Marie Popelková

Third movie of the famous Czech adventure trilogy: Osada Havranů Na veliké rece Volání rodu

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Second movie of the famous Czech adventure trilogy: Osada Havranů Na veliké rece Volání rodu

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First movie of the famous Czech adventure trilogy: Osada Havranů Na veliké rece Volání rodu, based on the works of Eduard Štorch and directed by Jan Schmidt. Each of the films is a completely separate and self-contained story, although they are all connected by some characters and, of course, by time - five thousand years ago. The story of the Ravenpiercer, a young hero from the Stone Age, is shrouded in mystery - for he was brought there by a swollen river. He was fished out of the waves by a young hunter, Sokol, and adopted by the Raven village. The fate of the boy from his childhood through his desire to become a hunter, through the many disappointments that await him among the adults, to the founding of a new family - this is the plot thread connecting the individual parts.

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When famous detective Nick Carter visits Prague, he becomes involved in strange case of a missing dog and even stranger carnivorous plant. He becomes convinced that he is standing against his greatest enemy, the Gardener, who supposedly died years ago in a swamp...

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Energetic Jana comes from Děčín to the metropolis for the Spartakiada, but her shy sister Anna is secretly going with her, looking for an opportunity to apologize to her boy Ondrej.

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Švand, a room painter from Strakonice, begins a dizzying career as a pop music star, but he soon discovers that fame is not the most important thing in life or what he is looking for and what he longs for in life.

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A former aircraft mechanic wants to start a new life in a small border village after a stint in prison and working in the mines. But things don't work out as he would have liked and bad luck follows him. By an unfortunate coincidence, he even falls under suspicion of double murder...

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Jana is forced to live in a foster home and always dreams about family reunion.

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This lavish Soviet/Czech co-production is based on Fyodor Dostoyevsky's famous novel, The Gambler, which tells the story of a Russian living in Germany, in a gambling resort. This film is set at the turn of the century, and was filmed in Karlovy Vary (Carlsbad), Czechoslovakia. Played by Nikolai Burlyayev, the gambler succumbs completely to his addiction, using up every resource he has (human, spiritual and financial) in his wagering, finally becoming a rootless drifter.

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The life of the famous French writer Alexander Dumas the Elder. Screenwriter Jaroslav Dietl did not hide his admiration for this literary giant, and in addition to the screenplay he also wrote a three-part TV play about Dumas (starring Vladimír Menšík). In Kachyn's film, Dumas played the father and son of the Štěpánková brothers, and it was a very difficult and difficult task for these young actors.

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Kastl is a hairdresser but his real passion is his second job as football referee. This job takes all his free time and makes his wife very nervous.

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While hunting, Prince Radúz of Maguria wanders into the rival kingdom of the Tatra King, Stojmír. He discovers that their nations' long-standing feud stems from the bitter jealousy of Queen Runa, who was once rejected by Radúz’s father. Radúz is soon captured by Runa’s forces after crossing the border. His fate becomes entwined with the royal family when it is revealed that the white deer he killed belonged to Mahulena, the King’s youngest and most delicate daughter.

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Set in a vagabond and petty bourgeois environment, the three stories deal with the pitfalls of love, the petty and insidious betrayals of trust.

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Black comedy about a genius inventor and two young, smart and beautiful women. Both of them putting all their effort into getting the one man. This will inevitable lead to all sorts of mischief, crime and even a murder. This murder-comedy, shot at the dawn of normalization has intentionally broke off from any connection to the reality of its time. The director Zdeněk Podskalský has focused on creating intriguing story lines, revolving around the two endeavouring female characters who are fighting for the same man. Two competing parties are not only ready to kill the other, but also (if necessary) the potential groom. This film has enabled the members of the cast, composed mainly of the brightest stars of the Czech acting scene of that time, to show an incredible acting range, from the lightest comedy to the darkest cynical morbidity.

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Detective Lieutenant Boruvka (Lubomír Lipský) is called to the State Scientific Library to investigate the loss of a precious manuscript, the Infernal Psalter of the Occult Sciences by Master Peregrinus from the eleventh century, written in a secret script which has only recently been deciphered by senior lecturer Zajíc (Josef Chvalina). Chaos is reigning in the labyrinth of passages and halls of the former monastery where the library is housed. In order to save space the director of the library has introduced a peculiar system. The books are arranged in the bookcases according to height and six girls dressed in black, the library assistants, are quite happy to cut volumes down to size in case of need. Boruvka refuses the case, since he is specialist in murders. He has to return to the investigation, however, when senior lecturer Zajíc disappears.

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Like a fairy tale, King Henry and King Good-thought decided long ago that their only children should marry and so prevent war arising between their kingdoms ever again. But the young prince is wary of marrying anyone he doesn’t know.

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The fates of the women are repeated: the 16-year-old daughter of a 32-year-old mother is also pregnant. Like her mother, the child remains unmarried and fatherless. From him, the girl receives only an exotic postcard with the titular three camels...

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A dark comedy about a murder and its consequences presented in a backwards manner, where death is actually a rebirth. The film starts with an "execution" of the main protagonist and goes back to explore his previous actions and motivations.

