedy play highlighting the challenges faced by expatriates and locals in Khaitan district. Residents unite to form a council to stand against exploitative landlords, sparking humorous clashes and character-driven moments.

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In the framework of the social drama, the events of the series revolve around Noura, who sacrifices for her brother Faisal, and enters prison instead of him in a drug case, and when she serves the punishment and comes out, she is surprised by Faisal's repudiation of her, threatening to expose his matter if he does not compensate her the years of imprisonment.

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The events of the work revolve around a comedic framework around the Bazza family, who belong to the poor class and are unlucky enough to move to Abu Khaled's house to work as a maid for his family, but with Bazza's cleverness and intelligence, Abu Khaled falls in love with her and marries her, and she begins her plans to obtain Abu Khaled's property.

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The events of the series revolve around two adjacent families, but between them are many differences that result in many problems between the Boufiyad family and the Bouboud family in a comedy and fictional way.

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The events of the work in the market and the old Kuwaiti market and the situation of traders and the problems they are exposed to and projections on the state of the Kuwaiti economy.

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A social comedy that revolves around Samiha and her son Hilal, and his uncle Dahi’s interference with their lives, until he marries Fawzia, so Hilal tries to convince his mother to marry the divorced Nouf, but his mother rejects the matter, until she recognizes Nabil and everything changes.

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A Kuwaiti play about sport and the athletes.

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The events revolve around (Saleh), who works in the divorce registration department, which causes him to marry because of what he sees from the problems of couples who separate from their wives, and this complex increases. He has (Faraj) a friend and colleague in the same section, who hates women and hates marriage. Saleh's father tries to marry him to (Nawal) his son, a partner (Abu Adel), and he succeeds in doing so, but Faraj tries to thwart this marriage in various ways so that Saleh returns to his anti-woman.

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Abu Radh, a crafty and opportunistic mailman, projects an image of poverty to those around him. In reality, he's a silent partner in multiple lucrative ventures that have made him incredibly wealthy. As he juggles his secret fortune with his humble facade, the question remains: can he keep his hidden wealth under wraps, or will the truth eventually catch up to him?

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