Armin Schweizer

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Widowed baker Zürrer has to raise his three children, who all turn out to be disappointments to him in various ways.

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Realist melodrama set in Zurich. In the old town district, people are concerned about Mäni, the child of a toilet attendant, who is growing up without a father. Postman Jucker appeals to the boy's conscience and protects him from unjustified accusations. After Mäni's mother dies, Jucker, who has become the child's guardian, takes Mäni into his home. Mrs. Jucker does not accept the boy and accuses Jucker of forgetting their own deceased child. Mrs. Jucker flees to her sister's house. Mäni also runs away.

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Wäckerli, policeman in the small Swiss village of Allenwil, is in trouble. His son Ruedi is unhappy in his apprenticeship and spends way too much money. And now 10'000 francs have been stolen from the bourough's community fund...

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The film is based on a true story, concerning a series of robberies on the highways of Germany. At the time of the actual events, there was a controversy over whether or not highway patrolmen should be given permission to use firearms against perpetrators.

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Heidi, a young orphan girl living with her aunt in Frankfurt, is forced to move to the Swiss Alps to live with her ornery grandfather. At first, he resents her presence, but, after a short while, Heidi manages to pierce his gruff exterior, and the two become close. She also befriends a young shepherd named Peter. After three years, Heidi's aunt arrives and demands Heidi's return to Frankfurt.

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Schaggi Streuli was not his real name. Born Emil Kägi, he had little luck in the first 30 years of his life. As the sixth child of an alcoholic and also a divorce goof, it wasn't easy for Schaggi Streuli. After that he tried unsuccessfully as a pickle in Ticino and a butcher offshoot. His only consolation, acting. And as it turned out later; also his calling.

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If any one man is responsible for the rejuvenation of the postwar Swiss film industry, that man was director Leopold Lindtberg. Matto Regiert (Madness Rules) was co-adapted for the screen by Lindtberg from a novel by Friedrich Glauser. Heinrich Gretler stars as Police Constable Studer, the hero of several of Glauser's most popular works. This time, Studer must solve the murder of the director of an insane asylum -- and it's not (surprise, surprise) the most likely suspect, manic-depressive patient Herbert Caplaun. For box-office purposes, Matto Regiert stresses a romantic subplot involving Caplaun and nurse Irma Wasem.

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The titular Marie-Louise is a young French lass who is evacuated to Switzerland when her country is overrun by the Nazis. Suffering a nervous breakdown, she is given comfort and shelter by a wealthy family. Unfortunately, living in the lap of luxury makes Marie-Louise hesitant to return home to her mother and war torn home. Eventually the girl comes to her senses, but it isn't easy.

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Legendary, immortal nobleman Baron Munchausen regales a lovestruck woman with tales of his amazing adventures.

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The Termoehlens belong to the old farming class in Flanders. Their estate does well and their flax is the best far and wide. And as is the custom, old Termoehlen is like a ruler over his family, the servants and the maidens. Even his son Ludwig, who has just returned from agricultural school with all his ideas on how to improve the farm, doesn’t stand a chance. When Ludwig falls in love with the maiden Rieneke – known as Schellebelle – his father become a despotic enemy.

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Teresa is a young, always cheerful woman, who has a harmonious marriage with the writer Peter Duhren. Unfortunately, it’s so harmonious, that he’s uncapable of writing a novel. So he decides instead to write a book about his own marriage. Teresa is so horrified about this indiscretion, that she asks for a divorce. Peter is prepared to withdraw the book from circulation to save his marriage, but when he finally is about to do so, it becomes a bestseller. Despite attempts at reconciliation, Teresa leaves his. So much for the alleged ‘harmonious’ marriage.

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A big explosion in a pulp mill causes a lot of damage. The police suspect a crime and put up a 5,000 Mark reward for information leading to the arrest of the perpetrator. Egged on by his wife Ursula, the insurance agent Rolf Kettner sees his chance to prove his detective capabilities and to track down the culprit.

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As the son of a fashion house owner in Zurich, Hans Haberland apparently can offer his lovers any article of clothing, for which they're willing to sell themselves. His current girl-toy Lizzie wants this fantastic, sky blue dress -- but it's that dress exactly, which his father has just sold to a business buddy in Berlin. Oh, the shortages and traumas of war one has to put up with!

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Movie based on the novel by Christel Broehl-Delhaes

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A policeman is not convinced that the prime suspect in a murder case is realty guilty and so decides to reinvestigate the case, despite the lack of co-operation from locals.

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After losing almost all of his money, a young marquis discovers that among his few remaining possessions is a magical piece of leather which is capable of fulfilling any wish. However, every use of it will make it less effective and furthermore will shorten the life of its user. Nevertheless, the marquis uses the magical object ruthlessly in order to regain his wealth and especially to get the love of Feodora, an actress. But all his efforts only seem to lead to doom…

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Pierre Pasqual has just about everything his heart desires: in his career as a commercial pilot, he is well known and successful; he has wealth and a beautiful wife. The only thing is, that because of his career, Pierre is frequently away and the thought constantly tortures him, that his wife is up to something when he’s not home. “Who’s kissing Madeleine?” is the question Pierre must have answered.

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An operetta directed by Herbert Maisch.

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A mountain film set around the popular ski pass in the 1930s.

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Adaptation of Tolstoy story in which a female pianist is the center of a struggle between her husband and his violinist cousin ,a struggle that leads to a tragic conclusion.

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The film follows the life story of Johann Augustus Suter, the owner of Sutter's Mill, famous as the birthplace of the great California Gold Rush of 1848.

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A woman discovers after she has just married him, that her husband is abusive, and she tries to get away.

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When Sir John Falstaff decides that he wants to have a little fun he writes two letters to a pair of Window wives: Mistress Ford and Mistress Page. When they put their heads together and compare missives, they plan a practical joke or two to teach the knight a lesson. But Mistress Ford's husband is a very jealous man and is pumping Falstaff for information of the affair. Meanwhile the Pages' daughter Anne is besieged by suitors.

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The student Hans Kessler is suspected of having murdered the banker Hergotin, who has been found dead in his hotel in Zurich. When a search is launched for an unknown woman, who was seen in the hotel at the time of the murder, Hans suddenly confesses to the deed. The prosecution is headed by Schweda and Hans is sentenced to fifteen years in prison. Only afterwards does Regine, Hans' sister, find out about the events. She is convinced that her brother is innocent and is covering for the actual murderer.

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"The Man with the Paw" is what people call the very successful banker Wiegant, who is desperately in love with Lena Kroning, the wife of the lawyer Hugo Kroning. So as to be nearer to her, Wiegant hires her husband to be the bank's lawyer. Shortly thereafter, Wiegant is suspected of having conned the Countess Steindorff during a telephone conversation; but he never did. During the relevant period of time, he was with Lena "having tea" (uh huh), which he conceals from the lawyer-husband, so as to protect Lena.

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Seven men in peaceful Switzerland swear lifelong friendship while the rest of the world is at strife. A conflict arises when the daughter of one falls in love with the son of another.

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An Austrian officer falls in love with a Polish girl at a Saint Petersburg New Year's Party in 191, but war soon breaks out.

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The story revolves around the confusion that arises when a supposed gold discovery in Valais divides the village community. The plot combines elements of a cultural film about old customs in the Lötschental valley with a naive storyline that achieves a strangely powerful effect through its simple realism.

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