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Tram driver Marie has far too much to do after her shift is over. But she likes to do it all since she loves her husband Václav sincerely. One day she spots him on the Lesser Town Square in Prague, kissing an attractive blonde good-bye. It seems to Marie that her small comfortable world has collapsed and she walks out of the tram in tears. But her sadness does not last long. She wipes off the tears and begins to act. She withdraws all the money from their savings books and buys off all the latest models from the Fashion Works. The visit to the beauty salon then completes her transformation into a lady.

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The story takes place at the time when Giacomo Casanova, probably the most famous conqueror of women, held the position of librarian at the Valdštejn castle in Duchcov. He was then a rather bored and grumpy old man who enjoyed only writing his memoirs and then a daily game of cards with the Count. But all that changed when Wallenstein's young nephew František Adam arrived at the chateau with his charming wife Valeria. She wanted to see the famous seducer with her own eyes. However, she was somewhat disappointed by the reality, as well as by the seducer's outdated views on love.

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Inspector Brumpby (Jaroslav Marvan) and the young crime reporter Allan Pinkerton (Vít Olmer) attend wedding of Sir Hannibal Morris (Oldrich Nový) with beautiful Clarence (Kveta Fialová). After the ceremony, Clarence's ex-husband, criminal Manuel Diaz (Waldemar Matuska), who was believed dead, shows up in her room. He wants to get his hands on Clarence and, most importantly, on the money she would inherit in the eventuality of her new husband's death. Diaz makes attempts on Hannibal's life. He knows his way about an underground labyrinth in the château and the traps he sets up for Hannibal seem to work, since Hannibal is apparently found dead after an explosion in the labyrinth, after which his body vanishes. The inspector tries to solve the countless mysteries. In this, he is joined by Allan, always ahead of the man of the law in his estimation and judgment of the situation.

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It is the 1930s. Physician Bartos devotedly attends poor patients in the city suburbs, at the same time researching the possibilities of regeneration of human tissues after transplantation. His former colleague Rosen, now working as an assistant at the private clinic of surgeon Kirchenbruch, considers the research a mere utopia. The disappointed Bartos, trying to verify his theories, therefore accepts the outrageous proposal of Marion, owner of a brothel - to surgically replace the face of her lover, the wanted thief Cutter, with the face of murdered Father Hopsasa. Bartos is well paid but his successful operation remains a secret.

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The year is 2163. Starship Ikaria XB-1 embarks on a mission deep into space in search of alien life. During their perilous journey the crew confront the effects of a malignant dark star, the destructive legacy of the 20th century and, ultimately, the limits of their own sanity.

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After inheriting a villa from his uncle, Emil Tuma meets its strange inhabitants, getting him in trouble.

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The Czech revival movement is divided at the end of the first half of the 19th century. While the older generation, such as František Palacký, urges restraint, students lean towards radical positions. A report on the revolutionary events in Paris prompts Czech Prague residents to write down the demands of the Czech nation for self-determination and the proclamation of a constitution. Tensions peak during the All-Slavic Congress in Prague's Žofín. Vienna rejects the Czech demands and the congress is brutally dispersed by the Austrian police. Prague begins to build barricades...

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The doomed love of a city girl caught in the vise of poverty is detailed in Vavra’s fluid, romantic work, one of the most elegant creations of the Czech Modernist era... The film lingers over its characters’ habitats and haunts, finding psychological truths in what each owns or desires, and countering every Hollywood-ready scene of gleaming restaurants and dazzling penthouses with realist moments of employment lines and crammed flats. Vavra’s classical camerawork and aura of romantic defeatism give Virginity a force comparable to the master of this genre, Hollywood’s Frank Borzage. (BAM/PFA)

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Attorney František Uher is known for his patriotic mindset and active assistance in disputes between the Czechs and the Austrian justice system. One of his clients is the poet Šulc, who, while staying with Uhry, discovers that the lawyer's wife Anna is flirting with Uhry's cousin Hojer. When Anna does not respond to Šulc's warning, the poet draws attention to Anna's relationship with Uhra. Uher wants to know the truth, so he returns early from a business trip and actually catches Anna cheating. Disappointment brings him to the "Batalion" pub in Old Prague, where Šulc also used to go some time ago. Here, Uher becomes a mentor to the poorest, but gradually falls into alcoholism. He once again finds strength and stands on the side of justice when he accuses the police in court of murdering poor Lojzík, who wanted to marry the unfortunate waitress from "Battalion" Mimi. After appearing in court, Uher is arrested and "Battalion" is closed. After his release, Uher becomes an organist...

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A fortune teller predicts that Dr. Přelouč will marry the third poor girl he meets. Míla, the daughter of factory owner Janota, likes the doctor and, with the help of his housekeeper Amálka, sneaks into his home disguised as a poor shoelace saleswoman. She first prepares for her role by exploring the outskirts, where she meets Vendelín Pleticha, who becomes her guide to the local pubs and her teacher of the vernacular. Dr. Přelouč is enthusiastic about the poor, uneducated girl and tries to teach her the basics of social behavior and standard language. All this until he discovers that Míla has deceived him and that Pleticha is not her father, as she had claimed...

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