Mario Martone

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On the fiftieth anniversary of Milan's Franco Parenti Theatre, co-founder Andrée Ruth Shammah leads a journey through its history, memories and enduring creative spirit. Through archival footage, fragments of landmark productions and the voices of actors, directors and artists who have inhabited its stage, the film retraces five decades of theatre, friendship and artistic experimentation, bringing together the “scarrozzanti” of the present and the “spiritelli” whose presence still seems to live within the theatre's walls.

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The documentary aims to tell the story of a director who managed to capture the attention of the whole world and, due to his political and aesthetic coherence, was able to work much less than he deserved. It's the story of a film professor who earned the gratitude and affection of all his students. The tale of a cinephile who successfully combined social and civic commitment with a spectacular talent worthy of Hollywood.

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The life of a dying young man at the short age of only forty-one after playing the lead in Il postino. He was a brilliant stage actor before becoming an astonishing film director.

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In one of his last interviews, Italian cinema's last emperor retraces his poetic and familiar roots and his long successful career since its beginnings with Pasolini till the last masterpieces. The voice of the Maestro is accompanied by those of two artists and intellectuals very close to him professionally and personally, Roberto Perpignani and Mario Martone.

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1965: Paris, London and Milan all move at the same fast pace, fueled by a fresh creative and rebellious impetus. Guido Crepax picks up on this energy and transfers it to a comic strip in which art, music, design, film and fashion all blend together, breaking with traditional narrative structure. The dreamy photographer Valentina becomes Crepax' alter ego: as lovely as Louise Brooks, as disturbing as one of Lucio Fontana's slashed canvases, as knowing as Bob Dylan's lyrics, and as freewheeling as Charlie Parker's compositions.

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Legendary Italian writer and director talks about his career and, in particular, three films he directed: Acqua e Sapone; Maledetto il giorno che ti ho incontrato; Io, Loro e Lara, while many of his colleagues and friends wish him a happy birthday for his 68th birthday.

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Alberto Angela takes us on a new journey, this time to discover Italy's "Wonders," those that make us a true "peninsula of treasures." Four episodes, twelve stops on an itinerary of art and natural beauty in UNESCO World Heritage sites.

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Hillary Clinton, Roberto Saviano, Jonathan Franzen and others weigh-in on the Elena Ferrante "craze" and what makes her work - and her mysterious persona - so uniquely captivating.

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Franco scaldati - died in 2013 - was one of the most important autors of italian theatre plays, Maresco describes his role in the cultural and social field. Through his opera we can observe Italy from another point of view.

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Chronicle about Lifetime Achievement Award given to the Italian director Mario Martone at the Med Film Festival in Rome. The souvenirs by the actress Iaia Forte, critic comment by Giona Nazzaro and the director Mario Martone that makes considerations about his own career.The background is Casa del Cinema that is situated in the charming gardens of Villa Borghese in Rome.

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Documentary about the life and career of Vittorio Mezzogiorno through the voice of his daughter Giovanna.

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Through interviews, archive footage and quotes from books and films by Pasolini, Laura Betti, friend, actress and collaborator of Pasolini, improvises as a director, making a feature film dreaming of Pier Paolo's words immersed in everything that has not involved him for a long time

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Allen Ginsberg is reading his poetry in the Trianon movie theater, which is a historical red light theater in Naples. At the same time, the hardcore film, Tutta una vita, is being projected. A member of the audience in his sixties drops off to sleep. His dream leads us to the edge of madness. There are readings of beat generation poetry, pop music trailers, impossible cinematographic screen tests, and special remakes of cinema-images by the most important exponents of the old and new "Neapolitan poetic".

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Successful illustrator Daniele Mallarico travels to Naples to look after his four-year-old grand-son while his daughter is away for a few days. What begins as a simple babysitting job turns into a subtle psychological duel, as the child’s boundless imagination slowly unsettles him. Trapped together in the apartment, Daniele is forced to confront something far more disturbing than a mischievous child: the fear of aging and the loss of creativity. Through this strange encounter, he may rediscover the power of imagination he thought he had lost.

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Rome. The 1980s. After the magnum opus The Art of Joy she has been working on for a decade is rejected by the Italian publishing world, writer Goliarda Sapienza commits a desperate theft that costs her her reputation and social position. Incarcerated in Italy’s largest female prison, she finds herself living alongside thieves, junkies, sex workers and revolutionaries. After her release, she continues to meet with these women and over the course of a sweltering summer, a life-changing relationship flowers – a relationship that will reawaken her the desire to live and to write.

