Roland Bertin

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Boris and Sandra meet and immediately love each other with a lively passion. Enough to help them fight the best enemy of their love: addiction. That of Boris on drugs, that of Sandra in Boris. Linked, attached to each other, reclusive but alive, they will try to live their love in a closed circuit. In doing so, everyone will discover in themselves an unexpected strength and humanity.

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Once upon a time, somewhere... a homeless guy finds a policeman's uniform...

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Eight-year-old Judith was plucked from everyday life to act in a film that was made in Paris. After returning home from the experience, she finds that her parents' marriage is on the rocks. She makes her way back to Paris with her friend Nora, and the two of them do what they can to survive.

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As Balzac prepares to die, his entire past flashes before his eyes. As a young writer, he was driven by the desire to achieve something great. With the support of Laure de Berny, he started printing and publishing without much success, but it was with his pen that he achieved fame, thanks to the constant support of Madame de Berny. Balzac became a writer that readers devoured.

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This romantic, political drama is about the reunion of an Algerian woman who abandoned her lover 35 years earlier to live in France, and the lover who chose to stay in Algeria and fight the French colonials.

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Bernie, a 30 years old orphan, decides to leave his orphanage and find his parents. After an investigation, he meets Marion, a young heroin addict and falls in love with her. He believes that his family was victim of a plot and this is why they deserted him.

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La Comédie-Française is the oldest continuous repertory company in the world, founded in Paris in the late 17th century. This is the first time a documentary film-maker has been allowed to look at all the aspects of the work of this great theatrical company. Sequences in the film include sections of plays, casting, set and costume design, administrative meetings and rehearsals and performances of four classic French plays, Don Juan by Molière, La Thebaide by Racine, La Double Inconstance by Marivaux and Occupe-toi d'Amelie by Feydeau. (Zipporah Films)

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A private eye finds that her professional and personal lives are beginning to intertwine in this French drama. Maxime Chabrier (Anémone) is a woman in her mid-40s who works as a private detective. Despite her chain smoking and sloppy appearance, Maxime is regarded as a skilled investigator by her colleagues and considered the best PI at her agency by her boss. While Maxime has romantic dalliances with both men and women, she hasn't been involved in a long-term relationship since she left her husband 15 years ago. However, Maxime is hired to look into a case that suggests that her former husband has become involved with insurance fraud, which brings her into contact with her 17-year-old son Baptiste (Gregoire Colin) for the first time since the divorce. Just as Maxime is trying to mend fences with her son and find out what her ex has gotten himself into, she finds herself falling in love with Jacques (Michel Didym), an economist.

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The Cordier fight in family against the crime: the father is police captain, the son, investigating judge and the girl, a journalist.

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When a man's best friend is shot in cold blood by two corrupt policemen, he must track down the only eyewitnesses, who have deported to Mali.

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Aline Issermann's "Shades of Doubt" ("L'Ombre du Doute"), a French film about a wrenching family crisis, is set forth with remarkable restraint. The subject is incest, but the story's potential for tawdriness is never exploited. Instead, Ms. Issermann presents a discreet, methodical account of how 12-year-old Alexandrine comes to bring and then recant charges against her father, Jean.

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Who would have expected Brigitte to marry a prisoner with a long sentence in the first place? In this romantic action movie, that is only the first in a long line of surprising actions by the young woman. Somehow, she manages to get hooked to the young prisoner before realizing that he'll be locked up for another three or four decades. She decides that this is much too long to wait to spend time with her sweetheart and decides to learn how to fly a helicopter. Why? So she can fly in and take him out of his prison yard, which is exactly what she does, thrilling romantics all over France and seriously upsetting the authorities. This award-winning film is based on a true incident from 1986.

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Mise-en-scène, at the Comédie-Française, of La Vie de Galilée by Bertolt Brecht. This is the last staging by Antoine Vitez.

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Antoine has always been fascinated by a hairdresser's delicate touch, the beguiling perfume, and the enticing figure of a woman with an opulent bosom. After all, he had always known he would marry one, completing his idealized love fantasy.

