John Mayall

Compilation of live performances by various blues artists.

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This addition of Disraeli Gears to the acclaimed Classic Albums series features brand new interviews with Clapton, Baker and Bruce, along with lyricist Pete Brown, Atlantic Records founder Ahmet Ertegun, John Mayall and Manfred Mann. Also included on the DVDare acoustic performances, original studio tracks and archival live footage. Included are additional interviews and analysis of the tracks, Exclusive acoustic performances, exclusive solo piano performance and previously unreleased full live performances. Though they were only together for two brief years (1966-1968), the London-based power trio Cream changed the face of rock with their jazz-schooled psychedelic blues--and never more so than on their 1967 classic DISRAELI GEARS. This program offers a critical review of the landmark album through archival footage, rare live performance clips, and interviews with rock critics, musicologists, and band members.

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It was a night when the legends played, when English Blues met Chicago & Memphis Blues, and something magical happened. One hot night in June 1982 at New Jersey's Capitol Theater, John Mayall and the Bluesbreakers, featuring Mick Taylor (Rolling Stones) on lead guitar, John McVie (Fleetwood Mac) on bass, and Colin Allen (of Rod Stewart's band) on drums, paid homage to and were joined by five blues immortals: Albert King, Etta James, Buddy Guy, Junior Wells, and the 83-year-old Sippie Wallace. Each of the blues greats was backed by the Bluesbreakers, resulting in some amazing musical moments. Awesome is the only word to describe the guitar jams among Albert King, Buddy Guy, and Mick Taylor. New audiences can enjoy every moment of greatness from that special night, when the Bluesbreakers were joined by the blues makers. The night the legends came out to play.

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THE GODFATHER OF BRITISH BLUES: The film biography features contributions from John Mayall himself, his family, fellow musicians, colleagues and friends, in interviews and performances. Rare archival film from all periods of his career marks his achievements and some of the events that formed them. THE TURING POINT: The earliest 'rockumentary' of John Mayall and his musicians filmed in their homes, dressing rooms, mororways, airports, clubs, concert halls and at festivals.

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Not all that many blues musicians (or any other kind, for that matter) live to 70, so British bandleader John Mayall had good reason to celebrate when he reached that milestone in 2003--and celebrate he did, with the admirable, 137-minute John Mayall and the Bluesbreakers: 70th Birthday Concert to show for it. Mayall, a capable if not exactly stellar singer and multi-instrumentalist, is best known for the many fine players who passed through his band over the years, and Eric Clapton, the most renowned of the lot, is on hand here, as is former Mayall/Rolling Stones guitarist Mick Taylor. Clapton sings several tunes in addition to playing his trademark stinging solos on "Hideaway" and "All Your Love" (two of the tunes most responsible for the "Clapton is God" graffiti seen around London in the '60s), while Taylor is mostly impressive as well.

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Director Mike Figgis (Stormy Monday, Leaving Las Vegas, Time Code) joins musicians such as Van Morrison, Eric Clapton, Jeff Beck, and Tom Jones, performing and talking about the music of the early sixties British invasion that reintroduced the blues sound to America.

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The Blues (2003) is a seven-part documentary series produced by Martin Scorsese that explores the history and influence of blues music. Each episode, directed by a different filmmaker, traces a unique aspect of the genre’s evolution—from its African roots to its global impact. Originally airing on PBS, the series includes Scorsese’s Feel Like Going Home, Wim Wenders’ The Soul of a Man, Richard Pearce’s The Road to Memphis, Charles Burnett’s Warming by the Devil’s Fire, Marc Levin’s Godfathers and Sons, Mike Figgis’ Red, White and Blues, and Clint Eastwood’s Piano Blues.

