Philippe Khorsand

Little Rafik learns about Santa Claus in School, when he arrives just before Christmas with his Tunisian family to settle down in France in the 1960's.

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At a dysfunctional hospital in Paris, three bumbling, eccentric medical employees embark on zany misadventures with surgical imprecision.

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Muriel, a writer nearing 50 whose older lover won't live with her in Paris, meets a man on a train - Samuel, an Arab. He's attracted to her and pursues her, dropping in, asserting himself. She's willing to connect. He's passionate, then boorish, then jealous and possessive. He seems fixed on "Who's the strongest?," while she wants respect and trust. She's self-possessed as well as sexually charged, willing to laugh, and alternately firm and forgiving. He has little money, no immigration papers, few prospects, and a gambling jag. What does each want, and why does she stick with it? Is this colonial strife, war between the sexes, or a love story?

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Spain in the mid-seventeenth century. A series of bloody wars has ravaged the nation. Don Juan the nobleman and his valet, Sganarelle, roam the countryside on horseback, on the run and lost.

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To be closer to his children following his divorce, Laurent Monier, a history and geography teacher in a peaceful provincial high school, accepts a position in a sensitive college in the Paris suburbs. He is assigned the hardest class, the fourth techno, and he finds an apartment in the Cité des Muriers, a particularly difficult district.

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Benoit Blanc loves living, he loves women, he loves daring. He is a famous businessman who suffers from stomach-ache. Fabiolini, a would-be actor, is a policeman and he too suffers from the same sickness. The two man face suffering in opposite ways: Benoit Blanc is optimistic while Fabiolini, always unsure of himself, is persuaded he is seriously ill. The two men meet by chance while doing a gastroscopy and become friends. After having known their real different conditions, they will change and will understand better their lives. Around them, other people, women and men, will see their lives changed, by chance, by love or solely by the life stream.

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In WWII France, poor and illiterate Henri Fortin is introduced to Victor Hugo's classic novel Les Misérables and begins to see parallels between the book and his own life.

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Moments and aspects of the life of a contemporary married couple undergoing a metamorphosis.

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An old farmhouse in southwestern France, not far from the Spanish border, serves as a refuge for Jewish refugees during World War Two.

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An upstanding provincial reporter becomes presenter of the TV news on a commercial network owned by an influential Italian businessman. He soon outgrows his family and neglects them terribly. Investigating a fascist terrorist cell, the reporter's integrity is called into doubt by the police. Soon after, his jealous wife unleashes her wrath live in TV. It goes from bad to worse until his wife's anger brings him back to his senses and back home.

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Urbain Donnadieu's first love is money. It's also his second, third and fourth love. The only reason he married - a tax inspector named Fleurette - was to avoid a fine for tax evasion. For several years, he has been stealing money from his construction company and buying gold bars with his ill-gotten gains. His plan is to deposit all this wealth in a Swiss Bank, where neither his wife - whom he is about to divorce - nor the French State can get at it. Accompanied by his money-grabbing Granny Zézette, Urbain heads off for Switzerland, with his gold concealed in the walls of a model house on the back of a trailer. Unfortunately, his scheme is threatened by his wife and his embittered ex-chauffeur, who are determined to get his money at any cost...

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Max Schmulevitz runs a gargotte on Rue des Rosiers. Schmulevitz has the bailiff on his back. He is located across the street from Goldenberg's, who is in fierce competition with him. Moreover, Léa, his daughter, falls in love with a certain Christophe... Lebreton, an authentic goy! Max asks a friend to find him an "acceptable" son-in-law.

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Handsome Jules has problems with school and girls. His domineering dad doesn't make matters easier, although his mom is supportive of her only child. Contemplating an extramarital affair, Claude Jade attempts to discreetly shop for condoms, a cute twist on what is traditionally a teenage boy's awkward ordeal.

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Hippolyte, the titular oddball, is a far from typical country lawyer. He has been happily married to the woman of his dreams for 15 years, but has an incurable penchant for practical (or rather impractical) jokes.

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Three friends, Robert, Michel and Jean, would be three happy men if Robert's aunt, who has inherited a magnificent nightclub, the King Club, in which they work, didn't torment them. Friendly and small-minded, they think they're tough and don't hesitate to traffic. Their latest find is not without imagination: to bring from Amsterdam diamonds hidden in the diaper of a baby of whom Michel is the father.

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Marivaudages of a privileged group embarked on the "Narcissus" for a musical cruise in company of the famous diva La Doria.

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A man is about to buy a castle from his wife, who has secretly decided to leave him. He discovers belatedly that the building is haunted.

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At house of Agathon get together many intellectuals and philosophers, including Socrates, to discuss the theme of love and sex: each of them intervenes to support its argument dialogical rules, within the context symposial.

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They are the best friends of the world. Five friends who shared everything: may 68, hippies years, the rock and their love for Bernadette. This Bernadette has left them to become a rock-star, and is back 15 years later for a weekend. Jean-Marie Poire describes with this movie the portrait of a generation with lots of humor served by excelent actors.

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The action takes place - as the title suggests - in a Palace, a really nice hotel. Funny scenes happen in different places: the kitchen, the reception, the elevator, the rooms, ...

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A newspaper editor attempts to save a failing girlie magazine.

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This film is made up several sketches in which certain actors play several real or fictional roles to a background of rock music. The lead character, played by Godard himself, is an annoyingly perfectionist film-maker determined to wring every last drop of the finest performance possible from his stars.

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An assassin signs his crimes by cutting off the ears of his victims which he places between their teeth. In order to proceed with his arrest, an expert in criminology is contacted.

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