Ninetto Davoli

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In the mid-1990s, news broke that poet Dario Bellezza - who was friends with Sandro Penna, Alberto Moravia, Elsa Morante, Anna Maria Ortese, and Pier Paolo Pasolini - had AIDS: this was the beginning of the end for him. Today, friends, poets and literary critics tell the story of the first openly gay writer of Italian literature, one of the symbols of a thriving cultural scene. They called him 'Italy's poète maudit', to which his snarky response would be: "If anything, I was blessed, blessed by the Muses".

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A unique chance to explore Pier Paolo Pasolini's youth through the voice and the body of his direct cousin, writer and poet Nico Naldini.

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On September 14, 1975, Pier Paolo Pasolini played his last game of football, before his death, in San Benedetto del Tronto. “The last match of Pasolini” starts from a pretext of a football game, to tell a historical period that was fundamental for the whole of Italy, with its contradictions and tragedies, through an apparently playful vision of Pasolini, but that allows us to understand better the importance of the Italian poet and director.

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A discontented New York family woman is unexpectedly called to Tuscany to execute her estranged mother's will. There, she must decipher visions of her forgotten childhood and confront a spectral "Lady in Red," whose dark secret unlocks a terrifying destiny.

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Two brothers go to London to try to score a sensational blow and kidnap the precious dogs of the Queen of England.

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On the 40th anniversary of the death of Maria Callas (September 16, 1977), with footage never seen before from Pier Paolo Pasolini's film MEDEA, this film celebrates the genius and sensibility of two icons of the XX century.

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A bartender finds himself crushed by debt after his father's death and decides to repay it by hiding everything from his wife and son, who in the meantime are busy planning his father's wedding.

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When a man disappears and leaves a daughter and mother in heavy debt they have to live on a houseboat to make ends meet.

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Lorenzo is a 35-year-old diver and an incurable Casanova. But one night, after having withdrawn with the beautiful Claudia, he comes across his little Matteo, the son of the woman. The presence of the child throws Lorenzo into a vortex of doubts and remorse that will lead the man to review his crushed sentimental conduct.

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We are with Pasolini during the last hours of his life, as he talks with his beloved family and friends, writes, gives a brutally honest interview, shares a meal with Ninetto Davoli, and cruises for the roughest rough trade in his gun-metal gray Alfa Romeo. Over the course of the action, Pasolini’s life and his art are constantly refracted and intermingled to the point where they become one.

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Mimmo is a construction worker who only wants to live in peace, but has to work as a debt collector for his uncle. Everything changes when he meets Tanya, a beautiful, street-smart girl who shares his dream.

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The film takes us on a voyage to a hidden Italy rarely addressed on film: Gay Italy as it was lived in the 20th century, from the turn of the century up to the 80s. The documentary gives voice to those who personally had to bear the weight of being "different", remembering how their lives were shaped by this situation during Fascism and in the aftermath of World War II, in an anthropologically and culturally widely diverse nation. Theirs is a mixed testimony of repression, censorship, dignity, courage, and happiness, making way for the final image of a world - our world - that still has a long way to go towards respect and liberty for everyone.

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For Pasolini, Rome is neither just a simple setting or a place to live. Rome had a physical, carnal and passionate existence for the man and the poet.

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Every morning, pushing the wheelchair of his mother, Maurizio along the walkway through the bush and tie him entrance to his kiosk on the beach. After being assured that his attendants, and Khaled Omar, they did a good job, going to hoist the Italian flag, which stands on top of building.

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Love, business, anxieties, friendships, feuds, and resentments paint the picture of the main story, that of a group of criminals who for nearly fifteen years, from 1977 to 1992, cherished an illusion: that of conquering Rome. The Lebanese, Freddo, Dandi, Patrizia, and Commissioner Scialoja are some of the characters inspired by the true story of the Magliana gang. As stated by Aldo Grasso, the first season of the series gives more space to the crime scene, that is, the criminal exploits of the Magliana gang, while the second season delves deeper into the "behind the scenes" of the crime: thus, the gang's repositioning after a key plot event, and the effects and questions this has provoked in the protagonists' consciences.

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Macchie solari (Autopsy), L'etrusco uccide ancora (The Etruscan kills again), commandos are titles that refer to a category for lovers, that of B-movies, Italian thriller of the '60s and' 70s. But in the life and in the poetry of their director, Armando Crispino, there is more, says his son Francesco. Searching for a meeting with his father in the maze of his production, he finds himself investigating the world of Italian genre cinema. Finding that even in this area left in the shadows by the critical discourse we can find more, and better, than we think.

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A climax of brutality and violence after a young man hits some cars in a rush.

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Greek Theo Angelopoulos traveling from Athens to Ostia, the Roman beach where Pasolini was killed. Far from there, in a Spanish train station, Víctor Erice wanders in an interview about the film resistance. And in Italy, Tonino Guerra, Ninetto Davoli and Nico Naldini lend his voice to the missing Passolini to close a historic triangle on film and solitude.

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Anthology crime series penned by some of the foremost contemporary Italian noir writers (Camilleri, Faletti, De Cataldo, Carofiglio, Lucarelli, Fois...)

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Documentary about a lost sequence from Pier Paolo Pasolini's 1971 film "The Decameron".

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A thirty-three-minute documentary featuring interviews with director Pier Paolo Pasolini, actor-filmmaker Jean-Claude Biette, and Pasolini friend Ninetto Davoli.

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Actor Ninetto Davoli discusses his collaboration with Pier Paolo Pasolini.

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