Vladimir Horowitz

This is a film that encapsulates the essence of a great pianistic age that married virtuosity and musicianship with the most thrilling aspect of individual showmanship.

Open details →

Alexander Scriabin (1872–1915) born in Moscow, was an innovative, mystical, avant-garde Russian pianist and composer. This film explores Scriabin’s profound vision of art's unity — where music, movement, light and colour merge to create transcendent experiences. Some claim Scriabin pioneered atonality before Schoenberg. Key works: Poème, Op. 32 No. 1 (1903) and Vers la flamme, Op. 72 (1914). Featuring commentary from esteemed musicians like Eduard Artemyev, Vladimir Ashkenazy and Vladimir Horowitz, Artist: Hermann Nitsch, conductor Mikhail Pletnev and insights from Scriabin’s daughter: Marina Scriabine, this documentary offers a unique glimpse into the life and works of one of music’s most enigmatic figures. Shot across stunning locales in Switzerland, Italy and Russia, enriched with Scriabin’s own writings and rare archival materials. The highlight includes a historic recording of Scriabin himself, playing his Poem Op. 32 No. 1 on a Welte Mignon player-piano, recorded in 1908.

Open details →

Wanda Horowitz reminisces about her husband, the great pianist Vladimir Horowitz, with clips from his television appearances.

Open details →

Academician and piano expert David Dubal narrates this absorbing documentary chronicling the instrument's history and featuring some of the 20th century's finest pianists via archival film clips. Among the keyboard virtuosos are Vladimir Horowitz, Claudio Arrau, Van Cliburn and Glenn Gould. Extras include Arrau's 1983 performance of Ludwig van Beethoven's Piano Concerto no. 4, accompanied by the Philadelphia Orchestra under maestro Riccardo Muti.

Open details →

In March 1987, pianist Vladimir Horowitz embarked on an extraordinary project. For the first time in 35 years, he agreed to record with a symphony orchestra in a studio. He chose the conductor, Carlo Maria Giulini, the orchestra, the La Scala Philharmonic, and the location, the Abanella recording studio of La Scala in Milan. Horowitz steadfastly refused to allow the month-long sessions to be filmed, until the evening before the last scheduled session when he unexpectedly changed his mind. His manager, Peter Gelb, immediately telephoned Albert Maysles and Susan Froemke in New York, the co-filmmakers of "Vladimir Horowitz: The Last Romantic." That same night, the Maysles film crew flew from New York.

Open details →