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A friend of Jodice, Martone recounts the story of the great Neapolitan photographer: a film made for the exhibition at the Gallerie d'Italia in Turin, Mimmo Jodice. Timeless.

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The life of a dying young man at the short age of only forty-one after playing the lead in Il postino. He was a brilliant stage actor before becoming an astonishing film director.

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Felice returns to his native Rione Sanità in Naples to look after his dying mother, having lived abroad for the last forty years. Here he discovers that his old friend Oreste has become a notorious crimeboss.

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In early 20th-century Naples, a theatrical parody lands beloved thespian and playwright Eduardo Scarpetta in court, facing a malicious lawsuit that could compromise his freedom of expression and the economic security of his extended family—including his son's, young Eduardo De Filippo.

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Antonio Barracano is a respected figure among the Neapolitan underworld, keeping order and administering justice according to his own criteria, beyond the law. One day he's faced with a dilemma after a youth asks him permission to kill his father.

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In 1914, with Italy on the cusp of joining World War I, a group of foreign artists establishes a commune on the rural island of Capri, catching the attention of young Lucia, a local illiterate shepherdess who soon falls under their spell.

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In 19th-century Italy, Giacomo Leopardi channels his debilitating illness and isolation into poetry.

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1828. After witnessing the brutal repression of revolutions in monarchist South, three young friends join Giuseppe Mazzini's patriotic cause, seeking to finally unify Italy under a republican government. Their idealism will clash with the inevitable disillusionment as they grow apart over the following decades.

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"Caravaggio, l'ultimo tempo" is a 2004 documentary directed by Mario Martone and based on the life of the Italian painter Michelangelo Merisi da Caravaggio.

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A couple of bourgeois intellectuals, Carlo and Silvia, have been married for twenty years. While she lives in their flat in Rome, he spends most of his time in the country house where he writes his books, openly living with his younger lover, Lù. In return, Carlo has long accepted that her wife may have lovers, but her volatile relationship with a young neo-fascist suddenly rekindles his jealousy.

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On the occasion of the Neapolitan exhibition dedicated this year to Luca Giordano, a great painter active in the '600 in Naples, the short film alternates the details of the many paintings exhibited at Castel Sant'elmo with some fragments of the contemporary city: from the Cathedral to the convent of San Gregorio Armeno, from the churches of Santa Brigida, Dell'ascissione, Santa Maria alla Sanit`, Santa Teresa a Chiaia up to the Pio Monte della Misericordia and the Fontanelle cemetery.

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Impressive and dramatic found-footage documentary about the worldwide issue of emigration and immigration.

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A group of actors meet with little money in a unofficial theatre in Naples' Spanish Boroughs. Director's plan is to travel to Sarajevo, still under siege, to stage a classic Eschilus' play about civil war in Tebe. While they rehearse in the theatre cast members come and go and another kind of war goes on every day in nearby streets of old Naples.

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Five Neapolitan directors depict life in the city under the shadow of Mount Vesuvius for this anthology film of comedy, drama, surrealism, and political commentary.

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It describes the way of life of the Sahara people in the Western Sahara Desert, in particular it tells the story of a child bitten by a snake.

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When her elderly mother is found dead under sordid circumstances, Delia returns to her native Naples for the first time in years to attend the funeral. Trying to piece together her estranged parent's secret life, she'll face the hidden memories that shaped her family history.

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A versatile Campanian artist is asked by a client to recreate one of his paintings for him. But can a painter repeat one of his own "miracles"?

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Mario Martone films the eponymous stage show by Enzo Moscato.

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Naples, 1959. Pure Mathematics professor Renato Caccioppoli, Bakunin's grandson, is a tortured soul. Recently discharged from the psychiatric hospital, left by his wife, and increasingly disillusioned with academia and the Communist Party, he lives his last days with painful detachment.

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"Perfidi Incanti" is made up of three short episodes. The first, "Il Viaggio" ("The Journey"), is taken from Francis Scott Fitzgerald's diaries, and shows the adventures of a writer traveling between America, Africa and Europe. The second episode, "Estrellita Va a New York" ("Estrellita Goes to New York"), is inspired by a comics story by Carlos Ceesepe, and tells the escape to the United States of little Estrellita and her friend Katia who, helped by Pablo Picasso, try to escape from Paris occupied by the Nazis. The third segment, "Due Dongiovanni", is an original subject by Mario Martone and Giorgio Barberio Corsetti, freely inspired by Alfred Hitchcock's movie Saboteur (1942). The three episodes are linked together by an original musical motif composed by the Panoramics which returns in all the stories, but with different arrangements.

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