Leonardo Villar

A tribute to the actor Leonardo Villar who, in his debut on the big screen, immortalized one of the most memorable characters in Brazilian cinema, Zé do Burro from the classic O Pagador de Promessas.

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Diogo is a cartographer and artist who is encharged to set the new frontiers of Portuguese Colonies in South America. When he reaches the center of the continent, finds apparently nothing but wilderness and ‘uncivilized’ natives with strange ways of living. But Captain Pedro, the rude scout who guides him through the jungle, involves Diogo in an involuntary act of violence which will tie him in an unusual way to that far away country. At the same time, the Portuguese colonists are trying to make peace with Guaicuru Indians (one of the few natives with horse-riding abilities). But peace doesn’t ever have a low price.

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A mature and successful woman, Helena becomes involved with Edu, who is twenty years her junior. She battles prejudice in order to live her love, but their romance fizzles out when she realizes that her daughter Camila has also fallen in love with him. Her dilemma grows even worse when she discovers that the girl has leukemia. Helena must disclose the real identity of Camila‘s father in order to try and find a compatible bone marrow donor. In order to save her, she decides to give up her new love and have another baby with her daughter‘s father.

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Brazil in the early 70s. Miguel, Eloi, Osvaldo and Paolo take part in armed attacks against the military dictatorship. They pay a heavy price with torture and arrest. Today the four friends still see each other. Only Miguel is politically active. On a photograph from a political meeting in Sao Paolo he recognises the policeman who tortured them 25 years ago and who was responsible for the death of Miguel's girlfriend. The policeman has been officially dead for a few years. On one of their fishing trips together, Miguel tells his friends of his discovery. When they hunt down and confront their nemesis they come into conflict with both themselves and each other.

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Os Ossos do Barão is a Brazilian telenovela produced by SBT and originally broadcast from April 28 to September 8, 1997. It is an adaptation of Jorge Andrade's 1963 play of the same name, adapted for television by Walter George Durst, with collaboration from Duca Rachid, Mário Teixeira, and Marcos Lazarini. The telenovela stars Ana Paula Arósio, Tarcísio Filho, Juca de Oliveira, Othon Bastos, and Leonardo Villar. Set in São Paulo in 1948, the story follows Egisto Ghirotto, the wealthy son of Italian immigrants who dreams of gaining social prestige by marrying his son, Martino, to Isabel, the great-granddaughter of the late Baron of Jaraguá. Their romance sparks a bitter conflict between a rising immigrant family and a declining aristocratic dynasty, exposing themes of class, ambition, tradition, and the social transformation of Brazil.

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"Portraits and excerpts from Brazilian films from all times. Actors, directors and images that affirm cinema."

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A museum worker - the watchman - motivated by the homonymous painting by Giorgio De Chirico, is introduced, through everyday life, into the metaphysical universe of the Italian painter.

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Ana and Zeca have a happy marriage, but they can't have children. To fulfill their dream, the couple hires the young Clara as a surrogate mother, which leads them into a legal dispute.

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Set in the early twentieth century and based on real facts, it tells the love story that led to the murder of one of the greatest Brazilian writers: Euclides da Cunha.

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The story of Domitila de Castro Canto e Melo, the Marquise of Santos, the most famous of the mistresses of Dom Pedro I, Emperor of Brazil.

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The story of Domitila de Castro Canto e Melo, the Marquise of Santos, the most famous of the mistresses of Dom Pedro I, Emperor of Brazil.

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The mining town of São João Del Rei became the setting for a romance set amidst discussions about land division.

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Set in Rio de Janeiro, the main plot follows the romantic adventures of four young people: Sônia, Joyce, Paulo, and Carlos. The youngest, Joyce, was raised by her aunt and uncle, Flávia and Dario Rodrigues, following her mother's death and her father's disappearance. Dario and Flávia are Sônia's parents, and they raised both girls as sisters. The story becomes even more complicated with the arrival of Carlos, a young man of humble origins who falls for Joyce the moment he meets her. Joyce, however, does not reciprocate his advances and spurns his interest. Increasingly in love with Paulo, she even pretends to be blind after an accident—solely to remain close to the doctor—and proves willing to do whatever it takes to keep Sônia out of her way.

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About English photographer Chick Fowle. Statements by Anselmo Duarte, Leonardo Vilar, Marlene França, Vanja Orico. A film about directors, actors and teams that Chick Fowle worked and works with, also showing the possibility of renewal that Brazilian cinema can and must have.

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The story is set in the fictional city of Albuquerque, in the interior of São Paulo, in the early 1960s – a time marked by changing behaviors in much of the world. There, young people enjoy the sounds of rock and twist on the dance floors, follow the fashion of jeans and leather jackets, and show off on Lambrettas and motorcycles through the city streets. In this context, Maria Tereza, a student teacher, dreams of living in the capital and being elected Miss Brazil, but clashes with her boyfriend, João. An idealistic young man who intends to pursue a career in journalism, he is consumed by jealousy of his beloved.

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Serafina is a romantic young woman who dreams of experiencing great love. Claude is a wealthy businessman who is in the country illegally. The two make a deal that will transform their lives.

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Professor Luciano Lima arrives in the fictional town of Nova Esperança to take over as principal of a school. A widower, he hires a governess to take care of his four children: Júnior, Babi, Zizi, and Rui. The professor and the governess, Paula, fall in love, but the romance faces strong resistance from the children, especially Babi, the most rebellious of the four. Luciano also encounters difficulties at the school. His former girlfriend, English teacher Maria do Carmo, does everything she can to steal his position as principal. Meanwhile, a group of maladjusted and rebellious students, led by the biker Rafa, disrupts the school environment and bothers the other students. In this scenario, Giovana, a young psychologist hired by Luciano to help him deal with the rebellious students, emerges. She ends up forming a love triangle with Paula and the professor.

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