Daniel Toscan du Plantier

Célimène, a beautiful young widow, chooses to keep her many suitors hoping in order to preserve her freedom, even though she is drawn to one of them, Alceste. An idealist, Alceste refuses to play the social game; he seeks to persuade the young woman to abandon her strategy and give herself over to an exclusive love. Theater play "Le misanthrope" played by the "Comédie française" in 2000. Rather than a simple recording of a live theater performance, this version was explicitly structured as a television movie. It blended cinematic camera work with the theatrical script.

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Maverick director Melvin Van Peebles translates his own satirical novel to the screen with this multi-national portrait of race, class, and hypocrisy. The film's title refers to the name of a haute cuisine restaurant run by a self-satisfied conservative couple, Henri and Loretta. When the two find themselves overworked in the kitchen, they retreat to the local orphanage to find some cheap waitressing help, and the teenaged Diamantine fits the bill perfectly. The haughty couple has more plans for the girl than just waiting tables, however -- the conspicuously accommodating Henri and Loretta are actually bad-mouthing the girl behind her back to the townspeople and the restaurant's patrons. They go so far as to ask the naive Diamantine to pretend that she's pregnant, and she complies under the assumption that it's a harmless prank. When their intentions are revealed, however, the girl becomes wise to the couple's self-satisfied scheming, and sets her sights on revenge.

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Theater play "Les fourberies de Scapin" played by the "Comédie française" in 1998.

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At Versailles, the last rehearsal of a play, ordered to molière by Louis XIV the king. Staged in their own characters, actors and author display their art's conception. It is, too, the opportunity for them to answer by irony to their detractors.

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Behind the scenes of the theater, while the last performance has just ended, the comedian returns to his box.

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Two actors performing in Strindberg's "Inferno" as God and Lucifer, find themselves competing in real life as well. One of them, Max Monteiro, has spiritual obsession with John Wayne and his way of walking. He and Jean de Dieu, his fellow actor who plays Lucifer and also directs the Strindberg play, engage in a philosophical and spiritual tug-of-war, especially when they meet an author named God, who has plans for another drama to feature both actors.

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Carl Herickson, a big American film star, unwillingly upsets a Parisian trio: a newspaper editor, his theater actress wife, and their fiery journalist best friend.

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Her name is Mina, but she is called Bambola (doll). Upon the death of her mother, she and her homosexual brother, Flavio, open a pizzeria. A man named Ugo loans Bambola the money, but is then killed in a fight with another one of her boyfriends, Settimio. While visiting Settimio in jail, she meets a sadistic man named Furio, and they begin a relationship.

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Cio-Cio-San, a young Japanese geisha, seeks to fulfill her dreams through marriage to an American naval officer. Her faith in their future is shattered by his empty vows and the loss she endures touches something deep within us all.

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This is 1920: Sophia and Trofim Ivanytch have been living on Vassilievski Island, which is part of Petrograd, for thirteen years. In their house, which looks like a ship wreck, the atmosphere is gloomy. Sophia cannot have children and she is aware that, because of that, she is likely to lose her husband. That is why, when their neighbor dies, she asks Trofim to take in Ganka, his orphaned thirteen-year-old daughter. Trofim agrees and their new life begins...

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Dodo, a French man living in Florida, has one goal in life: Get by without working. Difficult to implement without the help of some women. Betty is one of them, and a gypsy's bride, who suddenly disappears, changing Dodo's life.

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Jacques asks a public writer to compose love letters for a beautiful stranger that he pretends he has just met.

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After leaving the asylum, Vincent van Gogh settles in the home of Doctor Gachet, where he keeps painting amidst the torments of his failing mental health. He begins an affair with his host’s daughter, however, she soon realizes that he doesn’t love her and that his heart beats only for art.

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A well-off family is paid an unexpected, and rather unwanted, visit by a man claiming to be the woman's long lost uncle. The initial suspicion with which they greet the man slowly dissolves as he regales them with stories of his travels, tales that are at odds with their conventional middle class perspective on the world.

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When a wealthy patriarch falls ill on his 70th birthday, three of his sons rush in from Calcutta, leading to a reunion filled with painful ironies and lingering disillusionment. As the family—including an addled fourth son who lives with the old man—watches and waits, the static occasion brings out simmering tensions in their family dynamics, from the father’s moral rectitude to the business ambition of two sons and the withdrawal of their siblings.

