Nico Pelamonia

In this sequel to Nagabonar (1986), the now old Nagabonar was asked to live with Bonaga, his foreign educated son, for a while in Jakarta. This was an effort by Bonaga to ask Nagabonar's permission to turn the family palm plantation into a resort. This outraged Nagabonar since the family cemetery was in the plantation. Distraught, he left his son's house and got himself lost in Jakarta.

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The film begins with a doctor explaining breast cancer and its detection methods. Then we learn that Kartika must have one of her breasts removed before the cancer spreads. To relieve her grief, she leaves for Switzerland, where she meets Maruli, a newly graduated doctor from Germany who works at a restaurant before going home. A romance occurs that results in marriage, even though his uncle does not agree with it, for the sake of a family tradition. After the marriage, Maruli is disappointed. He feels cheated after learning of Kartika’s breast removal. His mother is furious. He is reminded that his intention to study medicine is to help his mother, who was also left behind by her husband, Maruli's father, after her breast removal. He then returns to his wife, Kartika.

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Nagabonar is a pickpocket. During the withdrawal of the Japanese occupying forces from Indonesia in 1945 he declares himself a general of the Liberation Forces. Soon a mask becomes his true self, and he becomes a true soldier and patriot.

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Basically a courtroom drama, Sumi is arrested and brought for a trial after her husband, Aditya’s penis is stabbed and he is rendered dysfunctional. Sumi is suffering in her marriage because of her husband's illness. She doesn’t leave him for the sake of her children. However, when she finds that her husband is having an affair with Lena, she loses her patience. She plans to kill her husband while he is sleeping, but the plan fails. Instead of actually killing him, she accidentally stabs him in the penis. At the end of the trial, their second baby dies, and it creates a lifetime of regret.

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The King of Parun becomes angry at his adopted son, Tun Utama, who turns down every princess as his future fiancée. So his Majesty orders Tun Utama to find his own choice of a girl. If that fails, he will be severely punished. Tun Utama then returns with a beautiful princess, Siri Syarifah. The beauty of Siri Syarifah captivates even the King himself. They all try to find a trick to separate them. The King pretends to be sick and can be cured only after eating the liver of a bearded weasel. Tun Utama is assigned to find the animal that doesn’t exist. During the absence of Tun Utama, Siri Syarifah remains faithful. She does not react to the persuasions from the King. When Tun Utama fails to accomplish the mission and would end up beheaded, Syarifah manages to save her lover by bringing the bearded weasel in a trunk, hidden inside is a man, a member of the royal family in the palace of Parun.

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After being pregnant for the third time, Shinta has to undergo another operation. After this, Shinta becomes frigid. Norman, her husband, then finds himself a girlfriend, Yulia, a colleague. Shinta divorces him and she leaves with her two children to brave Jakarta’s city life. Norman then comes to his senses and tries to look for his wife and children. He manages to find her in a very poor and weak condition before she dies.

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Director Wim Umboh experiments again and the first third of the movie is filled with a series of images almost without dialogue relating the work of brothers, Johanes and Leo Mokodompis.

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Yudi has just got out of jail but Bono and the gang force him to commit another crime. Unlike the others in the gang who spend their money for fun right away, Yudi saves his money in the bank. He then meets Sari and starts changing his life. Bono and the gang are mad when they find out about it and they kidnap Sari’s sister. Then Yudi has to fight them and they all die, including Yudi.

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Drawing from the novel, lenong (play) and the previous film (Njai Dasima I), this new film version has heightened erotic scenes considered the boldest for its time. But as mentioned by the director, the eroticism is meant to reveal the psychological aspects of the characters. Unlike the previous version, that mainly highlights conflict between love and witchcraft, this one features social and psychological conflicts. For example, how Dasima feels like an outsider with Edward Williams’s friends, or how she prefers leaving their house to live with her maid in the village. It also shows more background of the Samiun and Hayati characters - Samiun is a black market trader with a lot of debts and Hayati is a woman obsessed with gambling to get rich. When his debts are due and he is unable to pay, Samiun asks his friend, Puasa, to “rob” him while he is returning to their village with Dasima.

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The title “Hurricane and Storm”, is seemingly a translation from Sturm und Drang, a psychological term for puberty or a transition period for an individual's mental state. Kaslan is a conservative and honest bank clerk, while his wife, Miah, is more liberal in terms of discipline. Kaslan is strict with his daughters, Wati and Tina. It makes Wahab afraid to approach the girl of his dream, Wati, since Kaslan always escorts her wherever she goes. Wahab is also jealous by Wati's favourite English teacher and he tries to hang himself when she falls in love with a singer. When the singer rejects Wati, she returns to Wahab. Tina reveals all to her father but before he can scold her, she leaves the house, and returns home only much later. But mother explains about the puberty that Wati is going through. In turn, Wahab also learns to understand Kaslan's reason for his strictness. Then they both graduate from high school.

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Amalia SH is a lawyer from the Legal Aid Institute. He visits his best friend, Frans, who is being held for extortion. Frans doesn't want to be defended. Amalia is curious. From the results of his investigation, she found Frans's diary at his parents' house. From the diary it was concluded that Frans had been naughty since childhood, his father had kicked him out for stealing. He then lived a vagrant life, until he was accommodated to become a debt collector in a company. It is in this job that he becomes acquainted with and befriends Bambang and Amalia. Frans secretly loves Amalia but doesn't dare to tell it.

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To restore Soraya's spirit of life, her uncle managed to persuade Rafiq, who looks like Husain, Soraya's deceased lover, to pretend. This makes Rafiq's real boyfriend angry and then conspires with Rafiq's best friend to gain profit.

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