Eizaburo Shiba

A ferry captain named Sugisaki (Takahashi Hideki) and his first officer, Kojima (Funakoshi Eiichiro), participate in a photoshoot conducted by camerawoman Yamaka Shiori (Ohama Tomoko) of the ferry. The ferry reaches Miyazaki and Sugisaki and Kojima go to the hotel where a showing of Yamakawa's photos is being held. Yoshizawa (Nakajima Hisayuki), a magazine editor, is waiting for Yamakawa at the hotel.

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The drama, based on a novel by Keiichiro Ryu, tells an alternative history in which the historical shogun Tokugawa Ieyasu is killed at the Battle of Sekigahara and his double Jirosaburo Serada becomes the ruler of the country instead.

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The organization Mighty Jack is formed to combat the criminal syndicate known as "Q", and are given a large array of advanced weapons, chief among them being a high-tech submarine. Harold Hatari is abducted by Q, and Mighty Jack is dispatched to rescue him. Hatari is interrogated and threatened with blinding lights, but the Mighty Jack crew rescue him in the nick of time. Later, Q is discovered to be using "hot ice" (water that remains solid at room temperature) to create weapons and a secret ocean base disguised as an iceberg (though it's not precisely clear how hot ice could be a major world threat). Q then attempts to take over the Mighty Jack sub.

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Shinza is known for his stubborn personality and continues to hold a low-ranking position as a magistrate, despite his colleague Kato becoming the deputy chief retainer. His daughter has feelings for Hachiro, one of her father's subordinates, but she is afraid to express her emotions because of Shinza's intimidating presence. One day, Shinza gets involved in a violent incident within the castle.

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A TV film based on the kidnapping and murder of 4 year old Yoshinobu Murakoshi.

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Buddhist priest Tripitaka and his three disciples Monkey, Pigsy, and Sandy, travel from China to India to fetch the Buddhist scriptures. They have been sent by Buddha, and getting these scriptures will bring peace to the people of the world.

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Two lovable idiot "private detectives" (or at least, that's their cover story —more like gangsters) try to make ends meet on the mean streets of Tokyo.

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Ogami Itto is a master swordsman who holds a position of high power in the Tokugawa Shogunate. Highly trusted by the Shogun, he serves as the official decapitator, assisting lords and samurai who have been ordered by the Shogun to commit seppuku. One day, Itto’s wife and members of his household are brutally murdered by a clan seeking to avenge their lord’s execution, which had been carried out by Itto. In the wake of the attack, two items are left in Itto’s home: his unhurt infant son, Daigoro, and a symbol meant to signify Itto’s betrayal of the Shogun. Disgraced by the false symbol, Itto is labeled a traitor and forced to forfeit his position. He becomes a ronin, wandering the country with his son, searching for the men who killed his wife, seeking to clear his name and avenge her death.

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Legendary swordplay filmmaker Hideo Gosha's Sword of the Beast chronicles the flight of the low-level swordsman Gennosuke, who kills one of his ministers as part of a reform plot. His former comrades then turn on him, and this betrayal so shakes his sense of honor that he decides to live in the wild, like an animal. There he joins up with a motley group who are illegally mining the shogun’s gold, and, with the aid of another swordsman, gets a chance not just at survival but to recover his name and honor.

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University karate club member Kikuo is actually the son of a yakuza boss. However, he disliked his father's business and never spoke about his family at school. One day, his father, Tatsuzo, becomes the guardian of the Yamanaka-gumi.

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Shiba, a wandering ronin, encounters a band of peasants who have kidnapped the daughter of their dictatorial magistrate, in hopes of coercing from him a reduction in taxes. Shiba takes up their fight, joined by two renegades from the magistrate's guard, Sakura and Kikyo. The three outlaws find themselves in a battle to the death.

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Master swordsman, Tsukue Ryunosuke is confronted by the families of his victims. Will justice be served for the lost innocent lives? The conclusion of the famed Jidaigeki series is an amazing film, with a completely different perspective on the story from the later versions. While the international audience is more familiar with the “Sword of Doom” and “Satan’s Sword” versions of Daibosatsu Toge (The Great Bodhisattva Pass), the “Souls in the Moonlight” trilogy casts an entirely different light on Ryunosuke and his motives. Can this brutal killer be brought to justice, or is living his life as a blind wanderer a more terrible fate? His sword skills have not diminished, nor has his desire to kill!

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A touching action film about a young yakuza who becomes infected with evil because he has the ability to easily decipher the mechanism of a safe. After being released from prison, he hopes to be rehabilitated thanks to the love of his family and risks his life to fight the evil that stands in his way.

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This is the second installment of the trilogy based on Japan’s greatest novel “The Great Bodhisattva Pass”, following the life and times of bloodthirsty samurai, Tsukue Ryunosuke. Blinded in an explosion and further injured from a fall, the master swordsman is taken in by Otoyo, a woman who falls in love with him. Under Otoyo’s dedicated care, Ryunosuke’s physical and emotional wounds seem to heal. However, deep inside, the demons that drive him to kill yearn to resurface. Meanwhile he is being pursued by Utsugi Hyoma, a young samurai seeking to avenge his brother’s death at Tsukue’s hands. Hyoma is being aided along the way by the clever thief Shichibei.

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First part of the famous Dai-bosatsu toge trilogy, based on Kaizan Nakazato’s unfinished long series of novels (41 books, written from 1913 to 1941). Set in the last period of the Tokugawa Shogunate, Daibosatsu Toge tells the story of Tsuke Ryunosuke, a nihilistic swordmaster who doesnt hesitate to kill anyone, bad or good. Despite the authors explicit refusal, the series were later made into plays and movies several times.

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