Alejandra Flechner

Emma can see the dead. But when her niece arrives, thousands of lives are shaken.

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Based on the work from Mariana Enriquez and directed by Pablo Larraín, My Sad Dead follows Ema, who can see and hear the dead. After her mother’s death, Ema receives an unexpected visit from her niece Julie, with whom she shares the same unsettling gift. With Julie’s return, family secrets and wounds that never fully healed will resurface —but so will a strange phenomenon from which no one will emerge unscathed. The entire neighborhood will sense presences and hear the distinctive sounds of their own dead.

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When a woman is admitted by her daughters to a psychiatric clinic for her carefree ways, an expert must judge if she is ill or simply wants to enjoy life.

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In the conservative northwestern region of Argentina, Julieta finds herself accused of infanticide after a medical emergency. With support from her attorney and women's rights advocates, she fights for justice in a landmark case that could change lives.

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At a career-defining moment, a governor's child vanishes. Torn between ambition and family secrets, he must choose: politics or his daughter's safety.

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After embracing her female identity, Rubén rejects her Bar Mitzvah. When tragedy strikes years later, she returns as Mumy Singer to celebrate it her way.

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In 1959, Buenos Aires, Mabel, an employee of a ministry must travel to the field to get a contract signed by the rancher Antonovich. In that solitary house, guarded by a female motorist, she will live unexpected scenarios with intriguing characters that will change forever the course of her life.

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For over six years, Javier and Valeria have been trying to get pregnant. At work Javier is approached by Camila, a coworker, and tells him she is pregnant with his baby. In the following days, his relationship—indeed, his entire existence—starts to fall apart.

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New York, 2010. Jeff Harris, a music journalist, sets out to uncover the truth about Francisco Tenório Júnior, a young Brazilian samba-jazz pianist who disappeared in Buenos Aires on March 18, 1976.

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When Marcelo Pena finally is about to be appointed Head of the Philosophy Department, the famous and seductive Professor Sujarchuk returns from Europe to claim the kingdom for himself.

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This Spanish-language series chronicles the politics and events leading up to the most severe economic and social crisis in Argentina’s history since its return to democracy. At the center of a government in crisis, a political appointee works as a liaison between the current administration and opposition party figures who seek to rise to power.

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In the 1980s, a team of lawyers takes on the heads of Argentina's bloody military dictatorship in a battle against odds and a race against time.

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During Christmas dinner, an Argentinian family finds out that their millionaire uncle has died. His relatives speculate about his generous inheritance, but everything changes when a woman arrives at twelve and introduces herself as the deceased's wife. The head of the family, desperate about the possibility of losing everything, hides the body and forces the others to simulate a kidnapping. The plan is that, this way, the inheritance would be returned in the form of ransom payment. A bag of money appears and the plan seems infallible, but it falls into crisis when everyone wants to take their part.

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Dina has not seen her three children for many years. They escaped their excessive control and live abroad. She can't get over her aerophobia to go visit them. She can't take it anymore without seeing them, and with his friends she sets up a mock of his funeral to force them to come and see her, but her plan will unleash madness. Who would think that this plan will work?

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Miguel "The Tiger" Verón, a union leader from meat sector, has to risk everything against his employers and enemies from justice.

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Federico, in his mid-20s, lives alone in Buenos Aires. The day his grandmother dies, he decides to part with his girlfriend. He fears hurting her. However, she is laid-back, feisty and not even close to feeling hurt. He begins obsessing over her unexpected reaction—but then he meets someone else.

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A girl has problems with her writing on her cell phone and gets angry with her auto corrector, who will come to life.

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Cetarti is drowning in nothingness. With no job or purpose, he spends his days inside watching documentaries on television, until one day he is informed that his mother and brother were gunned down. He travels from Buenos Aires to Lapachito, a decrepit town in the province of Chaco in northern Argentina to deal with their bodies and to get the life insurance money. There he meets Duarte, a sort of boss in the town and a friend of his mother's murderer who also kidnaps people for money. Cetarti's path will lead him to committing illegal acts to get his hands on the insurance money and to his involvement in Duarte's dark dealings, leading to an absurd and unexpected outcome.

