Peter Handke

Four nameless people -- the old man, the woman, the soldier, and the gambler -- journey to a desolate wasteland beyond the limits of an unnamed city.

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In the space of a short 65 minutes, a woman enters the luxury apartment of a wealthy man with an eccentric fascination for the female form and is paid both for her sexual favors and for lying there naked and letting him examine the aesthetics of her body. For most of the hour, as the concise narration of Marguerite Duras' novel on eroticism and aesthetics fills the aural gaps, actress Marie Colbin's form fills the visual gaps. But unless viewers consider the feminine eyeball or microscopic views of skin exotic and worth lingering over, the eroticism lies more in the imagination than on the screen. In fact, the female body lying on the bed, taken away from the spirit that animates it, is really just a corpse -- raising the question, exactly what is the "malady of death?"

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Mourning for a lost relationship can be every bit as devastating as mourning for someone who has died. In this drama based on the director's own novel, a couple with an unhappy marriage agree to a trial separation. They try to patch things up, and at the same time other relationships begin to develop for them.

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Two young men come to the city in need of new experiences and some action, but life in the city is such that there was nothing left to experience. So the men imagined how one could live. But in the city there were other ideas about life. So begins the story of Philip Spade and Sam Beaumont in the city of San Fernando. The story of a life that we all know, but which never lived up to our expectations: a chronicle of current events.

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Based on Handke's 1986 poem "Canto alla Durata". The film explores the concept of duration through the Austrian writer's life and work, featuring actor Bruno Ganz reading poems written by Handke.

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In the sixties, Peter Handke was one of the first to show how the business works: the writer as angry young man and pop star of the literary scene. As soon as he was on the bestseller lists, he turned his back on the hype. For many years, he has lived and worked in his house in a Parisian suburb, more quietly and more hospitably. Peter Handke's precise, free gaze becomes perceptible in his texts, his conversations, the cosmos of his notebooks.

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A man and a woman share their musings on love and freedom one summer night. The couple’s conversation meanders through memories, unspoken desires and passion through poetic dialogue.

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Bernd Liepold-Mosser returns home to a place bordering the bilingual region of Lower Carinthia to talk to the people there about their “great son” Peter Handke. His search unearths the many unresolved contradictions and ambivalences of a small place where there is repression of the Slovenian-speaking past.

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Documentary about filmmakers of the New German Cinema who were members of the legendary Filmverlag für Autoren (Film Publishing House for Authors). Among them are Werner Herzog, Rainer Werner Fassbinder, and Wim Wenders.

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The early films of Wim Wenders are now regarded as landmarks of European film. Alice in the Cities, Wrong Move and Kings of the Road became foundations of the German New Wave and cemented the reputation of their director. In One Who Set Forth: Wim Wenders' Early Years Marcel Wehn explores the background to these films. Through personal recollection and rare home movie footage, it documents the director's early life, from experiments with his first camera, via his deviation from a career in medicine in favour of art and film, through to international recognition for the Road Trilogy. Central to these were themes that became cornerstones of all his work: national identity, the importance of personal relationships and the allure of the road. With contributions from the director and the many collaborators who helped define his vision, One Who Set Forth is a compelling account of Wim Wenders' life and work.

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The world premiere of the opera Spuren der Verirrten (The Lost) composed by Philip Glass.

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Four nameless people -- the old man, the woman, the soldier, and the gambler -- journey to a desolate wasteland beyond the limits of an unnamed city.

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Two angels, Damiel and Cassiel, glide through the streets of Berlin, observing the bustling population, providing invisible rays of hope to the distressed but never interacting with them. When Damiel falls in love with lonely trapeze artist Marion, the angel longs to experience life in the physical world, and finds — with some words of wisdom from actor Peter Falk — that it might be possible for him to take human form.

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In the space of a short 65 minutes, a woman enters the luxury apartment of a wealthy man with an eccentric fascination for the female form and is paid both for her sexual favors and for lying there naked and letting him examine the aesthetics of her body. For most of the hour, as the concise narration of Marguerite Duras' novel on eroticism and aesthetics fills the aural gaps, actress Marie Colbin's form fills the visual gaps. But unless viewers consider the feminine eyeball or microscopic views of skin exotic and worth lingering over, the eroticism lies more in the imagination than on the screen. In fact, the female body lying on the bed, taken away from the spirit that animates it, is really just a corpse -- raising the question, exactly what is the "malady of death?"

Open details →

Mourning for a lost relationship can be every bit as devastating as mourning for someone who has died. In this drama based on the director's own novel, a couple with an unhappy marriage agree to a trial separation. They try to patch things up, and at the same time other relationships begin to develop for them.

Open details →