Thierry Langerak

Police detective Jacques Laniel's life becomes a nightmare the day drive-by shootists gun down his partner Thomas Colin. His colleagues make matters worse by blaming him for the death, and after his wife leaves him, Laniel decides to quit the force and launch a private investigation into Colin's murder. Soon afterward, Laniel finds the bullet-riddled body of famed author and literature professor Zachary Osborne tied to his car hood. The professor's wife hires Laniel to solve the murder, but what the detective finds is ugly: Osborne was a part of a lucrative land-speculation deal that involved the sale of a crumbling old rectory that had been turned into a halfway house called the Haven of the Monsters. The name is apt, for all the residents are convicted killers who were given inordinately light sentences. When Lanier starts questioning the Haven's tenants and their crimes are revealed via flashback, it takes on the character of a David Lynch production.

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Duncan MacLeod cannot die -- he is a 400-year-old immortal, who has seen his share of humanity's history. Still, he risks his life in battle against other immortals and tries to save people from harm.

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In 1840, a young Russian aristocrat, Dimitri Sanin, is returning home after a long tour of Europe. In Germany, he falls in love with a beautiful pastry shop girl, Gemma Rosselli, who soon starts sharing his feelings. They decide to get married and, in order to finance the wedding, Dimitri goes back to Russia to sell his family estate. Unfortunately he falls prey to a seductress, Princess Maria Nikolaevna, who pretends to be willing to buy his land to come nearer him. Now Sanin is in a fix: should he choose the pure Gemma or the evil but irresistible Maria?

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Larger-than-life American author Ernest Hemingway is the subject of this biopic that chronicles the famous writer's life from childhood to his suicide at age 61. Haunted by various inner demons -- including his father's suicide -- Hemingway serves in World War I, marries four times, and finds creative support from Ezra Pound, Gertrude Stein and other expatriates living in 1920s Paris.

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The French intelligence service want to use a double agent to eliminate a terrorist groupe. To do this, the captain Duroc will give to the traitor a car filled with explosives. But the whole thing is a double trap. One of the officer of the Service, Leroy, has plan a dreadful blow to discredit his new director. He had chosen Duroc because is not supposed to be an intelligent agent.

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