Enzo Vetrano

An original rewriting by the Vetrano-Randini company of two one-act plays by Pirandello, ‘Sgombero’ and ‘L'uomo dal fiore in bocca’, whose threads are intertwined with surreal dialogues and lightning-fast quotes drawn from the repertoire of Totò and Vicé, fantastic and poetic characters from Franco Scaldati's theater. - Luigi Pirandello: L‘uomo dal fiore in bocca – Sgombero – Colloqui coi personaggi - Franco Scaldati: Totò e Vicé

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In an Italian village, where the idyllic beauty of the landscape belies the toughness of life, word has it young Pietro has psychokinetic powers. A tender portrait of a young boy, and an allegory of the science of invisible forces.

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Old woodcarver Geppetto fashions a wooden puppet, Pinocchio, who magically comes to life. Pinocchio longs for adventure and is easily led astray, encountering magical beasts, fantastical spectacles, while making friends and foes along his journey. However, his dream is to become a real boy, which can only come true if he finally changes his ways.

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Adapted from Franco Scaldati's play, the movie transposes the story of Totò and Vicé from the theatrical representations to urban scenes. Totò and Vicé are timeless creatures, bewildered and misplaced, that roam about Palermo, marooned and empty; an urban journey and waking life between memories and dreams in one magic night. Out from a timeless cave, their story of sanctification crosses the suburbs, reaches the city and it's bowels, showing the real settings of Scaldati's writing and cosmogony.

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Franco scaldati - died in 2013 - was one of the most important autors of italian theatre plays, Maresco describes his role in the cultural and social field. Through his opera we can observe Italy from another point of view.

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A surreal travel drama, shot on Sicility with Italian actors. IlViaggio Clandestino is a film about saints and sinners. Whether you areblessed or doomed is often dependent on someone's soul that on whether theypray or suffer. The kindred spirit of San Gil ! the Holy Gil ! is CiccioBavaria who, unilke the former, continues to seek sin. For Bavaria sin isliberating and dynamic. The film tells the story of the journey made by thesetwo protagonists; a journey that leads to the demise of San Gil, while Bavariais reincarnated as Buddha. There is another traveller, a clandestinetraveller. Christ, always fleeing the angels. This Christ does not helphumanity with miracles, but by keeping himself alive as best he can givingweather forecasts.In this strange sainty story, Ruiz allowed himself ot be inspired byapocryphal books about saints of flesh and blood.

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One of the most famous and mysterious literary and theatrical texts of the 1900s. Theodoros Terzopoulos, greek maestro of the international scene, transforms Waiting for Godot into a lens through which is possible to identify "the other". An engaging drama which leads us to wonder about our own concept of humanity.

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Adapted from Franco Scaldati's play, the movie transposes the story of Totò and Vicé from the theatrical representations to urban scenes. Totò and Vicé are timeless creatures, bewildered and misplaced, that roam about Palermo, marooned and empty; an urban journey and waking life between memories and dreams in one magic night. Out from a timeless cave, their story of sanctification crosses the suburbs, reaches the city and it's bowels, showing the real settings of Scaldati's writing and cosmogony.

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