Zdeněk Podskalský

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When he didn't want her, a stick or a charmer was used, in more serious cases the love stone helped. When he wanted her too much, an extract of wormwood, comfrey and anise, slightly sharpened with brandy, was slipped to the young man. The marriage recipes were simple at first glance and apparently very effective, judging by the punishments of those who secretly engaged in witchcraft alchemy. Even three hundred years ago, association with unclean forces and possession by the devil meant being sent to the stockade or sentenced to death by burning. This was exactly the fate that befell Magdalena, the parish cook, and Marta, the widow of a wigmaker. As witches, they were condemned to have their souls wander forever without consolation. Three hundred and thirteen years later, Magdalene and Martina's souls managed to "incarnate" into the bodies of two modern women.

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The director and choreographer from Prague are preparing a show performance "Oriental Fairy Tale" - a ballet on ice with the participation of vocal and instrumental ensembles and pop singers. They are shooting their picture in Kazakhstan at the Medeo high-altitude skating rink.

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Deputy of cartography enterprise Mr. Ciruvka tries to seduce the colleague's assistant to destabilize his confident in a run for the director's chair. But things can go wrong.

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Mr Jiš managed to give his first script at Barrandov. Already in the preparatory phase, he discovers with horror that the filmmakers have completely bypassed his intention - instead of a probe into the life of a contemporary village, they are preparing a spectacular musical show, which they are convinced will be a hit with the audience. The very first shots speak volumes. An elegiac arrives in the village of Lipovec and is greeted with singing and dancing by all the local officials and ordinary citizens, as this coveted expert is to help them increase their hectare yields with his progressive methods. The filming continues in a similar vein, and the newly minted screenwriter can't help but wonder...

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A comedy about exchange of 12 apartments , which, its organizer, lawyer Radosta, rightly called Action Ball Lightning. To prepare, organize and execute the exchange of twelve apartments is a work worthy champions. Radosta, who was excellently played by Rudolf Hrušínský, solved all sudden difficulties and complications on the fly and with grace. To be sure that the on the D-day everything goes well he prepares a little rehearsal, which reveals many minor issues caused for example by wedding ordered to inappropriate term or hesitation of some participants. Last but not least a night exercise announced by drunk psychologist Knotků, creates a lot of confusion that nearly sabotaged the whole operation.

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Alfons is invited by his brother-in-law to his niece's wedding. The uncle arrives in his luxury car. However, the wedding guests ignore his anxious worries about the car and send him here for beer, there for cement. The uncle objects, but the energetic bridesmaid acts. The car suffers, and so does the uncle. When the wedding guests finally decide to go to the town hall, the car is almost impassable. However, the confusion is far from over...

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A musical and entertaining féerie based on the contrast between the world of classical music with its musicians and the world of sports with hockey players on the ice and fans in the stands.

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Two kind but foolish sisters live together in their villa in a small town in South Bohemia. Fany (Natasa Gollová) has never married and Andelka (Eva Svobodová) is a widow. In the morning, the two sisters go into town. They need to buy fuel oil, put money in the bank and give plums to the teller. In the meantime an smallish orange Skoda MB car parks at their house, with Hermínka (Iva Janzurová), the old ladies' niece, and her fiancé Michal (Jirí Hrzán) in it. Michal has forgotten to bring flowers and has to go into town to fetch them. At the bank, Fany wants to deposit money but the minute the teller opens the safe, a thief arrives. He knocks the teller and Fany unconscious and runs away with the money. When Fany comes to her senses again, she sees Michal and accuses him of being the thief.

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No Woman is allowed into Karlstejn Castle! Yet the enamoured Daniele Kolářová and the equally enamoured Jana Brejchová manage to spend one night in disguise in the Castle despite the strict royal ban.

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A certain Mr. Mlácen is brought to the asylum, wanting to sell two church bells. He first offers them to merchants in an inn. He claims that he received them as an inheritance from his uncle, but he doesn't know what to do with them. But no one wants to buy them. Because of this, he first finds himself in a commissary and is eventually sent to an asylum. The professor (L. Kopřiva), who believes that Mr. Mlácen suffers from some kind of fixed idea and is mentally ill, promises him that he will buy his two bells back...

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A parody of operetta costumes, personas, old familiar situations with old familiar sandboxes and a happy ending.

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Black comedy about a genius inventor and two young, smart and beautiful women. Both of them putting all their effort into getting the one man. This will inevitable lead to all sorts of mischief, crime and even a murder. This murder-comedy, shot at the dawn of normalization has intentionally broke off from any connection to the reality of its time. The director Zdeněk Podskalský has focused on creating intriguing story lines, revolving around the two endeavouring female characters who are fighting for the same man. Two competing parties are not only ready to kill the other, but also (if necessary) the potential groom. This film has enabled the members of the cast, composed mainly of the brightest stars of the Czech acting scene of that time, to show an incredible acting range, from the lightest comedy to the darkest cynical morbidity.