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Wim Wenders looks at the dramatic tension in the blues between the sacred and the profane by exploring the music and lives of three of his favorite blues artists: Skip James, Blind Willie Johnson and J. B. Lenoir. Part history, part personal pilgrimage, the film tells the story of these lives in music through an extended fictional film sequence (recreations of '20s and '30s events - shot in silent-film, hand-crank style), rare archival footage, present-day documentary scenes and covers of their songs by contemporary musicians such as Shemekia Copeland, Alvin Youngblood Hart, Garland Jeffreys, Chris Thomas King, Cassandra Wilson, Nick Cave, Los Lobos, Eagle Eye Cherry, Vernon Reid, James "Blood" Ulmer, Lou Reed, Bonnie Raitt, Marc Ribot, The Jon Spencer Blues Explosion, Lucinda Williams and T-Bone Burnett.

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An all-blues program with John Mayall, Buddy Guy, Pinetop Perkins, and others.

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A teenage runaway who never went to school, John Lee Hooker had trouble spelling his name, even into his eighties. But, despite these humble beginnings, John Lee Hooker is today considered one of the most influential musicians of the 20th century.

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Eric Clapton is one of the most influential guitarists of all time. He ranked 2nd in Rolling Stone magazines list of the "100 Greatest Guitarists of All Time" and 4th in Gibson's "Top 50 Guitarists of All Time". In this documentary feature he is interviewed in depth with contributions from Keith Richards, John Mayall, The Yardbirds, Jack Bruce and many more. It is the definitive Clapton biography.

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A documentary series about pop and rock albums that are considered the best or most distinctive of a well-known band or musician or that exemplify a stage in the history of music.

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Some of rock's greatest musicians -- including Ron Wood, John Lodge, Kenny Jones, John Mayall, Carl Wilson and Mick Fleetwood -- jam with Bo Diddley at the Irvine Meadows Amphitheater in California. This tribute to the legendary guitarist includes backstage interviews and rehearsal footage as well as recordings from the 1985 concert. Songs include "I'm a Man," "Bo Diddley Put the Rock in Rock 'n' Roll," "Who Do You Love?" and more.

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Live archive release from the British Blues legend. This release features Mayall in a hard-driving, sharp set of original and classic numbers captured live on tour in 1988. This concert serves to remind us of the genius with which this pioneering artist almost single-handedly revived the Blues, and how he has made them his own over a phenomenal career in music. Featuring the paired lead guitars of Walter Trout and Coco Montoya, the band rocks hard in a tight groove that enables searing solos from the featured guitarists as well as from Mayall himself on guitar and keyboards. The guttural power of Mayall's vocals is ever-present. And the songs - most of them Mayall originals - include the classic Room To Move, with which John Mayall once electrified the world of Rock 'n' Roll.

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Juanita Hutchins works at Texas bar, but she aspires to be a country songwriter. When she's not looking after her impulsive daughter, Candy, or vouching for her promiscuous friend, Doris Steadman, she's trying to maintain some semblance of a romantic life. As Juanita prepares to make the leap to Nashville, her former boyfriend, Slick Henderson, returns to town, further complicating her situation.

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The stage is set for a series of confrontations when photographer Mark Jefferson (Tom Eplin) agrees to help his friend Roger (John Mayall) defend his night club against a handful of organized crime figures. Mark has an added incentive for becoming involved as his ex-girlfriend Carol (Cheri Cameron Newell) sings at the club. But the gangsters are willing to use mayhem and murder in order to take over Roger's business. It appears that the petty mobsters are out to sell illegal weapons to anyone who wants them, especially L.A.'s youth, instead of using the club as a front for a prostitution ring as Roger suspects. Soon Mark and his trusty motorcycle have their work cut out for them.

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Rysiek is an escapee from a reform school. Julek escapes the anger of a fire brigade in a small town from which he embezzled. In search for food Rysiek breaks into a villa and discovers a bundle of cash in the freezer. They team together in Warsaw and decide to go on a rampage through the city.

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A small town band makes it big, but loses track of their roots, as they get caught up into the big-time machinations of the music biz. Now, they must thwart a plot to destroy their home town. Built around the music of The Beatles, this musical uses some big name groups like Peter Frampton and Aerosmith.

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The earliest 'rockumentary' of John Mayall and his musicians filmed in their homes, dressing rooms, motorways, airports, clubs, concert halls and at festivals.

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John Mayall - The Lost Broadcasts

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