Julia Solomonoff

The year 2023 marks the 35th anniversary of the association La Mujer y el Cine, and 43 female directors have come together to deliver a fragment of their gaze, a frame, an aesthetic and ethical decision, a tribute to women who anticipated the struggle. A leap into the void made by women filmmakers of different ages and backgrounds. United, in a sort of electronic loom, as an offering and a legacy in which a moment in the history of Argentine cinema is told, where we were all one, with our eyes on the past, our gaze on the present and the horizon full of the future.

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A series of five short films made by five outstanding film directors that narrate in the first person their creative processes, their environment and their experience of 2020 and the pandemic. Ways of creating, territory, memory and autobiography in works where they propose us to look into the world of today. Her immediate and urgent look at the year the pandemic changed our lives.

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Nico is a famous actor in Argentina, but in New York, nobody takes notice. He needs to juggle bartending, babysitting and odd jobs to keep himself afloat. But when old friends from Buenos Aires come to visit, he needs to juggle the image of his old life with the reality of the struggling actor in New York City.

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Young Jorgelina feels estranged from her boy-crazy older sister, who has entered adolescence and doesn't want to hang around with little kids anymore. Finding refuge in their Boyita camper-van, Jorgelina travels with her father to the countryside, where her lifelong playmate Mario is undergoing some unexpected changes.

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Argentinian sisters Elena and Natalia, who were separated, meet again in Texas in 1984.

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A Polish man and a beggar child whose lives could not be further apart reach a brief but intimate understanding of each other during the siesta hour.

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An all-American girl from the Midwest arrives in Manhattan with the intention of visiting her aunt. Along the way she is distracted by a foreign stranger who steals things from several lush Manhattan stores for her. They then develop a budding romance.

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Film composed of nine short films. Short Stories 0, was released in 1993 and did not yet have that name because they were separate shorts. It would later become the prestigious annual short film competition for directors organized and produced by INCAA.

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He is a writer and Ángela, a mature woman, is his domestic employee. Since he can't find inspiration, he decides to accompany her on her work day to other houses. Thus, delving into other people's lives, both begin to stop seeing each other as strangers and have fun, momentarily forgetting their own problems for a while. Without romantic tensions, the two simply enjoy sharing the day and, while Ángela cannot stop remembering Pedro, her dead husband, he only listens. Without advice or sermons, their two visions come together to make, at least that day, a different experience.

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A portrait of the internationally acclaimed Spanish film director Isabel Coixet and an analysis of her particular world and her sensibility as a creator: her fictional universe, her career and her life through the words of actors, technicians, family, friends, journalists, specialized critics and those filmmakers who have been inspired by her work.

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Three people and a baby set off on separate journeys, along the same road; their disparate dreams and stories intertwine amidst the breathtaking deserted Patagonic route.

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Filmed over 25 years, acclaimed photographer Alessandra Sanguinetti traces the lives of two inseparable cousins in the Argentine farmlands, beginning as a childhood game of fantasy and evolving into a profound collaborative study of time, memory, and womanhood.

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Manuela, a Latin American immigrant, walks through the empty streets of Los Angeles, scouring the area for work. Manuela arrives at a job interview at a large house in an affluent neighborhood. She’s greeted by a cold businesswoman looking for a nanny for her daughter, Alma. After getting the job, Manuela meets Alma, who is initially resistant to her. Alma’s mother, Ellen, is never around. She occasionally talks to them through the security camera. While Ellen is gone on a business trip, Manuela and Alma swim in the pool, clean the house, and form a maternal bond.The days go by, and they still haven’t heard from Ellen. Manuela takes on more and more of a motherly role, even wearing Ellen's clothes. One day, she learns that her entire world as she knows it has just changed and she must make a huge decision.

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Nico is a famous actor in Argentina, but in New York, nobody takes notice. He needs to juggle bartending, babysitting and odd jobs to keep himself afloat. But when old friends from Buenos Aires come to visit, he needs to juggle the image of his old life with the reality of the struggling actor in New York City.

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Navetierra, new world in the end of the world

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