Stanislav Moskvin

After Yana finds out that her best friend is trapped in the war in Ukraine, she is forced to examine the moral compasses within her family. She visits her grandparents, who seem to trust Russian TV and radio more than her own account of events. This intimate drama is based on the reality of families divided by the war in Ukraine, including the author’s own. The film explores the inevitable choices between love and politics, friends and family, silence and resistance.

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A man suddenly goes up in flames. Suicide, assassination? - The police are faced with a mystery. Louise, an intern at the local newspaper, senses a big story behind this. In order to get information, she enters into a relationship with policeman Tom...

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The eternal desire of a man to love a real and unique Woman paints different images in the imagination of screenwriter Ivan Gerasimov. From time to time he meets with the women of his dreams - a romantic young lady, a relaxed prostitute, a mysterious lady with a veil and - his wife - Ivan ceases to understand which of these women is reality, and which is only a figment of his imagination. In search of answers, he finds himself in the mystical station cafe Gendelyk. Thanks to the "accidental" meeting with Bartender and Sputnik, various emotional memories from life emerge in his memory: first love, funny oddities, moments of incredible happiness and unbearable suffering. These memories help Ivan understand himself and become free.

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Talented mathematician Anna Nikolaevna Shvabrina works as a school teacher. By the will of fate, she begins to help Captain Vershinin investigate complex crimes using mathematical methods. The main tools of the investigator are many years of experience and the basics of forensic science, Anna Nikolaevna is an impeccable knowledge of mathematical methods, formulas and models. It would seem that they are completely different, but it is thanks to this union that it will be possible to investigate the most difficult cases.

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Asya and Gennady’s happy family is shattered overnight when their five-year-old son, Antoshka, dies in a devastating fire. The tragedy robs Asya of any sense of purpose. A deep depression leads to divorce and a self-destructive spiral. Asya wants to take her own life. But a year after her son’s death, hope suddenly appears. She meets a firefighter, Nikolai, who tells her that no remains of her son were found in the ashes. Asya clings desperately to this fragile hope—she wants to believe Antoshka is alive. But if so, where is her boy? No one but Asya believes it. Only Nikolai reaches out to help the despairing woman.

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Sofia suddenly finds out that she belongs to an ancient aristocratic family with its roots going back to the monarchy. She is now extremely rich, but the news comes with great danger.

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Natasha believes her sister is protecting her, until she uncovers a horrifying plan to use her newborn daughter as a heart donor. Forced to run, she must expose the betrayal and save her baby before it is too late.

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The series consists of ten films based on love and erotic works of Ukrainian literature from the middle of the 19th century to the present day. The films explore love as a multidimensional phenomenon. This is a kind of retrospective slice of the history of society, culture, and art. There are changes in the attitude towards a woman, mother, lover.

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Mariia lost her husband and three children in the war. Having lost all her loved ones, she decided to help other victims of the bloodshed. Adopting three orphans, she moves far away from the places that awaken the pain of her lost family in her heart, and raises her new charges under a peaceful sky...

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