Zanjabeel Asim Shah

The Lux Style Awards is the largest award ceremony held annually in Pakistan since 2002. The awards celebrate "style" in the Pakistani entertainment industry, and it is the oldest event dedicated to cinema, television, fashion, music and film industry in Pakistan.

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Set in a world where emotions run deep and power defines fate, Ghulam Bashah Sundri is a gripping drama of love, rivalry, and control. As relationships are tested and loyalties begin to fracture, desire turns into conflict and hearts become battlegrounds. At the center lies a compelling love triangle that draws each character into an intense emotional, social, and personal reckoning, where every choice carries consequences.

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Malika defies all odds for love, walking away from comfort, tradition and the safety of the family. But what she found wasn’t the fairytale she imagined. With Raza, stability turns into restraint as her spirit begins to fade. Pamaal is a story of love, loss, and rediscovery, where the end of one journey becomes the beginning of another.

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Some love stories aren't just written in hearts - they're carved through pain, sacrifice, and fire. Enter the world of Sher, where two souls - Sher Zaman and Fajar - dare to love beyond the lines drawn by generations of hate.

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A matriarch's domineering presence tests the bond of her upper-class family as she assertively shapes her three sons' destinies amidst unexpected challenges.

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Noor Jahan is the mother of three sons, with an assertive and dominant personality. She belongs to an upper-class family and plans everything for her sons’ lives.

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The internal search for oneself. Two members of the upper class take great pride in their individuality. But because of family pressure, they are both unlucky in love, which binds their fate together.

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Fitoor narrates a love story that transcends above all as a person in love is bound to forget about the worries of the past and the uncertainty of the future. Despite being a successful architect, Haider feels lacking in his love life as he is still living with the memories of his love interest. On the other hand, Dilnasheen who hails from a middle-class background is deeply in love with her best friend's brother Hamza and both vows to be with each other forever without realizing the difficulties they might have to overcome. Living in her present, Dilnasheen's life takes an unfortunate turn when she crosses paths with Haider. Will Haider and Dilnasheen be able to forget their past and move on in their lives? Or will the past pay them a visit when they begin to settle down? Will Haider and Dilnasheen be able to distinguish between their past and present?

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The story of a young love between two social misfits.

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Mannat, Haya and Nayab are all close friends. Wajih, Yawer , Shayaan and Haya are siblings. Mannat is married to Shayaan. Her In-Laws are shown as quite wealthy. However, Nayab is poor. Her mother passed away and she lives with her father Ramzaan , greedy step-mother and her 2 step-sisters. The story starts when Nayab gets murdered after a rape attempt and physical violence on the night of her friend Haya's engagement.

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A story of an obsessive women Nigar who crosses all limits to win her love interests which just marks the beginning of the worst that is yet to come. The drama truly sticks to its name as shown by the story.

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Rudaba is an innocent girl who is engaged to her father's best friend's son Buland Bakhtiar. One day Rudaba's father and future father-in-law are killed due to robbery shooting. Rudaba reluctantly moves in with Adil upon his insistence. Adil workes as a front man for his own brother in-law Bashar Momin, who was a money launderer and was among the richest of the city. Bashar can do anything for his sisters, especially Tayyaba, whose two engagements were failed.

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In today’s modern world, even with all the progress, many old beliefs like patriarchy and gender stereotypes still exist. Girls are often discouraged and told they can never be as capable as boys. No matter how talented or hardworking they are, they’re made to feel they don’t belong in a man’s world.

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