Álvaro de Luna

A walk through the golden age of Spanish exploitation cinema, from the sixties to the eighties; a low-budget cinema and great popular acceptance that exploited cinematographic fashions: westerns, horror movies, erotic comedies and thrillers about petty criminals.

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Four desperately bored retired men yearn for some excitement in their lives to make them feel alive. Whilst trying to occupy his mind by writing a terrible book, Telmo is reunited with his two best friends from school. Mornreal, who is just out of prison, can’t bare to see his old friends fading away so he comes up with a plan to break the daily boredom and to inject excitement into his friends’ lives. With nothing to lose, the old friends embark on a mad, wild adventure that results in a bizarre robbery of a museum.

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A vindication of the role of the technicians and artists who made spaghetti western genre possible, and a walk through the landscapes that made it possible to recreate in Spain, mainly in the desert of Almería, hundreds of adventures set in the remote American Far West.

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“The Meadow of Stars” refers to Alfonso's childhood memories. Fifty years later, he lives as a retiree in the home he has always known, in a large town nestled between a stormy sea and the mountain range.

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Ani and Niko are 16 and dating, but their lives couldn't be more different. She is the daughter of a taxi driver and a housewife and has always been happy and contented. Niko delivers pizzas, his mother is an alcoholic since his father abandoned them and his brother is a gang member and drug addict. The world of the young couple is altered by the increasingly frequent appearance of burned cars on weekends. Organized neighborhood patrols in the working class neighborhood will eventually trigger a tragedy that will affect them both.

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Spain, fifties. In a town grew around a living factory Jorge (Tristan Ulloa), the youngest son of the founder, and Elisa (Laia Marull), daughter of accounting. The two live with their families and are able to endure the monotony of their lives because they spend the afternoon on Wednesdays and Saturdays at a hotel in the city. This secret life together is essential for both. The small room in the city where encounters occur has become the only place where they can be themselves. That little space, a little sinister, find it more cozy, warm and near the home of Elisa gorgeous, spoiled by the mother, or the great house of George, full of family memories. Both are aware of the type of relationship they have created, and not demand more. Until Elisa decides to break the rules.

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Spain, 1938, during the Spanish Civil War. Carol, a 12-year-old Spanish-American girl, arrives in her mother's hometown and transforms the secretive family environment. Her innocence and rebellious nature drive her at first to reject a world that is at once foreign and completely new.

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After the death of her mother, Elena (Charo López), a mature woman, begins to realize that her life, although not alone, is marked by loneliness; her marriage to Enrique (Ramón Langa) is a failure, and her relationship with her daughter Merce (Ingrid Rubio) is almost nonexistent.

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Winter, 1944. Lucía at 21 returns to her small village in the mountains. She again meets Manuel, a young iron-smith who helps "those in the mountain", the "maquis", the anti-Franco resistance. Lucía is attracted to Manual, because of his smile and the bravery of those men who continue fighting for their ideas, even at the cost of their own lives. When Manuel is pursued (by Franco's Civil Guard) he flees to the mountain and Lucía discovers the reality of political repression, the silence, the horror and fear.

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Five legendary bank robbers carve out a nice lifestyle for themselves during their long sentences in a Spanish maximum-security prison, where the guards and inmates buckle to their every demand. When they are granted a surprise and immediate release, they flounder on the greatly changed, modern streets of Madrid. They plan one more major heist, but do they have the updated skills and wherewithal to pull it off?

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At the end of the 19th century, Goyo, a young laborer from the Canary Islands, is forced to enlist in the Spanish army to fight the Cuban independence revolt. During the war, Goyo will share hardships with his comrades Galleguito and Sevillano, and fall in love with a young Cuban woman...

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A mature and successful businessman leads a peaceful life with his ​​family and his lover. However, his life is greatly complicated when found dead in bed a girl who had spent the previous night with him. The first thing that comes to mind to solve the problem is to remove the body, but that's not easy. Still, the case is much worse when someone who seems to know what happened, begins to blackmail.

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Telenovela in six chapters adapted from the original screenplay by Gabriel García Marquez, directed by Ruy Guerra and shot in Cuba in 1991.

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A pharmacist attends to her colorful neighbors with the help — or distraction — of her eccentric assistants, restless children and flirty ex-husband.

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In the 13th century, desolation and misery lead the inhabitants of a village in the Pyrenees to emigrate to Burriana, in Valencia, a region considered to be the Promised Land. During the journey, love, hatred and suffering will jeopardize their arrival at their longed-for destination. At the same time, they will be involved in the war waged by King James I to reconquer these lands held by the Muslims. Reaching the end of the journey will be an odyssey.

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This is movie is about the story of the people who keep on fighting after the Spanish Civil War were officially finished. They were republicans who took shelter among the mountains (principally the mountains in the north of Spain, between Asturias and León). These people were called "maquis" and defended the thought of a Spain free of the implacable fascism of the illicit military government of General Franco, who took the power in a bloody cruel civil war. Ramiro, Santiago and Gildo are the three main characters of the movie. Santiago and Gildo got killed and eventually Ramiro decided to escape to France, bored of being isolated by the democratic governments of other countries in Europe what kept General Franco in despite of the Republican Government, elected by the Spanish people and not by the power of guns.

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A group of generals of the army meet for a course about NATO and new weapons. In the beginning everything is normal but as the time passes they behave more and more like school children.

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Film homage to the great Spanish poet Federico García Lorca, in which they dramatize fragments of his poems and the play "La casa de Bernarda Alba". From his texts, the voice of the poet himself weaves the plot. His characters come to life: El Amargo, which runs from a poem taken from "El Cante Jond" to the "Romancero Gitano". The Woman, blurred and present in so many of his poems. The Mother, a living synthesis of his play-writing. The balcony is open from the hidden Granada to exciting New York. From the rider of tireless riding to the mysterious baroque of Holy Week. From the first babble of the poet to his violent death. Spain is behind its lyric. Also in many images and tensions of the film. The argument of this one wants to approach the argument of a poet. His life and his work, united irremediably.

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The establishment of obligatory school for children divides to a father and his little son.

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The former pupils of the school "Ateneo" meet several years later to honor the retirement of the head master, Mrs. María. The house where everyone meets, still evokes ancient memories from that time. One of them proposes something very special, to play the journey exactly as they used to do it. From the 40 people committed, only 9 show up. Their frustration grows when the journey begins and they still don't know what are they going to do.

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Juan Sahagún, since childhood, feels passion for his mother. One day in the street he sees a woman identical to her. He follows her and finds out that she works as an actress in a theater company, so Juan decides to hire the whole company to represent the people who have influenced him in his past. They recreate the same situations of yesteryear and Juan acts as the child he was, to relive the memories already forgotten.

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