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Felipe a wealthy businessman who has been quadriplegic, due to an accident, is looking for a therapeutic assistant. There are several highly qualified, but he decides to take the assistant of his gardener, Tito who has decided to resign.

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Batato Barea, the “clown/intellectual/transvestite” was a genius of the underground scene who was able to represent all the nuances of a changing country with his own poetic radicalism, in such a unique way that it made him irreplaceable. That paradox is the basis for this documentary by Peter Pank and Goyo Anchou, two authors in search of a character and his legacy, but also his irreplaceable presence and instantaneous, evanescent theatricality, which challenged every mandate and convention.

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José (Diego Capusotto) lives in Buenos Aires with his father, with whom he doesn't have a good relationship. He's a musician, but supports himself with the earnings from his taxi company, and when he can, he plays with his band in pubs. He's nostalgic for the success he could never achieve again, like when he played with his cousin Miguel (Luis Luque). They had both achieved a certain notoriety with the song "Pájaros vuela" (Flying Birds) by their band "Dientes de Limón." After a long time without seeing each other, Miguel, who lives in Las Pircas, a small town in the mountains of Córdoba, comes to visit him and suggests that he leave the city and come with him.

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Bruno is 33 years old, he is unemployed by choice and has entered a kind of paralysis that blocks everything: lost and with no certain destination, he wanders immersed in an indefinite void, a situation in which his enthusiasm for things has also fallen. and the people. Isabel's ghostly appearances in his life mark the three unique nights in which the film takes place.

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Anthology series, in which every episode introduces fictionalized versions of real cases about women who, for different reasons, ended up committing murder.

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Three astronauts are sent on a mission to destroy the moon.

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Resistiré is a 2003 Argentine telenovela. This serial features a gorgeous woman torn between her terrorist fiancee and a handsome tailor. It starred Pablo Echarri, Celeste Cid, Carolina Fal and Fabián Vena. Resistiré was a major hit on Argentinian television. It dared to introduce new elements in the genre of telenovela and was well accepted by the audience, setting a new standard in TV. In 2004, the telenovela won the Martín Fierro Award as the best show of the year, along with many other awards. In 2006, two remakes debuted. MyNetworkTV produced an American version in English titled Watch Over Me. In addition, Televisa unveiled Amar Sin Limites for Mexican viewers.

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Things begin to fall apart for Samy (Ricardo Darín), a longtime television writer on the brink of turning 40, when his midlife crisis starts interfering with his career. Suddenly, his scripts just aren't that funny, and he's considering leaving showbiz altogether. Can a pretty new actress (Angie Cepeda) help him turn his life around? Eduardo Milewicz directs this Spanish-language romantic comedy.

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When Belén is hired as a cook at a gloomy orphanage, she discovers a group of children living under the cruel rule of its corrupt director and his ruthless assistant. Determined to restore hope and happiness to their lives, Belén joins forces with the children to expose the truth, overcome their oppressors, and build the loving family they have always dreamed of.

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A murder in a house in Tigre triggers an investigation in the sphere of a political weekly. Crimes follow one another and the police can't solve the puzzle. A magazine journalist will try to get to the truth without knowing that more than one surprise awaits her.

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Yepeto is a professor in his 50's, a prestigious writer who holds a chair in the literature department. Cecilia, an 18 year old student is the object of Antonio's desire. (Antonio is a young athlete, also very attractive.) Yepeto starts to feel passionately, but silently attracted to Cecilia, while at the same time, builds up his friendship with Antonio. Will this force Yepeto to give up, out of loyalty to his friend and student Antonio, all contact with his desired student Cecilia

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Mercedes, a widow of eighty and fearful of loneliness, falls in love with Sebastian, a writer sixty years younger than her. Mercedes will feel trapped in her wrinkled and slow body that which prevents her from living their love as it should be lived.

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Cha Cha Cha was an Argentine sketch comedy television program aired in the 1990s on América TV, starring Alfredo Casero, Fabio Alberti, Diego Capusotto, and others. It was characterized by absurd humour, sometimes bordering on the surreal. In 2012 it was announced by Casero that the show will return as a motion picture.

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