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The servant Josef enters the seemingly peaceful household of the psychiatrist Jaroslav and his wife Žofie, a great lover of the theatre. He is supposed to serve the purpose of increasing the prestige of the family, but he is the true source of confusion and senseless actions. The household becomes a real madhouse. Friend Arthur advises how to get rid of the servant. He will have to be persuaded that Madame Sophie is a psychiatric case. But as we watch this mess, the question gradually arises - who is the madman here?

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Deputy of cartography enterprise Mr. Ciruvka tries to seduce the colleague's assistant to destabilize his confident in a run for the director's chair. But things can go wrong.

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Mr Jiš managed to give his first script at Barrandov. Already in the preparatory phase, he discovers with horror that the filmmakers have completely bypassed his intention - instead of a probe into the life of a contemporary village, they are preparing a spectacular musical show, which they are convinced will be a hit with the audience. The very first shots speak volumes. An elegiac arrives in the village of Lipovec and is greeted with singing and dancing by all the local officials and ordinary citizens, as this coveted expert is to help them increase their hectare yields with his progressive methods. The filming continues in a similar vein, and the newly minted screenwriter can't help but wonder...

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Francin, manager of a small-town brewery, has a charming wife whose abundant blonde locks are an adornment to the town. Maryska looks ethereal but loves meat and beer, while Francin is an ascetic. The strict members of the brewery board of directors come to audit the accounts, but are diverted from concentrating on Francin's detailed reports by Maryska, who has organized a pig-killing feast and is ably assisting the butcher. When she invites the old curmudgeons on the board to enjoy the fresh pork, they are too happy to agree. Francin doesn't know whether he is going to get a permanent contract. To make things worse his brother Pepin - eccentric, noisy and garrulous - turns up on an indefinite visit.

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A New Year's Eve television variety show from late 1978.

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The Haszler songs of Prague, so popular in the late nineteenth and early twentieth centuries, have not aged. They are still sung in pubs and on construction sites, in short, everywhere. They also have their place in the love stories from old Prague, so beautifully told by Miss Veronika. Their heroine is Miss Stázi, who at first had no luck in love with the student Tadeáš. But then she fell in love with three gentlemen at once. The shy Mr. Alois, the cheerful Mr. France and Mr. Johannes, who seduced her behind the Horse Gate. But in the end she preferred the old but rich landlord. Three abandoned gentlemen nearly took their own lives under the Stone Bridge. But grief overcame them and the gentlemen settled down to marriages richly blessed with adorable children. And Miss Stasi? She ran away from the old man and returned to Mr. Franco when he came home from the army.

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Shortish forty-year old Ludvík Podzimek, lute and flute player in a Prague orchestra, is far from being an attractive man. He is nevertheless generally considered a great 'Don Juan'. Women take up with him out of a certain motherly compassion and Ludvík's tender heart does not allow him to split with any of them. His lovers thus accumulate and cause him numerous troubles.

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In the Hussite times, religious truth was sifted even on the tips of weapons. When in 1430 the Hussites set out on a raid to Nuremberg, the so-called Spanila Cavalry, to defend their doctrine, the young commander of the cavalry, the landowner Keřský, whose bride had once been kidnapped by a vicious crusader, saw it as an opportunity for personal revenge. Although Oldřich Daněk has tried to establish a distinctive interpretation of historical events, he reflects on where the blinded desire to punish a bad deed with further cruelty leads, but his version seems too thesis-like and lifeless, it does not rise above the descriptively illustrated scenes from old Czech chronicles...

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The music and dance revue about the clown and the girl from the poster takes place in the streets of Prague, in the quiet corners of the Old Town, Lesser Town and Hradčany with the famous motifs of the Gothic gargoyles of St. Vitus Cathedral at Prague Castle, but also on the keyboard of a mechanical typewriter and in the dramaturgical meetings of the then Czechoslovak Television.

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Deputy of cartography enterprise Mr. Ciruvka tries to seduce the colleague's assistant to destabilize his confident in a run for the director's chair. But things can go wrong.

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A New Year's Eve television variety show from late 1978.

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A musical and entertaining féerie based on the contrast between the world of classical music with its musicians and the world of sports with hockey players on the ice and fans in the stands.

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Two kind but foolish sisters live together in their villa in a small town in South Bohemia. Fany (Natasa Gollová) has never married and Andelka (Eva Svobodová) is a widow. In the morning, the two sisters go into town. They need to buy fuel oil, put money in the bank and give plums to the teller. In the meantime an smallish orange Skoda MB car parks at their house, with Hermínka (Iva Janzurová), the old ladies' niece, and her fiancé Michal (Jirí Hrzán) in it. Michal has forgotten to bring flowers and has to go into town to fetch them. At the bank, Fany wants to deposit money but the minute the teller opens the safe, a thief arrives. He knocks the teller and Fany unconscious and runs away with the money. When Fany comes to her senses again, she sees Michal and accuses him of being the thief.

