Yôko Imamoto

Tokyo Bay Water Police, formed to combat rising maritime crime in under-patrolled waters contrasting land's high-surveillance success, unites a fractured team of officers—a veteran leader, an ambitious transfer detective, and a skilled marine engineer—whose clashing backgrounds evolve into collaborative resilience as they solve coastal crimes and protect Tokyo’s waterways.

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Isolated office worker Takako (Ayumi Ito) secretly steals from others. Her world is upended, though, when a colleague (Rena Tanaka) catches her in the act, but rather than reprimand Takako, she simply turns and walks away. Haunted by this, Takako becomes fixated on her witness, an obsession that grows into an uneasy intimacy between two drifting souls: a woman who steals out of loneliness, and another yearning to discard all she owns.

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A frustrated young woman returns from Tokyo to her hometown in Toyama where she meets an old woman who lives alone. There she slowly finds purpose in life by taking "photographs" that spin memories instead of ghosts.

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While political journalist Naoki Matsuoka is working his way up to the "top league," a small circle of privileged journalists with special access to top politicians, his old colleague turned newsweekly journalist Yuji Sakai is hunting down a dark secret involving political corruption and mafia.

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Haru is a rather cool fifth-grade elementary school student who shares the same tastes as her mother’s younger sister Yuko (Kaho) and can tell Yuko what she really feels. On the first day of the summer vacation, Haru is kidnapped. The culprit is her free-spirited father Takashi who disappeared from home two months ago.

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Ryota is an unpopular writer although he won a literary award 15 years ago. Now, Ryota works as a private detective. He is divorced from his ex-wife Kyoko and he has an 11-year-old son Shingo. His mother Yoshiko lives alone at her apartment. One day, Ryota, his ex-wife Kyoko, and son Shingo gather at Yoshiko's apartment. A typhoon passes and the family must stay there all night long.

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Takashi Hayama is a third year high school student. He falls in love with Azusa Oribe at first sight and they begin to date. One day, Azusa tells Takashi "people who meet me, forget about me several hours later." Takashi doesn't believe Azusa, but by chance he realizes that he forgot about Azusa. So he won't forget Azusa, Takashi begins to leave a note for himself and Azusa.

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Jiro Kanbara (Yasukaze Motomiya) is a washed-up low-level thug who has drifted into his mid-thirties without ever getting anywhere. One day, he is ordered by his boss (Tomorowo Taguchi) to assassinate Onijima (Hitoshi Ozawa), a key figure in a rival organization—and he carries out the hit. But the man he killed and buried suddenly appears before him again. It seems Jiro has been possessed. Onijima’s voice whispers in his ear, guiding his every move. As Jiro follows those instructions, his fortunes change dramatically—he rises rapidly in the yakuza world, gains status, attracts women, and begins living a life just like Onijima once did. However, such a life cannot last forever…

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Daigo, a cellist, is laid off from his orchestra and moves with his wife back to his small hometown where the living is cheaper. Thinking he’s applying for a job at a travel agency he finds he’s being interviewed for work with departures of a more permanent nature – as an undertaker’s assistant.

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In the near future of a Japan, the ancient 'Act of Vengeance' is revived and professional executioners are permitted to kill criminals by the requests from their victims. People who are to be executed are notified of the execution time and date in advance and they are allowed to have their own guard.

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Beleaguered police detective Nishi takes desperate measures to try and set things right in a world gone wrong. With his wife suffering from leukemia and his business partner paralyzed from a brutal gangster attack, Nishi borrows from a yakuza loan shark and then robs a bank to clear his debt.

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