Miguel Falabella

After becoming a widower, businessman Aparício Varela takes over as president of Tecelagem Abdala and decides to win back the great love of his life, Rebeca.

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A final conversation with departed actor, director and musical producer Julio Calasso Jr., a key character in the Brazilian artistic scene. At his old house in Butantã, São Paulo, Julio talks about his experiences, frustrations, joys and tragedies.

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Ten young artists reach the final round of auditions to join the Theater Company. Each one will be evaluated based on their talent as they face their dreams, passions, fears, and uncertainties of the past, which may define their future.

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The series is set in the 1970s. In the story, the mayor clashes with the idealist Francisgleydisson, owner of Cine Holliúdy—the only cultural attraction in Pitombas, a fictional town in Ceará.

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Based on the classic Brazilian television series that conquered audiences during Sunday night prime time on TV Globo, with improv that happens like in scenes of a play. The feature film’s structure maintains the members of a middle-class family from São Paulo, their maid, and the building’s doorman. It’s the return of iconic characters like Caco Antibes, Magda and Ribamar, and also new characters.

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A portrays of the period in which Brazilian humor had fewer limits (1986-2003), free from military dictatorship.

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The series invites the audience to take to the skies with the dysfunctional Cavalcanti family, owners of Piorá Linhas Aéreas—a thoroughly ramshackle airline.

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Inspired by film noir and North American pulp fiction from the 1930s and 1940s, “Forbidden City” follows the adventures of a former police officer turned private eye. Specialized in adultery cases, the detective employs his power of seduction and ends up mixing his personal and professional lives, getting involved in complex plots that might be a threat to his own life.

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Eight iconic performers of the first generation of Brazilian transvestite artists go on stage to celebrate their 50th career jubilee. The film depicts the human, personal dimension behind these icons, deconstructing gender stereotypes.

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Adaptation of the series shown in 1992. A sequence of crimes in the same style intrigue: a man walks with a woman on the beach; she dresses as a bride and is brutally strangled in the middle of the act of love. To prove the authorship of the crimes is the great challenge of detective França.

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A Brazilian theatre group that through talent, irony and humour confronted the Brazilian violent dictatorship in the 1970s revolutionising the gay movement worldwide and changing theatre and dance language to an entire generation.

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The great battles are the backdrop for the unfolding of the Egyptian Queen's personal life. The strategy of Cleopatra is to seduce the Roman General Julius Caesar and Mark Antony to protect their civilization.

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Brazilian comedy about two couples living next to each other in the same building. This show explores the antics between the two couples.

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Célio Rocha believes he was assigned by God Himself a difficult mission: to persuade his childhood friend Otávio Sabóia, a corrupt entrepeneur in the construction business, to give away all his possessions to the poor.

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The synopsis was loosely inspired by an argument by Paulo José called Cidade das Formigas. It was based on what happened in the city of Formiga, in Minas Gerais, where women work for large clothing manufacturers in the country. In Formiga Real, women guarantee a large part of their families' livelihood with this work.

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The story of Rio de Janeiro’s movie theaters and the radical transformation they have endured since the invention of Cinema.

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Reunited for their mother’s funeral, four sisters – Selma, Regina, Laura and Lúcia – find themselves forced to divide much more than an apartment in Copacabana. While dividing the articles, the sisters compare options, destinies, lifestyles, and expectations. The turbulent sale of the apartment represents a turning point in their lives: they know they have never been so deeply involved as accomplices, or as sisters.

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The daily lives of a typical Brazilian middle-class family, that are always very close and tries, in their way, to survive the financial and relationship difficulties.

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Brava Gente was a television series aired by TV Globo in Brazil between 2000 and 2003, initially as a special year-end. The program was adapted from stories and national stories, and plays by famous playwrights, screenwriters and signed by a number represented by several actors and actresses. The genres of the stories varied each week with the style of each director or author. Brava Gente in the stories ranged from comedies and dramas. In all 53 episodes were shown, broadcast on Tuesday nights.

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Angel works in a wedding dress store. Ulisses, her boyfriend, works as personal trainer. They are swallowed for the television and, to leave, need to discover how to use the Ulisses' ring.

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Based on the classic Brazilian television series that conquered audiences during Sunday night prime time on TV Globo, with improv that happens like in scenes of a play. The feature film’s structure maintains the members of a middle-class family from São Paulo, their maid, and the building’s doorman. It’s the return of iconic characters like Caco Antibes, Magda and Ribamar, and also new characters.

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The series invites the audience to take to the skies with the dysfunctional Cavalcanti family, owners of Piorá Linhas Aéreas—a thoroughly ramshackle airline.

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The series follows the lives of four friends living in a community in the suburbs of Rio de Janeiro as they pursue their dreams and loves.

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Frustrated in their relationships, Claudia and Vicente meet on a trip to Colombia. Chance sparks a great friendship between them, but a kiss puts their future in jeopardy.

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Comedic portrait of middle-aged women in Rio de Janeiro, including overworked housewife Magali and her over-the-top twin sister Magda, psychoanalyst Paula and her troublesome daughter Melanie, and stage star in crisis Lise.

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Brazilian comedy about two couples living next to each other in the same building. This show explores the antics between the two couples.

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With lightness and humor, the soap opera tells the story of Heloísa, a kind and hardworking woman whose life is transformed when she becomes involved with her boss's family and business partners.

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Reunited for their mother’s funeral, four sisters – Selma, Regina, Laura and Lúcia – find themselves forced to divide much more than an apartment in Copacabana. While dividing the articles, the sisters compare options, destinies, lifestyles, and expectations. The turbulent sale of the apartment represents a turning point in their lives: they know they have never been so deeply involved as accomplices, or as sisters.

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The elegant and wealthy Bárbara gives birth to a stillborn child, but never receives the bad news. Her husband, Guilherme, swaps the child's body for that of a baby whose mother is very poor and unable to raise him. Thirty years later, Eugênio, the swapped boy, suffers mercury poisoning, develops leukemia, and needs an urgent bone marrow transplant. But the surgery can only be performed with a donation from a blood relative. Faced with the risk of his son's death, Guilherme tells Bárbara the truth. With everything clarified, the two go in search of Anabel Muñoz, the boy's real mother and the only one who can save his life. Anabel kept her pregnancy a secret, but never forgot the child she had with the unscrupulous Urbano. She is the widow of the Cuban Félix Muñoz and has five other children: Valentim, Remédios, Amparo, Assunção, and Antônio.

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It follows the lives of the members of a dysfunctional family, their maid and the doorman of the apartment building in which they lived.

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TV Pirata was a weekly Brazilian comedy show aired on Rede Globo between 1988 and 1990, being re-aired monthly in 1992. Some of the writers later went on to form the comedy troupe Casseta & Planeta. The show was first aired in April 1988 to fill a gap on Rede Globo's Tuesday night prime time line-up and its comedy was inspired by sketch comedy shows such as Saturday Night Live and Monty Python's Flying Circus with a no-nonsense approach to Brazilian comedy; however, it mixed a new style of comedy with elements of Brazilian culture such as football, politics, pop culture, telenovelas, economics and celebrities. No well-known figure or member of any economical or social class was spared from the show's cutting edge humor. The premise of the show was a TV studio being invaded by pirates who took over the programming department and put a tape on the air with some "unusual" programming. Another new element to Brazilian audiences was the performers, who weren't the usual comedic actors, but dramatic actors doing more comedic roles.

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A theatrical musical filmed in Teatro Avenida, in Lisbon, Portugal. The several sketches are performed by women only.

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