Hsu Li-wen

What haunts us is not only death, but aging. Pei-Hua is drawn like a blurred sketch—gray, undefined, embodying the quiet experience of a woman growing older.Mothers often remain fixed in place, becoming a point of reference for their daughters’ journeys. Each of us carries a “carry-on”—unfinished burdens or lessons meant to be faced in this life. When we finally leave, do these carry-ons remain? In the film, a fire becomes a ritual of release, a way of saying goodbye. Life is rarely pure joy or sorrow, and The Carry-On is no exception.

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“And they lived happily ever after” is an ending we are all too familiar with. On Marriage focuses on portraying all those struggles that couples encounter when they give up themselves to fulfill their marriage. In this anthology series, each individual episode explores varying meanings of marriage from five unique perspectives.

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Yu-lan came to Taipei from southern Taiwan. She has got a successful career as a dancer. When her foster mother gets dementia, she has no choice but to retire and go back home. However, the trial and tribulation of her new life have reminded her of her childhood memories. During an argument with her mother’s foreign caretaker, the cause of her foster brother’s death and the secrets about her biological mother are gradually being revealed... As a woman of the advanced maternal age, Yu-lan has found herself unexpectedly pregnant with a baby. Following her heart, she has entered the circle of destiny. Departure means coming back, and her starting point is also her finish line. Is birth adjacent to or far away from death? Maybe at last, you’ll see that the shadow you met will be also the light to guide your life.

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The Hotel Blackcat's owner, Mang, never leaves the counter. Guests include the immigrant worker, whore, losing-job Japanese, sex-abused man, little Lolita.... The police forces the Hotel to shut down and all guests must leave. What should they do? It's not necessary to lock each room anymore. Keep the door open, you'll find out traces imprinted with figures as well as times.

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The little girl facing her first menstruation met a pretty girl just become a woman. At the junction of women and girl, they are both deeply moved by love. What should they choose? Stay or leave?

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In 1860s, WEI Zhi-yun could distinguish kinds of tea since the age of 9. To make tea, she unbound her her feet and crossed the Taiwan Strait, leaving her hometown, but couldn’t witness the ‘Oriental Beauty,’ the tea she created, that astonished the world. In 2027, YUAN You-Yuan came back to Taiwan after studying in pastry in England. While she lost herself under the challenges both in career and love, she incidentally made the traditional Taiwanese dessert and tea and finally got back her mind. Zi-Zai, an immortal woman , obeying to ‘Destiny,’ intervened in WEI’s life and met You-yuan — a girl whose life course echoes WEI’s. She decides to defy Destiny, for WEI Zhi-yun, YUAN You-yuan, and for herself.

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Born never to cry, Fish seeks his missing mother through the underworld. He believes her ghost is imprisoned within a deity puppet — yet, it conceals neither his mother nor an informant, but a survivor. Through the puppet’s mouth, the seaside street’s buried past unfolds.

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When Li Ling-hui becomes the new principal of Hualien Tzu Chi High School, her bold and unconventional approach disrupts the status quo, inspiring both teachers and students. Years later, Hsu Cheng-lin reflects on how her guidance once changed his life, shaping his journey in ways he never expected.

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Han-ming is afraid of ghosts. After the death of his beloved grandpa, he must work with spirits to cook the “Ghost Festival Feast” to recall the memory between them. Then, he discovers it takes effort to make friends as well. Can he conquer these challenges and grow up?

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On Green Island in the 1950s, the female thought prisoners chose to fight for freedom, but were more forcefully suppressed by the authority. They held on to their beliefs and hoping for true freedom to come.

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The life stories of four firefighters show that, through their daily work, they have not only witnessed various spectrums of Taiwan’s society but also been forced to face their own life lessons.

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A high school student who has lost his father is bullied at school while also being misunderstood by his mother. He decides to return to his father’s hometown to find the tobacco field that was painted in the torn painting he takes along on the journey.

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What haunts us is not only death, but aging. Pei-Hua is drawn like a blurred sketch—gray, undefined, embodying the quiet experience of a woman growing older.Mothers often remain fixed in place, becoming a point of reference for their daughters’ journeys. Each of us carries a “carry-on”—unfinished burdens or lessons meant to be faced in this life. When we finally leave, do these carry-ons remain? In the film, a fire becomes a ritual of release, a way of saying goodbye. Life is rarely pure joy or sorrow, and The Carry-On is no exception.

Open details →

Yu-lan came to Taipei from southern Taiwan. She has got a successful career as a dancer. When her foster mother gets dementia, she has no choice but to retire and go back home. However, the trial and tribulation of her new life have reminded her of her childhood memories. During an argument with her mother’s foreign caretaker, the cause of her foster brother’s death and the secrets about her biological mother are gradually being revealed... As a woman of the advanced maternal age, Yu-lan has found herself unexpectedly pregnant with a baby. Following her heart, she has entered the circle of destiny. Departure means coming back, and her starting point is also her finish line. Is birth adjacent to or far away from death? Maybe at last, you’ll see that the shadow you met will be also the light to guide your life.

Open details →