Javier Losán

Spanish politicians. They all disappear to participate in ‘The Camelar Game,’ a competition where they must overcome various challenges if they want to preserve their political lives.

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Sole, a sensually attractive woman, is a fifty-year-old influencer. On the surface, she has everything in life. She enjoys the freedom her job and home offer her. She loves to party and surrounds herself with her followers. She lets herself go and goes with the flow. But when the nighttime fun ends and Sole returns home, everything changes.

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A major traffic jam throws thousands of citizens on the outskirts of Madrid into chaos, disrupting their plans. This everyday situation will be the starting point for unexpected, comical, and emotional plots.

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A year ago, Ricardo and Felipe, in charge of taking the children to a camp, stayed outside the train leaving the children inside. Clara no longer trusts them and this year she decides to take the children personally with the help of her friend Susana. However, now they will be the ones who, as a result of an accident, are separated from the children.

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Christmas is coming. The children accidentally break a Nativity scene figurine from their father's collection and must by all means get an equal one, the problem is that it is a unique antique piece. Sara, the eldest daughter breaks up with her boyfriend, Ocho, who will try to recover her favors with the help of her father-in-law, Javier. Precisely Javier's father-in-law, Marisa's father, will be welcomed into the family home to spend the holidays after her recent separation, which will not leave Javier's mother, Milagros, indifferent. Rocío, the folklore of the family, who has been playing the Virgin for several Christmases, is relegated this year to playing the shepherdess, something that her father, Javier, is not willing to assume.

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When Ricardo, a responsible father, decides to personally take his son to a camp in Asturias, other parents propose that he should also take care of their children. When the train is about to leave, Felipe, a flamboyant individual and grandfather of two of the children, shows up at the station.

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A group of urbanites flee the city for different reasons: existential, economic crisis, need for fresh air, search for peace, inspiration to compose ... The intention of these strangers is to settle in an abandoned town and start their lives from scratch, but when they arrive they discover that there are still some neighbors: rural people with a very different way of seeing life.

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Imagination and the World of Fantasy are in danger. Mar, an eight-year-old little girl, who's an expert in stories and legends thanks to the books read to her every night by her grandfather, decides she has to try and save them. With the help of her friends, the Lunnis, they will embark on a magical adventure to stop them disappearing.

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A young priest coaches a team of uncoordinated monks in order to win a soccer tournament and save their monastery from being turned into a hotel.

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La que se avecina is a Spanish television comedy created by Alberto Caballero, Laura Caballero and Daniel Deorador. The TV-series focusing around the inhabitants of Mirador de Montepinar, a fictional building located on the outskirts of a big city. Both its storylines and cast are heavily based on Aquí no hay quien viva, which ended when Telecinco bought Miramón Mendi, the series production company. The episodes debuted on the Telecinco network, and were later rerun by the same network as well as cable/satellite channels FactoríaDeFicción and Paramount Comedy. The series debuted in 22 April 2007 and became popular thanks to its funny characters, witty script, use of catchphrases and capacity to integrate and poke fun at contemporary issues; the program presents a caustic satire of many of the 'types' found in Spanish society. The name of the show involves wordplay, as "vecina" is the Spanish word for neighbour.

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Follows police officer Francisco "Paco" Miranda and his men through funny cases.

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A caustic satire of many of the 'types' found in Spanish society.

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Recounts the experiences of a middle-class family, the Alcántaras, during the last years of the rule of Francisco Franco and the beginning of the Spanish Transition to democracy.

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