Vít Poláček

A chance encounter at a German highway rest stop sparks youthful attraction between a thirteen-year-old Czech boy and a Belgian girl. In the short time between lunch and their departure, they try to meet each other. With the help of an Arab truck driver, and a man who looks like an African footballer, they overcome language barriers and avoid their families to spend a few minutes together. In this unassuming location, they share an experience that is unique to modern Europe.

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In her feature-length debut, Marie-​Mag­da­le­na Kochová uses the character of eighteen-year-old Johanna to explore the phenomenon of “glass children” – children who, because they have a special-needs sibling, are neglected by their family, however unintentionally. They often feel invisible, their problems are always considered less important, and they are often expected to help take care of their disabled brother or sister. Johana is about to graduate from high school, and so she must decide whether to leave home to study, or stay and help her parents. An immensely sensitive account of the nature of sibling love which, for once, puts “the other one” first. Anna Kořínek (kviff.com)

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A rich Czech tourist and his translator come to an Inuit shaman – an Angakkoq. The meeting, arranged at a local museum, is to discuss a legendary encounter between the Angakkoq’s ancestors with the ancestors of the Czech tourist. The foreigner is willing to pay a lot of money for the story. The shaman’s evocative narration brings to life a fictional story from the time of the first Christian missionaries in Greenland. This short film about the clash of different cultures and mentalities is the first Czech-Greenlandic co-production.

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A historical social documentary about thousands of Greek children who fled the civil war and found a home in Czechoslovakia.

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A chance encounter at a German highway rest stop sparks youthful attraction between a thirteen-year-old Czech boy and a Belgian girl. In the short time between lunch and their departure, they try to meet each other. With the help of an Arab truck driver, and a man who looks like an African footballer, they overcome language barriers and avoid their families to spend a few minutes together. In this unassuming location, they share an experience that is unique to modern Europe.

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Vašek learns that he is dying, so he steals a painting and goes to Rome to sell it – he needs money for a healer. Sitting on a train with a fake mustache on his face, he has no idea that he has, in fact, been sent on a spiritual quest of his life by a beautiful girl. His pursuers look as if they were transported from a 1970’s movie, yet his attention is constantly drawn to the other passengers, who pull him into their own stories with no mercy. Vašek slowly gets lost in a colorful chaos of other people’s destinies, opinions and his own dreams. In the end, his train will take some of them to hell, others to enlightenment or a bizarre epiphany. The film takes a humorous view on all the basic philosophical questions we have heard so many times but that we have yet to find the answers to.

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