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The story of Polish pedagogue Janusz Korczak and his dedication to protecting Jewish orphans during the war.

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A possible impostor torments a newly crowned medieval czar who may have ordered the real successor's death.

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An urban gigolo on the run from a mobster hides out at the remote cabin of a female novelist in this plodding romantic drama. Her neighbors include an elderly man with a penchant for growing sunflowers and an unhappy neighbor girl with emotional problems. Love blossoms for the unlikely couple who somehow realize their liaison is doomed to failure.

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Two segments make up this short film. The first portion called “The French” has two men taste testing some delicious wine, and the other, titled “The Gauls”, is of men playing rugby. This short by Werner Herzog is part of the “The French as Seen By…” series. It was initiated and sponsored by the newspaper Le Figaro, as part of the 1988 celebration of the tenth anniversary of its magazine section.

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A grizzled, hard-of-hearing cowboy, Slim, and his two friends, Dusty and Pete, capture a mysterious, well-dressed Frenchman.

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A short commissioned piece on 'famous last words' set in WWII.

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The film tells the story of a love affair between a poor poet and an equally poor seamstress in 19th century Paris.

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Paris, October 1948. Nino, Gilles, Donald, Barbara and their friends are a new breed of spectators. They discover the cinema as art, they are moviegoers. They will try to realize their grand project: to found a film club. "My film first wants to be a testimony of young people who have lived for a passion. Cinema"

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Satan tempts Father Dossignan, who is trying to save the soul of a young girl who killed one of her lovers.

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Mangin, a police inspector in Paris, leans hard on informants to get evidence on three Tunisian brothers who traffic in drugs. He arrests one, Simon, and his girl-friend Noria. Simon's brothers go to their lawyer. He springs Noria, who promptly steals 2 million francs that belong to the Tunisians. They suspect her of the theft; her life as well as the lawyer's is in danger. Meanwhile, Noria is playing with both the lawyer and Mangin's affections. Mangin is mercurial anyway: intimidating and bloodying suspects, falling for a police commission trainee before flipping for Noria, wearing his emotions on his sleeve. Can he save the lawyer and Noria, and can he convince her to love?

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Fifteen-year-old Suzanne seeks refuge from a disintegrating family in a series of impulsive, promiscuous affairs. Her fulsome sexuality further ratchets up the suppressed passions of her narcissistic brother, insecure mother and brooding, authoritarian father.

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A forged 500-franc note is passed from person to person and shop to shop, until it falls into the hands of a genuine innocent who doesn't see it for what it is—which will have devastating consequences on his life.

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Russian poet Andrei Gorchakov journeys through Italy with his interpreter Eugenia to research the life of an 18th-century Russian composer who once lived abroad. Isolated and consumed by an unrelenting longing for his homeland, Andrei becomes drawn to Domenico, a radical mystic obsessed with spiritual redemption. Through austere imagery and extended temporal rhythms, Tarkovsky examines exile, memory, and the profound melancholy of being unable to belong fully to either place or language.

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As children in the loving Ekdahl family, Fanny and Alexander enjoy a happy life with their parents, who run a theater company. After their father dies unexpectedly, however, the siblings end up in a joyless home when their mother, Emilie, marries a stern bishop. The bleak situation gradually grows worse as the bishop becomes more controlling, but dedicated relatives make a valiant attempt to aid Emilie, Fanny and Alexander.

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A real estate agent leaves behind his beautiful wife to go to Transylvania to visit the mysterious Count Dracula and formalize the purchase of a property in Wismar.

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Sylvie, Corinne and Sophie all live in the same accommodation in Paris. The first sells clothes on the steps. The second works in a factory restaurant and the third is divorced, has a child and does odd jobs.

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Charles drifts through politics, religion and psychoanalysis, rejecting them all. Once he realises the depth of his disgust with the moral and physical decline of the society he lives in, he decides that suicide is the only option...

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Pomme is a meek and mild French beautician whose life takes a fateful turn during a vacation to Normandy. She becomes the lover of middle-class literature-student François. The relationship sours when François takes her home to meet his parents, thanks in no small part to their differing social backgrounds.

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Two distant cousins meet at a wedding banquet for an elderly couple. Over time, a close friendship develops between them, but their spouses begin to think that they are more than just friends.

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