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No Woman is allowed into Karlstejn Castle! Yet the enamoured Daniele Kolářová and the equally enamoured Jana Brejchová manage to spend one night in disguise in the Castle despite the strict royal ban.

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Black comedy about a genius inventor and two young, smart and beautiful women. Both of them putting all their effort into getting the one man. This will inevitable lead to all sorts of mischief, crime and even a murder. This murder-comedy, shot at the dawn of normalization has intentionally broke off from any connection to the reality of its time. The director Zdeněk Podskalský has focused on creating intriguing story lines, revolving around the two endeavouring female characters who are fighting for the same man. Two competing parties are not only ready to kill the other, but also (if necessary) the potential groom. This film has enabled the members of the cast, composed mainly of the brightest stars of the Czech acting scene of that time, to show an incredible acting range, from the lightest comedy to the darkest cynical morbidity.

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Alfons Karásek says goodbye to his wife Růžena at the train station, who is going to the spa. He plans an erotically filled week, full of women and flings. One lover for each day. But right from the start, the intricately constructed itinerary goes awry. In the end, he finds himself in his apartment full of beautiful women, including, unfortunately, his returning wife...

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The Haszler songs of Prague, so popular in the late nineteenth and early twentieth centuries, have not aged. They are still sung in pubs and on construction sites, in short, everywhere. They also have their place in the love stories from old Prague, so beautifully told by Miss Veronika. Their heroine is Miss Stázi, who at first had no luck in love with the student Tadeáš. But then she fell in love with three gentlemen at once. The shy Mr. Alois, the cheerful Mr. France and Mr. Johannes, who seduced her behind the Horse Gate. But in the end she preferred the old but rich landlord. Three abandoned gentlemen nearly took their own lives under the Stone Bridge. But grief overcame them and the gentlemen settled down to marriages richly blessed with adorable children. And Miss Stasi? She ran away from the old man and returned to Mr. Franco when he came home from the army.

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A detective story revolving around an ancient treasure from the ninth century, believed to have been destroyed during World War II, takes place in an archaeological environment. Its main character is, alongside Captain Exner, who is investigating a strange murder committed on the premises of a scientific institute, a young student at the Academy of Sciences and Arts of the Slovak Republic, Kamila Housková, who discovers that the treasure was not destroyed, but most likely stolen. The bright girl continues her search for the treasure against Captain Exner's will and leads the investigators to a trail that proves the connection between the lost treasure and the murdered woman...

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Shortish forty-year old Ludvík Podzimek, lute and flute player in a Prague orchestra, is far from being an attractive man. He is nevertheless generally considered a great 'Don Juan'. Women take up with him out of a certain motherly compassion and Ludvík's tender heart does not allow him to split with any of them. His lovers thus accumulate and cause him numerous troubles.

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After a night of partying together, the groom-to-be and his friend wake up to find that the wedding is taking place today. The movers are already bringing in new furniture, and on the way to get the bouquet, the groom, who is still slightly drunk, suffers an accident. The friend leaves to calm the bride down and is almost married himself. After various obstacles, the wedding finally takes place.

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This castle has its own ghost - a mysterious White lady. She emerges from the painting on the wall when someone speaks out magic formula. White lady is good ghost, she can make someone's wishes true. Even if it is a new duct. But a miracle is not the thing that Communist leaders want in the town.

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A satire about small and large crooks who thrive in a planned economy. They made great use of all its strengths and weaknesses.

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Songs about eternal love, American vagabonds, cowboys and desperadoes, with the romance of railways and trains speeding into the distance are recorded as film songs, and so, for example, in the well-known standard Franck and Johnny you will see M. Kopecký, J. Jirásková, J. Lír and others singing. In Chajda drnový, W. Matuška and K. Štědrý, K. Gott rides a horse or sails on a boat and R. Cortéz cries (off-screen) over the death of the famous robber Jesse James...

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The music and dance revue about the clown and the girl from the poster takes place in the streets of Prague, in the quiet corners of the Old Town, Lesser Town and Hradčany with the famous motifs of the Gothic gargoyles of St. Vitus Cathedral at Prague Castle, but also on the keyboard of a mechanical typewriter and in the dramaturgical meetings of the then Czechoslovak Television.

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Working in the city office is a bitter clerk who believes he has only 14 days to live and so he bravely stands up to his bureaucratic director.

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A detective comedy about ex-cashiers who - except for one - have improved and lead a proper and peaceful life and mostly desperately resist the slightest reminder of their past. However, one of them, Josef Fiala, formerly known as Procházka, is one day asked to open a safe in the Sitex factory that has been slammed open with keys inside by careless employees. The operation goes well, but in time Fiala finds himself suspected of theft...

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A film documenting preparations for the 11th Sokol festival – from training in gyms throughout the country to practical issues concerning the organisation of the event. It shows how accommodation, catering, and transport in Prague were dealt with during the festival as well as how it was necessary to refurbish a stadium for it. It counts the numbers of workers and tons of material. It shows crowds heading to the stadium and it ends with the opening ceremony for the event.

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