Madeleine Renaud

Le Grand Échiquier is a French variety television program created and presented by Jacques Chancel. It aired at 8:30 pm on the first channel of the ORTF from January 12, 1972 to July 12, 1972, then on the second color channel of the ORTF from September 1972 to December 1974, and finally on Antenne 2 from January 1975 to December 21, 1989. The program returned to France 2 on December 20, 2018 and is hosted by Anne-Sophie Lapix.

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An evocation, realistic and poetic at the same time, of Proust's work " in which he is locked up as in the room ". Halfway between the audiovisual adaptation and the portrait of the dandy and reclusive writer, all in black and white signed Claude Santelli, evoking the mystery, the intimate, and the fatality of existence.

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Les Cent Livres des Hommes (ORTF, 1969-1973) was a series of literary programs created by Claude Santelli and Françoise Verny, and produced notably by Santelli, Jean Archimbaud, and Serge Moati. Planned for one hundred episodes but completed at thirty-nine, the series aimed to introduce great literary works, 'chefs-d’œuvre', to a younger audience through a mix of dramatization, reading, and documentary techniques. It marked a transfer of cultural legitimacy from writers and critics to a generation of television producers, offering a new model of educational and creative literary broadcasting - 'télévision d’auteur'.

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In this comedy, a run-down hotel drums up customers by sabotaging passing cars. The stuck motorists are then obliged to stay. Unfortunately, one of the sabotaged cars belongs to a bank robber. The hotel staff wants the robber out, but they also want to keep his ill-gotten money.

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The retelling of June 6, 1944, from the perspectives of the Germans, US, British, Canadians, and the Free French. Marshall Erwin Rommel, touring the defenses being established as part of the Reich's Atlantic Wall, notes to his officers that when the Allied invasion comes they must be stopped on the beach. "For the Allies as well as the Germans, it will be the longest day"

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This drama about the Carmelite order of nuns is set during the French Revolution. A young woman seeks refuge with the Carmelites because she is terrified of dying during the upheaval. The longer she associates with the nuns the more she is transformed by their faith and devotion.

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Three stories about the pleasure. The first one is about a man hiding his age behind a mask to keep going to balls and fancying women - pleasure and youth. Then comes the long tale of Mme Tellier taking her girls (whores) to the country for attending her niece's communion - pleasure and purity. And lastly, Jean the painter falling in love with his model - pleasure and death.

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Sitting at his desk, Guitry gives us a lecture on French history from Joan of Arc to the Occupation, with some focus on a number of its great writers and musicians.

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The strength of a couple's fascination with airplanes and flight is to the detriment of their family.

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An untiring lady social worker, Émilienne, has as one of her charges a stableman who was wounded by his mistress. Unfortunately, Émilienne's young sister who was helping her at work decides to go away with the stableman.

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A shimmering glass hotel at the top of a remote Provençal mountain provides the setting for a tragicomic tapestry about an obsessive love pentangle, whose principals range from an artist to a hotel manager to a dam worker.

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A married tugboat captain falls for a woman he rescues from a sinking ship.

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Outwardly, Monsieur Victor would appear to be the model citizen. A respectable Toulon shopkeeper, he has a devoted wife and is courteous and considerate to all who know him. However, beneath this veneer of respectability hides a notorious receiver of stolen goods, who trades with hardened criminals. Victor manages to keep up his double life without any difficulty until the fateful day when one of his partners in crime threatens to expose him. Fearing a scandal, Victor kills the crook in a moment of panic, using a shoemaker's tool. Naturally, the murder is blamed on a local shoemaker, who is sentenced to ten years' hard labour. Seven years later, the former shoemaker reappears in Toulon, having escaped from prison. The first person to recognise him is Monsieur Victor...

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Maxime, heir to an old provincial family, is deeply in love with Maud whom he makes his fiancée. But learning that the young girl's life has not always been beyond reproach, he refuses to marry her and returns to his castle in the company of his sister who, happier than him, has met a man worthy of being in Paris. love.

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Helene is based on Helene Wilfur, a novel by Vicki (Grand Hotel) Baum. Madeleine Renaud essays the title role, a young medical student in love with aspiring musician Pierre Regnier (Jean-Lous Barrault). Pierre's father, a noted surgeon, puts pressure on his son to give up music in favor of medicine. Unable to withstand his father's remonstrations, Pierre kills himself, prompting the grieving Madeleine to forget all about romance and dedicate her life to the cause of healing others. Wilfur avoids the usual soap-opera goo by offering realistic performances and credible dialogue (the English-language subtitles were composed by erudite film critic Herman G. Weinberg).

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A young girl has left her family and lives as best she can on the generosity of her lovers. A naval officer introduces her to Toulon in a special environment which provides companions to sailors on leave. After some setbacks, she finds love and protection with a doctor who marries her.

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When an innocent young woman finds herself abandoned by the proper young man whose child she's had, she is taken in by a troupe of traveling performers.

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A young woman has three suitors on her father's logging ranch on the Quebec frontier.

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Primerose loves her childhood friend, Pierre, but this one, ruined, refuses her love. Desperate, Primerose enters the convent, but soon the order is dissolved and Pierre, who finds his young friend, finally lets his heart speak...

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An engineer is hired to plan and oversee the construction of a undersea tunnel between Europe and the US. However, certain interests don't want to see the tunnel built and use every means at their disposal, including sabotage and murder, to stop its construction. French-language version of the 1933 German DER TUNNEL, q.v.

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