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Famed swordsman and poet Cyrano de Bergerac is in love with his cousin Roxane. He has never expressed his love for her as he his large nose undermines his self-confidence. Then he finds a way to express his love to her, indirectly.

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For no apparent reason, "the man" decides he is going to live only in the bathroom of his apartment (clothed). Perhaps he wants the isolation he might find there. His solitude destroyed by a bevy of friends, some housepainters hired by his girlfriend, and his family, our philosophical hero makes his way to a nondescript hotel room in Venice, where he spends his time playing darts in his room. When his girlfriend visits him there, he responds to this interruption of his musings by briefly using her forehead as a dartboard. Eventually he returns to his Paris apartment, and reconciles with his injured girlfriend.

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The neglected daughter of an industrialist who made his fortune in explosives supplies during the war and of a mother who was mostly concerned with herself, Monique Lerbier is a pretty blonde with generous but strong ideas and a hard character. She has chosen to be an atheist since her adolescence and does not tolerate injustice and social hypocrisy. She was to be married to an engineer, Lucien Vigneret. It was an arranged marriage, the dowry having to allow Vigneret to enter the capital of his father's company, which needed it to finance its business. But two weeks before the wedding, Monique surprises the fiancé with a mistress.

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A journalist is assigned to interview an eccentric anthropologist who has exhumed the skeleton of Jörg Jenatsch, a revered freedom fighter who was mysteriously murdered in 1639. Initially disinterested, the journalist begins to uncover unflattering truths about the national hero and experiences visions in which he seems to be witnessing events that transpired over 300 years ago. As he obsessively pursues the investigation, his personal life and his grip on reality disintegrate, drawing him relentlessly toward the fatal carnival at which Jenatsch was killed.

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Once a successful Hollywood screenwriter, Stan is now a depressive alcoholic who spends most of his time mooching about his house whilst pouring out his troubles to his drinking partner. The only thing that keeps him going is his love for his teenage daughter, Charlotte, but she despises him, believing him to be responsible for the accident in which her mother died.

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While watching the others on her TV screen, Louise becomes a rebellious girl.

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Jean, a young Breton working at the shipyards in Toulon, chafes under routine and confinement. Living with his cousin Simone, he one day vanishes—leaving behind her money and a gun. He embarks on a wanderlust‑fuelled journey, hitchhiking into the unknown, guided only by chance encounters and longing for freedom.

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In a building on the Boulevard Haussmann in Paris lives ten-year-old Roger, who is surrounded by women - his great-grandmother, his grandmother, and his mother Nicole. Living in an exclusively feminine environment, the boy wishes more than anything else to have a masculine presence around. His dream comes true when he meets Jacques, who's madly in love with Nicole and who is about to completely turn the boy's life upside down.

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A fleeting encounter in a train station draws a withdrawn young man into a shadowy world of desire and danger. As obsession deepens, innocence destroyed, and an irreversible transformation begins.

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Divorced parents are concerned about the behavior of their teenage son who is rebelling against society.

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The sexual and social dysfunctional behaviour of the corporate elite are further aggravated when a naive married woman becomes the obsession of two wealthy suitors.

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An innocent man stumbles across a political intrigue, when he discovers that his neighbours apartment is bugged. They are then found dead and their killers description resembles the man.

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The story of a serial killer but bears little resemblance to a slasher movie. We know almost at once who the killer is and the emphasis is not on the murders but on his psychology as he falls in love with one of his prospective victims - a weakness which, of course, will be his downfall.

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Jules, a young Parisian postman, secretly records a concert performance given by the opera singer Cynthia Hawkins, whom he idolises. The following day, Jules runs into a woman who is being pursued by armed thugs. Before she is killed, the woman slips an audio cassette into his mail bag...

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Val Brosse, a private detective, receives Françoise, who confesses to him that she murdered her husband. The story is false, but Val, intrigued, decides to investigate.

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Father Birotteau and Father Troubert, both of whom are priests at Tours, have separate lodgings in the house belonging to the crabby spinster Sophie Gamard in that city. Birotteau is an other-worldly, gentle, introspective type; Troubert, who is ten years younger than his fellow boarder, is very much of the world: he is a careerist devoured by ambition.

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