Lourenço Mutarelli

Rio de Janeiro, near future. Marlow is a police officer assigned to a mission to find Captain Kurtz, a famous policeman who went missing in mysterious circumstances. Marlow has to do his mission in a boat, undertaking a dangerous journey through the outskirts of Rio de Janeiro.

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The director got trapped inside a book and never got out. Now he believes he is Lourenço Mutarelli — or vice versa. Exploring the unconscious within the Brazilian writer’s work, Maldito Grifo wanders through a maze of hybrid languages in this free interpretation of Mutarelli’s universe.

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To escape her abusive husband, garbage collector Gal packs her two young children, Rihanna and Benin, onto the top of her cart and heads across São Paulo to her cousin’s house. As she struggles to avoid the dangers of the streets along the way, she convinces the children that they are on a big and exciting adventure. When they arrive at her cousin’s house, they are warmly welcomed and fed. However, what initially seems like a safe haven soon turns out to be a trap. Gal realises that not only her own safety is at risk, but also the future of her children.

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Silvia is an introspective young girl who is not interested in the daily routine between family and school. Everything abruptly changes when Artur arrives unexpectedly in her class, after being banned from several other schools. Silvia is amazed by the vitality of the boy, who actually suffers from a serious illness – hemophilia. The two immerse themselves in an intense and brief coexistence, interrupted by an accident in which Artur’s bleeds to death. Silvia gets sick and sees her life turn into a strange nightmare. The mourning gradually becomes an obsession, and obsession becomes a goal – Silvia will do anything to bring him back to life.

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There are three friends in their fifties who, unable to have conventional relations with women, always call girls to call them to keep them company. They are the subjects who were born in the 60s, with all the explosions of rebellion and the search for freedom.

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Unknown Language is an investigation into our unconscious and all the social vulnerability it brings. The documentary features 15 interviewees, including musicians Marcelo Yuka and Otto, actor and comedian Gregório Duvivier, artist Eduardo Marinho, writer and cartoonist Lourenço Mutarelli, psychologist and hypnologist Gilda Moura, and psychoanalyst Pedro de Santi.

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As he does every single day, Elon goes to meet his wife at her workplace, but she is not there. He doesn’t find her at home as well, so he starts to retrace the path Madalena makes daily. In the morning after, Elon goes to the police station and files a report, runs into hospitals, morgues. Alone, he wanders through a metropolis, searching for news about the sudden and mysterious disappearance of his wife.

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A series of crimes against redheads scares the people from a little town. After the death of his brother, the 13 year old Alberto decides to investigate what is happening and is helped by the experienced but forgetful Inspector Pimentel.

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Afrânio is a retired voice actor. Lonely and tormented by memories of his childhood. In her small apartment, looking for a way to re-integrate into society.

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After leaving her daughter Jessica in a small town in Pernambuco to be raised by relatives, Val spends the next 13 years working as a nanny to Fabinho in São Paulo. She has financial stability but has to live with the guilt of having not raised Jessica herself. As Fabinho’s university entrance exams approach, Jessica reappears in her life and seems to want to give her mother a second chance. However, Jessica has not been raised to be a servant and her very existence will turn Val’s routine on its head. With precision and humour, the subtle and powerful forces that keep rigid class structures in place and how the youth may just be the ones to shake it all up.

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After losing his job and the end of his marriage, Júnior returns to his father's house. But that is not his childhood house anymore. His old room has been rented by a young woman and the place feels unwelcome and oppressive. Júnior develops and obsession for his family history, as strange things start happening in the house.

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Produced for TV Cultura within the project Telefilmes IV: Music and City, this made-for-TV film follows the story of Erica, a 14-year-old teenager growing up in Brazil, who has to learn how to deal with her British mother who is going off the rails. Living amidst an anxiety that switches between fear and love for her mother, Erica tries to find her way in a ship that seems to be sinking rapidly. It is in this moment that she picks up a guitar, and in her relationship with it, finds a way to re-shape her reality.

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A high class lady from Brazil falls into a fake kidnapping scam when she answers a stranger’s phone call. Believing that one of her daughters has been kidnapped, she is guided by a terrifying voice for 12 hours through the cities of Sao Paulo and Rio de Janeiro.

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Julia, a waitress without much going on in her life, accepts a job offer from Milo, a writer in crisis who needs an assistant to talk to. From these conversations on, she begins to perceive that love is where we least expect for.

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In one cell, the dominatrix has a writer so that he produces the matters to be fashionable in the month.

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A talent scout brings a young singer to São Paulo, intent on introducing her to a renowned conductor. As they wait for the day of the audition, they stay in a hotel room where, between coffee and cigarettes, the scout foresees the singer’s future in the cigarette pack warnings as if they were tarot cards. During all this waiting, his true intentions will be revealed.

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Lucia understands the world through sounds. She, as the people the surrounds her, struggles in the pursuit of relating with others. Her particular perspective, however, will turn that gap of communication even bigger.

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Documentary that presents an overview of the production of cartoons and comics in Brazil.

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In São Paulo, Brazil, the lonely 40-something guitar teacher Baby lives a tedious life in a low middle-class apartment. She is addicted to her only companions: cigarettes. Baby has a constant conflict with her two sisters, over a couch she inherited from their deceased aunt. When Max, a restaurant musician, moves to the next door apartment, Baby has a crush on him and sees a chance to have a life again. Soon they start having a love affair, and Baby decides to quit smoking. However, her abstinence will be tough to deal with, when she notices Max still misses his ex-wife.

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Diomedes is both a detective and a failure, who never solved a single case and plunges headlong into the bizarre world of the Great Circus, a famous circus in the past, today just a ghostly place, more like a burlesque madhouse, to find Enigmo, the magician who transformed water in wine, at the request of the pessinous Hermes.

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Different sketches elucidating how to maintain a healthy hevel of Insanity.

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A pawn shop proprietor buys used goods from desperate locals – as much to play perverse power games as for his own livelihood, but when the perfect rump and a backed-up toilet enter his life, he loses all control.

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After losing her job, an unstable woman sinks further and further into a violent fantasy world.

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Requiem is the film adaptation of the autobiographical story of Lourenço Mutarelli. It is made through the author's drawings and personal references and narrates, in a linked way, two episodes he experienced in 1988 and 1998, factors that were decisive for the construction of his identity and work.

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A talent scout brings a young singer to São Paulo, intent on introducing her to a renowned conductor. As they wait for the day of the audition, they stay in a hotel room where, between coffee and cigarettes, the scout foresees the singer’s future in the cigarette pack warnings as if they were tarot cards. During all this waiting, his true intentions will be revealed.

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Requiem is the film adaptation of the autobiographical story of Lourenço Mutarelli. It is made through the author's drawings and personal references and narrates, in a linked way, two episodes he experienced in 1988 and 1998, factors that were decisive for the construction of his identity and work.

Open details →