Edgar Morin

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Football is both the place, the crystallization of sporting passion and the witness of identity imaginations. It is also an interesting and relevant area for discussing the migration issue. From the 1930s to the present day, football, notably with the composition of the French team, has reflected the plurality of the French population. Raymond Kopa, Michel Platini, Zinedine Zidane, Basile Boli... these four footballers alone illustrate the four major waves of immigration that France has experienced.

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Alain de Botton, Edgar Morin, Fredric Jameson, Mohsen Makhmalbaf, and Orhan Pamuk converse with Brazilian thinkers and artists, creating a dialogue based on their theories and constructing a reflection on identity in the contemporary world.

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A seventy-five-minute documentary featuring outtakes from "Chronicle of a Summer" (1961), along with new interviews with co-director Edgar Morin and some of the film’s participants.

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Colleagues, friends and specialists pay tribute to the filmmaker Mario Ruspoli in a portrait that mixes encounters, archive images and film excerpts. With testimonies from Richard Leacock, Albert Maysles, Edgar Morin, D.A. Pennebaker and others.

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Urban sprawl, extinct species, depletion of natural resources and global warming are all causes of deep anxiety. Here to stay takes an uncompromising look at Planet Earth today, in all its beauty but also its scars and contradictions. Illustrating the intricate relationship and contrasts between the miracles of nature and man's obsession in trying to tame them. Can we turn back the tide? What do we really want for ourselves?

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A three-part study that introduces audiences to the celebrated Martinican author Aimé Césaire, who coined the term "négritude" and launched the movement called the "Great Black Cry".

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A three-part study that introduces audiences to the celebrated Martinican author Aimé Césaire, who coined the term "négritude" and launched the movement called the "Great Black Cry".

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A compilation of 30 French filmmakers, Alain Resnais and Jean Luc Godard among them, who use film to make a plea on behalf of a political prisoner. Jean Luc Godard and Anne Marie Mieville's film concerns the plight of Thomas Wanggai, West Papuan activist who has since died in prison. The short films were commissioned by Amnesty International.

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"Bains de minuit" (Midnight Baths) was a late-night talk show hosted by Thierry Ardisson on La Cinq in the late 1980s, filmed in the famous Parisian nightclub Les Bains Douches. Ardisson interviewed personalities from the worlds of music, film, fashion, literature, sports, and politics, seated among the audience in the club's authentic atmosphere. The concept was to immerse these personalities in the world of nightlife and festivities, far removed from traditional television studios. The interviews were often irreverent and direct, with a provocative tone that would become Ardisson's trademark. He considers this show one of his freest and most audacious creations. It helped solidify his image as a cosmopolitan, transgressive, and highly scripted late-night talk show host.

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Apostrophes was a live, weekly, literary, prime-time, talk show on French television created and hosted by Bernard Pivot. It ran for fifteen years (724 episodes) from January 10, 1975, to June 22, 1990, and was one of the most watched shows on French television (around 6 million regular viewers). It was broadcast on Friday nights on the channel France 2 (which was called "Antenne 2" from 1975 to 1992). The hourlong show was devoted to books, authors and literature. The format varied between one-on-one interviews with a single author and open discussions between four or five authors.

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Candid interviews of ordinary people on the meaning of happiness, an often amorphous and inarticulable notion that evokes more basic and fundamentally egalitarian ideals of self-betterment, prosperity, tolerance, economic opportunity, and freedom.

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Paris, summer 1960. Anthropologist and filmmaker Jean Rouch and sociologist and film critic Edgar Morin wander through the crowded streets asking passersby how they cope with life's misfortunes.

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