Ryosuke Fukawa

Anna Kusakabe had it all: a high-powered career at a prestigious management consulting firm and a reputation for excellence. But when she abruptly resigns, she claims it’s to pursue financial independence and early retirement. In reality, her life is a chaotic patchwork of whims and temporary gigs. While organizing receipts for a struggling design studio, Anna crosses paths with Mizuki Seo, a brilliant yet notoriously ill-tempered character designer. Though she tries to keep her distance, she can’t ignore his tendency to accept exploitative work from shady clients. What begins as a simple attempt to intervene quickly spirals into an unexpected partnership. As Anna steps into the creative world to help Mizuki, the two polar opposites find their lives – and their professional futures – inextricably linked. Can Anna find the true independence she seeks, or will this messy collaboration change her life forever?

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Kurisu has always admired his father, who runs a tax accounting firm, and dreamed of working with him one day. To broaden his skills, he joined a major tax firm, but a professional setback left him disillusioned. His life takes an unexpected turn when he meets racehorse owner Sanno Kozo, reigniting his sense of purpose.

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A small-town college student and a cross-dressing beauty school student team up to explore fashion, self-discovery, and love in the city.

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Set on Hashima Island in Nagasaki Prefecture during the coal industry's rise in 1955, this story follows themes of family, friendship, and love. It contrasts the post-war era, where people had little but were full of dreams, with present-day Tokyo, where abundance prevails, but young people struggle to find their dreams.

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A busy publicist learns to open her mind and heart when she moves into a luxury apartment with a friend and her three free-spirited roommates.

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A spin-off Internet-only miniseries to Why I Dress Up for Love. This special series focuses on the story of Akiba Ryo and Kayano Nanami, co-workers of Mashiba Kurumi at EL ARCO IRIS.

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