Takis Hatzopoulos

The leading figure of Shadow Theater in Greece, the renowned Karagiozis performer, shadow theater teacher, and painter, **Evgenios Spatharis**, was born 100 years ago, on **January 2, 1924**. Continuing the family tradition of shadow theater passed down from his father, the well-known Karagiozis performer **Sotiris Spatharis**, Evgenios Spatharis dedicated his entire life to this important form of folk art. He traveled around the world showcasing his work and was honored with various European awards for his artistic contributions. In **1995**, the **Municipality of Maroussi** founded the **Spatharis Shadow Theater Museum**, giving Karagiozis a permanent home. In **2007**, the **Ministry of Culture** honored the great artist and shadow theater teacher for his contribution to Greek folk art.

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A documentary short, about Prespes, that Takis Hatzopoulos shot in 1966, the first major act of a journey that would inevitably lead him to Gazoros Serron in 1974 and from there to his time on the TV documentary series Paraskinio, an inexhaustible hothouse of films and filmmaking talent. Hatzopoulos chronicles this one corner of Greece, where a lake divides people into nationalities, in 14 minutes, with obvious echoes not only of the documentation but also of the fiction of Takis Kanellopoulos as it is captured in the black and white photography of Syrakos Danalis, the music of Kostas Mylonas, and the voice-over of Angelos Antonopoulos.

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The legendary long-lost documentary by Lakis Papastathis about Dionysis Savvopoulos features music videos of songs drawn from the albums *To Perivoli tou Trellou* (The Fool’s Garden), *Ballos*, *Vromiko Psomi* (Dirty Bread), and *10 Chronia Kommatia* (10 Years in Pieces). It also includes an interview and audiovisual material by Papastathis, originally presented during Savvopoulos’ performances at Kyttaro. Additionally, Savvopoulos performs together with Domna Samiou and Sotiria Bellou in a rare musical collaboration.

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A documentary short, about Prespes, that Takis Hatzopoulos shot in 1966, the first major act of a journey that would inevitably lead him to Gazoros Serron in 1974 and from there to his time on the TV documentary series Paraskinio, an inexhaustible hothouse of films and filmmaking talent. Hatzopoulos chronicles this one corner of Greece, where a lake divides people into nationalities, in 14 minutes, with obvious echoes not only of the documentation but also of the fiction of Takis Kanellopoulos as it is captured in the black and white photography of Syrakos Danalis, the music of Kostas Mylonas, and the voice-over of Angelos Antonopoulos.

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