João Pedro Dantas

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The daily life of the residents of the "Terraços do Glamour" condominium, on the outskirts of Lisbon, highlights their problems with defective apartments and spoiled facilities due to the developer's false promises.

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Seven childhood friends, in their mid twenties, honor their annual summer tradition by spending a week in a seaside town, forcing them to confront the memories of a complicated past.

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An adaptation of the short story with the same name by Portuguese writer Lídia Jorge.

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The story of two brothers with a sick mother and a reality that leads the audience through paths of secrets and lies, puts the viewer in the role of participatory observer, each drawing its own conclusions.

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In a village of the portuguese interior, David, a landfill worker in his thirties, has a hard decision to make: move in with his girlfriend to the capital, fighting for their increasingly weakened relation, or go on living with his mother, that couldn't handle the household expenses by herself.

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A historical fiction series that, from the biographies and cultural and civic intervention of the poet Natalia Correia, the editor Snu Abecassis and the journalist Vera Lagoa (pseudonym of Maria Armanda Falcão), recalls the last years of the Estado Novo (Second Republic) - 1961 to 1973 - from the beginning of the colonial War to the eve of the April Revolution.

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An airplane disappears mysteriously; on board was Verónica, the twin sister of Vitória, the victim of a fraud by a millionaire. Presumed dead, Verónica assumes the identity of her sister and plans to avenge herself on the entrepreneur's family.

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Different attitudes towards love, loss, faith and searching for the sense of life, revealed by familiarity of four characters.

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Despite the hardship, there are those who fight and overcome... Marta is a single mother and a humble woman who’s doing her best to offer her two daughters, Susana e Beatriz, a good life. But when she finds out that her younger daughter has a rare and serious condition, everything changes in this family’s life. Susana decides to seek out Rodrigo, the child´s father and a wealthy man who can afford to pay the much needed surgery abroad. Even though he didn't even know he had a daughter, Rodrigo accepts to pay for the surgery on the condition that he’s granted custody. Marta is then faced with the greatest dilemma in her life: in order to save his daughter, she’ll have to give her up. Rodrigo will end up using Beatriz in an elaborate ploy to get closer to Marta. However, his cousin Gabriel’s return to Portugal will make things difficult for him, as Gabriel will fall in love with Marta, thus turning into Rodrigo's rival.

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Six friends meet every evening in a basement to make music. During the daytime, however, there are no rehearsals for what life brings us. Each endeavour leaves its mark. Rita left Ricardo, Rafael found her, but she still feels lost. Eduardo thought he no longer liked Maria, but after what he has done he cannot turn the clock back. João lacks the courage to breakup with his girlfriend and takes refuge in the song he is writing for Inês. Marco struggles to get another young man’s love, but he is under no illusions. Samuel believes in everlasting love but something is wrong because his friends haven’t heard from him for sometime. Inês, attempting to feel safe, likes to experiment and she's waiting to see how things go with João. With all this going on, how could the band not be falling apart...?

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Vera is the princess and the pride of her parents. But do they really know her?

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Leonor and Pedro, are young, in love and from different social classes. She is the daughter of a wealthy man. He is from a modest working class family. They experience an intense but dramatically short love affair. When Pedro discovers Leonor’s father’s secret – that he sexually abused a maid – he is the victim of a hit and run accident, leaving him in a deep coma for 5 years. He later awakens to find out that his girlfriend, who was told he had died in the accident, moved on with her life and married someone else, after several years of grieving.

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Raul Vasconcelos and Helena Brito founded a partnership over 20 years ago and has over a hundred lawyers in its service. Raul has an ego as big as the world and it was that self-assuredness that made him notorious in the courtroom. Besides being an astute lawyer, he’s a hopeless playboy who with age developed the tendency to say and do whatever he feels like. His trouble is that he’s constantly abusing that privilege. Helena is a confident woman, albeit more discreet and concerned about the firm's public perception, constantly considering how her actions might negatively affect the partnership and its bottom line. Her personality led her to take over managing the firm, taking care of all bureaucratic affairs. Other lawyers stand out in the firm, as is the case of Pedro Pimentel, who just made senior partner. He’s impeccably put together and has a smile that wins over most women, but behind this agreeable façade of his there’s a person with a lust for power and fame.

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Television drama series which has been broadcast on RTP1 of Rádio e Televisão de Portugal from 2007 to 2011 and since 2019. It recounts the experiences of a middle-class family, the Lopes (Portuguese: Os Lopes), during the last years of the Estado Novo. In February 2019, RTP announced that the series, after eight years shelved, would be renewed, with the storyline moving firmly into the 1980s. The first episode of the sixth season was broadcast on 7 December 2019 with the Lopes entering 1984.

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Across several generations, groups of young Portuguese people navigate school life and summer holidays while dealing with friendships, first loves, rivalries, family conflicts and decisions that shape their future. Each season introduces new protagonists, schools and challenges, exploring themes related to adolescence, identity, responsibility and belonging. Sport, music, dance and other forms of expression accompany their journeys of growing up, marked by dreams, choices and ever-changing relationships.

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Two actors performing in Strindberg's "Inferno" as God and Lucifer, find themselves competing in real life as well. One of them, Max Monteiro, has spiritual obsession with John Wayne and his way of walking. He and Jean de Dieu, his fellow actor who plays Lucifer and also directs the Strindberg play, engage in a philosophical and spiritual tug-of-war, especially when they meet an author named God, who has plans for another drama to feature both actors.

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