Alexandr Kakhun

1945. The International Military Tribunal begins its work in Nuremberg. A huge number of people from all over the world come to the trial, which will later be called the Trial of the Century: the city is crowded with journalists, lawyers, translators, witnesses and many participants and employees of the process.

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Russia, 1736. The sixth year of Anna Ioannovna's reign. To strengthen the family of her female ancestors, the Miloslavskys, the Empress bequeaths the throne to the future son of her niece Anna Leopoldovna. There has never been such a thing in history that a non-existent child has become the heir. Meanwhile, for the sake of a worthy military alliance with Austria, the Empress trains Anna Leopoldovna and Anton Ulrich, Duke of Brauschweig. The mother of the future heir does not like the groom, and this is used by Peter, the offspring of Biron, and the Saxon envoy Moritz. The hunt for the princess begins between these two knights.

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Russia, 1736. The sixth year of Anna Ioannovna's reign. To strengthen the family of her female ancestors, the Miloslavskys, the Empress bequeaths the throne to the future son of her niece Anna Leopoldovna. There has never been such a thing in history that a non-existent child has become the heir. Meanwhile, for the sake of a worthy military alliance with Austria, the Empress trains Anna Leopoldovna and Anton Ulrich, Duke of Brauschweig. The mother of the future heir does not like the groom, and this is used by Peter, the offspring of Biron, and the Saxon envoy Moritz. The hunt for the princess begins between these two knights.

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Having enthroned the wife of Peter the Great and his mistress Catherine I, Menshikov receives unlimited power, thereby causing envy and indignation of his former allies in the coup. Taking advantage of his absence, they are plotting against His Serene Highness. But once again, luck accompanies the brave darling of fortune: having received a warning of mortal danger, he escapes arrest and enters the boudoir of the Empress.

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Based on the play by Nikolai Klimontovich. A television performance by the Sovremennik Theatre. Despite the outward freedom of the composition, it forms something resembling a mystery, where a person's earthly life unfolds in direct connection with Higher Powers, represented here by the elder Zosima, and with the forces of Hell.

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When in 1977 these guys came to Moscow from Pyatigorsk, for two they had 160 rubles and a can of cornel jam. And Muscovites contemptuously called them the limit. Years passed, and the brilliant abilities of the young children were realized. Misha became a bank employee, encrypting all documentation on a computer, Ivan - a criminal hacker, which no computer protection could resist. Fulfilling the tasks of mafia structures and penetrating the banking network, Ivan helped customers rob banks, thereby gaining unquestioned authority in the criminal world.

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A film-play based on the play by Edward Albee (translated by Vitaly Vulf, Igor Kochnov).

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Based on the story "Wherever You Are" by James Gunn. A young scientist, Mat, is writing a dissertation on the topic “Psychodynamics of Witchcraft” and is trying to prove that the phenomena described in historical witch trials cannot exist. But one day he meets a young village girl, Ebi, who has supernatural powers, and falls in love with her. Human feelings and the excitement of a scientist begin to fight within him...

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The last days of the Great Patriotic War take place in a military hospital.

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Gendarmes arrest Vyacheslav, a free-thinking student. His friend Kirill gives his word of honor that he will release Vyacheslav from the dungeons of the Okhrana, but for this he will have to create a combat squad and engage in a deadly battle with the Black Hundreds - ruthless supporters of the monarchy.

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