Maureen Kerwin

Humiliated and down on his luck, a superintendent turns his life around when he decides to write a book.

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A 3 part drama series about the notorious powerful Borgia family who took power in Italy in the 15th/16th centuries.

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The series follows the adventures of lighthearted Jean-Paul Moulin, a police Commissaire, and his team as they solve crimes.

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A large company offers consumers to acquire a "second identity", having the character traits that individuals would not normally adopt. Because of all these uninhibited behaviors, anarchy is quick to take hold.

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A talk show presented by Michel Drucker

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An important drug lord settled in Marseille is suspected of having ordered the killing of an American agent, but it is impossible to impute him due to his political influences, so the dead agent's boss decides to hire the services of a hitman to kill him.

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Christophe Merignac, a youngESCP graduate with a law degree but still unemployed, gets a job as a concierge in a luxury building. Using charm and cunning, he makes himself indispensable. He makes a fortune and marries a young, pretty and rich tenant, whom he happily deceives. The conclusion is bittersweet: he's "made it", but he doesn't love anyone. What's more, a young concierge who looks like a brother has just arrived in his building.

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After his father is killed in a plane crash, Bart Cordell returns back home to France to claim his inheritance: to lead the industrial empire his father built. But when a prostitute tries to set him up for a drug smuggling charge, he is forced to accept that his father may have been assassinated and that the killers are out to get him as well...

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Les Cent Livres des Hommes (ORTF, 1969-1973) was a series of literary programs created by Claude Santelli and Françoise Verny, and produced notably by Santelli, Jean Archimbaud, and Serge Moati. Planned for one hundred episodes but completed at thirty-nine, the series aimed to introduce great literary works, 'chefs-d’œuvre', to a younger audience through a mix of dramatization, reading, and documentary techniques. It marked a transfer of cultural legitimacy from writers and critics to a generation of television producers, offering a new model of educational and creative literary broadcasting - 'télévision d’auteur'.

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