Andrea Ascolese

Inspired by true events that occurred during the fierce rivalry between Germany (Audi) and Italy (Lancia) at the 1983 Rally World Championships.

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Coliandro is an inspector serving at the Bologna police headquarters who constantly finds himself embroiled, against his will, in matters bigger than himself. But Coliandro never backs down, even though his carelessness and investigative incompetence inevitably land him in trouble.

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The life of Anthony of Padua (1195-1231) from his arrival on Sicily's shores via shipwreck in 1221 to his death. He's a Portuguese monk who, once in Italy, seeks out St. Francis. Anthony's gift as a great preacher is discovered by happenstance. He spends much of his life in and near Padua, a city run by usurers. Anthony offers protection and friendship to Folco, at one time a petty criminal and acolyte to the usurers, later falsely accused of murder. Anthony's teaching and his spiritual strength lead to changes in the character of Padua and an end to usury. He became its patron Saint soon after his death, and 32 years later, his casket is opened and his tongue remains intact.

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Turin 1993. The architect Agnese is called to the home for war veterans where her ailing father lives. The doctor at the home has left his guest, a Bosnian refugee, on night duty with her father. The commanding officer of the veterans home, a colonel, has discovered the undocumented refugee, Reuf, and has had him arrested. Agnese, who would rather not get involved with refugees, becomes better acquainted with Reuf and is drawn into events which eventually take her to Bosnia. On this journey, she begins to recall her childhood directly after WWII. Experiences made during the two wars converge and the wheel of history turns, without failing to leave its mark.

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Mandrake and his new friends still continue to bet (and lose a lot of money) on horse races. What will they invent for cheating money?

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Police chief Romeo becomes convinced that affluent professional Velasco is a serial killer known for mauling his victims with his teeth, but nobody believes him. The investigation slowly turns into a personal challenge between obsessive Romeo and stone-faced Velasco, an individual above suspicion — he murders people not because he has to, but simply because he can.

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