Isabelle Miquelon

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At 53 years old, Feng Xia, a Chinese immigrant in Montreal, finally confronts her repressed desire for women and begins a secret affair with a young Québécoise.

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Montreal, 1991. Delphis, 11 years old, grows up in a disadvantaged neighborhood and an unstable family environment. One evening, he decides to take control of his life and becomes The Hurricane. Armed with a lightning bolt on his headband and his middle finger held high, he flees a world that has no place for him. With the police and the Youth Protection Services on his trail, he leaves a mother in distress and has significant encounters in the street. Conquering himself, his adventure is like a road trip, from Hochelag' to Berri, from one family to another. Under the impetus of a hasty adolescence, his freedom thumbs his nose at the indifference towards the marginalized. Social etiquettes burst forth in an assertive tone and sustained rhythm. Between punk music and Marjo, The Hurricane hits us in the face, without waiting to die!

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There is not only fresh air in Black Lake, there are also very mysterious things happening there... Valérie, a police officer from town, arrives with her son Dave to assist Adrien, the chief of police of a small village whose partner has been missing for 3 weeks.

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In a province not so distant from ours, now controlled by a far-right government, the borders are closed and immigrants, now under threat, are desperate to get out. A Haitian woman hands over her young son to a thirty-something Quebec man before fleeing. With help from a Vietnamese former refugee, they try to solve the mystery.

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The Cheval-Serpent is a male strip club with a sulphurous reputation whose success cannot be denied thanks to the work and vigilance of its owner and manager. But a change at Montreal's City Hall has repercussions on the bar and puts the institution in danger...

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Christmas approaches and the Lévesque family has once again gathered for their traditional celebration. But this time there is a mixture of emotions running through each person. The patriarch of the family suffers from a combination of Parkinson’s Disease and heart failure. His life reduced in every way, the end approaches and there are unhappy memories of his once violent and authoritarian past. But his wife, ten children and many grandchildren try to maintain a semblance of the Christmas season.

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Les Immortels, a group Paul formed with his friends Katia, Éric and Benoît, wins a contest organized by record company Cosak, and the grand prize is a contract to record their first CD. Although Giroux, Cosak’s owner, believes in the talent of Les Immortels, that’s not the case with his associate, Patrice Dubois, who makes things difficult for the young musicians.

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The detective Maud Graham hides her sensibility behind the image of a strong and independant woman. She frequently offers her hospitality to a 16-year-old prostitute, Grégoire, a young man who became her friend. But when the teenager decides to invite a 12-year-old boy who is running away from home, Maud is near illegality. In addition, the detective has to deal with a serial killer who had already killed and mutilated many women. When she understands that the killer is very intelligent and organized, she elaborates a strategy to arrest him. There starts a dangerous game where the two teenagers that Graham is protecting will be implied. The killer is getting closer, revealing more and more of his madness.

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Lance et Compte is a series of Quebec téléromans revolving around a Quebec City ice hockey team. The series aired from 1986 to 1989 on the Radio-Canada network, and revival series on TQS in 2001 and on TVA from 2004 to the present. The first season was filmed in both French and English, the English version appearing on CBC Television as He Shoots, He Scores. It was the first television series to air simultaneously in English on CBC and in French on Radio-Canada. The series was scripted by Réjean Tremblay and Louis Caron for the first season, and by Tremblay and Jacques Jacob after that. Following the end of the regular series, a number of television movies continued to air into the 1990s. A new generation of the series started to air in 2001 and a movie was made in 2010.

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As Quebec City reels from an unprecedented act of violence, the shooter’s final words make their way onto the public stage.

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