Francis Vogner dos Reis

A tale about the apocalypse of the working class.

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An old man is tired of celebrating his birthday.

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Maya is accompanied by Glória, her best friend, who promises that she will always be with her, into a clandestine appointment. Both trans women, Maya wants silicone, but a timely intervention leads her to change her mind. When they leave, it’s Christmas night and it’s pouring rain. They take refuge in a bar, owned by a Nigerian refugee named Kakule. Bia also takes refuge there, fed up with constant fights with her boyfriend. And so their paths cross.

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A tale of love and death in a world where the state of exception has become the rule and the last days of humanity never end.

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Gabriel is installed next to a tree in a noble neighborhood of the city of São Paulo. Clarisse accompanies astonished and inert the treatment given to Gabriel, at the same time that leads a stagnant life and dependent of the mother.

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Four city workers in their daily important relationships. A worker in the field of the Landless Rural Workers Movement. Poetry plucked like weed from the soil of our time.

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People experience different conflicts in their love relationships. Definitive moments in which ties are strengthened or broken. Everywhere there is death, the feeling of the imminence of something terrible, the impression of an end.

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The wanderings of the Terceiro Mundo, a homeless man who plunges into a dreamlike drift through the streets of the capital of São Paulo.

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A tale about the apocalypse of the working class.

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A tale of love and death in a world where the state of exception has become the rule and the last days of humanity never end.

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Develops from the life, work and memory of Gianfrancesco Guarnieri, one of the most important names in the history of Brazilian theater, to examine the courses of dramaturgy and politics in the last decades. Guarnieri, besides being a TV star, was also seen as the synthesis of the politically engaged artist in Brazil. His sons, also actors, saw a separation between art, work, and politics. As he investigates the portraits of two generations, grandson and director Francisco aims to understand the place of his own generation in history, in art and the world as a whole.

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The living call for revenge. The dead minerals and vegetables demand revenge. It is the hour of general protest. It's time for the destroying flights. It's time for the barricades, the shootings. Famines, desires, cravings, lost dreams, miseries of all countries, unite.

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