Paolo Mereghetti

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A portrait of Italy in the '60s and '70s, based on films by Marco Bellocchio.

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The Cinema Mexico is one of the last single-screen cinemas left in Milan. Its story is inextricably tied to the figure of Antonio Sancassani who ran it independently for the past thirty years taking care of every single aspect. At the cinema Mexico he presents independent films, debuts, films in original version, documentaries, forgotten films or films that have been "burned" by large-scale distribution offering them a second chance. The thirty-six years of the Rocky Horror Picture Show and two extraordinary years of The Wind Blows Round are only some of the successes that have made of the cinema a reference point for insiders from all over Italy. A passionate portrait that reflects on the fate of small cinemas and on the difficulties for independent cinema that is suffocated by the laws of the market, by online streaming and by the television.

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Love Among the Ruins is a spoof about the miraculous discovery and restoration of a long lost Italian silent film. The film connects a contemporary filmmaker with the genius of the Lumini brothers, two cinematic icons who have been almost overlooked in the history of cinema.

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Piero Tortolina has been a point of reference for a whole generation of film lovers. Pioneer of cinema-clubs and great film collector, he has been an invisible protagonist in the history of italian cinema.

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Documentary about the movie theaters of Milan.

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For at least three generations of viewers, cinema has been like life: a motive for work, relationships, conflict, politics, and pleasure. The documentary, based on original interviews with critics active between the 1950s and the present day, evokes the places, rituals, professional routines, gender relations, and polemical and social dimensions of Italian film criticism. Not only a profession, but above all a discovery of the world through films, yesterday as today.

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