Antônio Pitanga

Pasqualina, 91, is an old lady full of life who lives in a nursing home after having lost all her relatives. In a sunny day, she decides to run away from there: she wants to find a former love she had long lost sight of. In this journey, Pasqualina ends up meeting Petrolina, nicknamed Pety, an 8 years old dreamy girl, that resents the fact of not having a grandmother. The friendship changes their lives, and Pety, surprisingly, tries to adopt Pasqualina.

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Tony and his best friend, Ivy, decide to rob the bar where he works to steal a new drug that will take them on a journey to meet God.

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This biopic documents the life and work of one of Brazil’s most prolific artists: Milton Gonçalves. This actor and director are credited with more than sixty television titles, seventy movies and twenty plays. Known from classic full-length features like Macunaíma, They Don't Wear Black Tie and Kiss of the Spider Woman, his dramatic versatility also encompasses major Brazilian soap operas, including O Bem Amado and Roque Santeiro. With his talent, he overcame barriers faced by many Black performers in Brazil. An active on-screen and on-stage presence since the 1950s, his name is synonymous with the history of Brazilian television, theatre and cinema, making him a landmark talent in the performing arts world.

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Based on historical facts, the film portrays the largest slave rebellion in Brazilian history, the Malê Revolt. The uprising mobilized the black population in the streets of Salvador against slavery in 1835. After the failure of the revolt, the protesters were harshly punished and repression against black people in Brazil increased.

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An estranged grandmother reconnects with her granddaughter after a difficult diagnosis and asks her for help to accomplish the dream of going to Rio de Janeiro and being on a telenovela.

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The story of a mother and daughter with opposing views on the path to success in life takes the audience on a contemporary journey about character, ethics and honesty.

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In the backlands of Goiás, Brazil, brutish men who cannot deal with their weaknesses are constantly abandoned by the women they love. Sad and bitter, these men turn violently against each other.

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Gledson is a lonely worker who left his hometown with the dream of becoming an actor in Rio de Janeiro. Tormented by vague memories of his past, he sees his life change when he begins to write a book about Teresa, a prostitute who goes through death expecting a child and ends up on a fantastic island. When a friend of Gledson decides to turn his book into a film, reality and fiction mix: while Teresa has to decide what to do with the child born on the island and the writer deals with the challenge of becoming a creator, the film changes when the director confronts the experience of her own motherhood.

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Recently divorced, Roberta is living her best life, until she discovers that someone has turned her biggest secret into the plot of a soap opera — where she is the villain.

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Inspired by the 1993 Candelária massacre in Rio de Janeiro, four homeless youths—Douglas, Sete, Jesus and Pipoca—navigate street life, dreams, and survival, blending their stories with dreamlike sequences in the 36 hours before the massacre unfolds.

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When Alex and Eva choose to exchange vows at the very spot they first crossed paths, a series of hilarious missteps derails their journey to the altar.

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Aunt Virginia is a 70-year-old woman who has no children and has never been married, and ends up being convinced by her sisters, Vanda and Valquíria, to move to another city in order to take care of her parents. Taking place in just one day, the film follows Virginia's preparation to receive the sisters who are coming to her house to celebrate Christmas.

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A deck of cards discovered at an antiques fair reveals the eccentric past of a famous Arabian horse breeder, the photographer and filmmaker Lenita Perroy.

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The life story of Claudinho e Buchecha, greatest icons and most successful duo of the Brazilian funk melody in all time, showing how the rhythm and poetry of the periphery conquered Brazil.

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Marina Lenk is an experienced synchronized diver. However, an attack of Tinnitus — an unbearable ringing sound in the ears — drags her from the top of her game to the edge of madness.

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The film shows the resistance movement of the residents of Favela do Vidigal against the removal order, an important chapter in the history of Rio de Janeiro in the 1970s.

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A story about love and its different manifestations, told through the little boy Marcelino in search of his biggest dream: to meet his mother. Inspired by a famous book, the plot takes place in the 1940s.

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For this behemoth, Bressane took his opera omnia and edited it in an order that first adheres to historical chronology but soon starts to move backwards and forward. The various pasts – the 60s, the 80s, the 2000s – comment on each other in a way that sheds light on Bressane’s themes and obsessions, which become increasingly apparent and finally, a whole idea of cinema reveals itself to the curious and patient viewer. Will Bressane, from now on, rework The Long Voyage of the Yellow Bus when he makes another film? Is this his latest beginning? Why not, for the eternally young master maverick seems to embark on a maiden voyage with each and every new film!

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The 1948 South American Championship, won by Vasco, the first continental world champion. In the absence of period records, radio commentary was recreated, and the highlights were animated. The trajectory of CR Vasco da Gama up to that point: the fight against racism, São Januário as the country's main sports and social arena, and the culture dominated by Vasco fans.

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Brazil has a long tradition of coup d'états. These coups would have not been viable without the support of the big media, particularly TV Globo. Two Brazilian journalists in the UK reveal the manipulative tactics of these organisations.

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An older man begins to work in a modern dairy factory. He feels distant and does not identify with the place, the people and even the society. Little by little, he is approaching cows and oxen, transforming into an animal and returning to his ancestry.

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Vera, who fought in the armed left-wing movements against the Brazilian military dictatorship, has lived in multiple South American countries. Her daughter Tânica has been married to another woman for fifteen years, and they're about to have their first child.

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Christian and Renato are identical twins who have opposite lives: Christian grew up in an orphanage and is underemployed, struggling to survive. Renato was adopted by a rich family and had everything that money can buy. When they meet again as adults, a tragedy happens: Renato is murdered and identified as Christian who, in turn, takes the place of his brother. However, to this end, he must leave behind his identity and his great love.

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Conducted from interviews with personalities who lived with Leila Diniz (1945-1972), the documentary is a record of an era and, above all, it rescues the participation in Brazilian culture of the actress who opened the way for the sexual revolution during the dark years of the dictatorship.

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