Raymond Pellegrin

Jubiabá is a French-Brazilian film based on the homonymous novel by Jorge Amado. The film tells the story of the interracial love between the daughter of a rich Commander and Antonio Balduíno, a rascal, fighter and famous lover from Salvador.

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Two families of the Neapolitan Camorra fight for power.

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The story of Ciro Mele, a killer with a malformed nose, and the feud between two rival clans, the Ammirata and the Palestra brothers.

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The movie starts with an interview with director Claude Lelouch. He pleads viewers not to disclose the plot of the movie after leaving the projection room. Even the movie's trailer shows only a long sequence of faces gazing speechlessly in space. "Like all my movies, this one is about a man and a woman", says Lelouch in the interview.

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Virginia Tregan returns to her home in the U.S. Deep South from a sojourn in Paris only to discover that her family plantation and its holdings have been lost. She determines to recoup her family's fortune.

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"Western di cose nostre" (1984), from a short story of the same name by Leonardo Sciascia, is set in postwar Sicily: an unsuspected pharmacist played by Domenico Modugno inserts himself into a feud between Mafia gangs to take revenge on his rival in love. Directing the two episodes is Pino Passalacqua, who co-wrote the screenplay with Andrea Camilleri and Antonio Saguera.

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With the help of journalist Diane Castelain, Parisian police inspectors Leo Gorce and Gu Arenas are trying to solve the murder of a member of the French Parliament, but some dangerous powerful people try to make sure that doesn't happen.

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Aldo and Marco are twins. Marco, a parish priest, has always been his mother's pride and joy, whereas Aldo has a history of repeated prison stints. A womanizer and high-rolling gambler constantly in need of cash, he frequently finds himself embroiled in wild, shady schemes—most of which go awry. Wanted by the police, he flees to Tunisia, posing as his brother Marco and disguised as a priest. There, he reconnects with his childhood friend Prosper, dragging him into a life of reckless escapades, chasing after a million-dollar fortune and pretty women alike.

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When a stage artist is send to fight he met a lovely girl.

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The film follows four families, with different nationalities (French, German, Russian and American) but with the same passion for music, from the 1930s to the 1960s. The various story lines cross each other time and again in different places and times, with their own theme scores that evolve as time passes. The main event in the film is the Second World War, which throws the stories of the four musical families together and mixes their fates. Although all characters are fictional, many of them are loosely based on historical musical icons (Édith Piaf, Josephine Baker, Herbert von Karajan, Glenn Miller, Rudolf Nureyev, etc.) The Boléro dance sequence at the end brings all the threads together.

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A gangster (Daniel Duval) incurs the wrath of the patriarch of a well-established crime family.

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After an elderly crime boss retires from business, his three lieutenants each inherit a piece of his empire: Max is given the kidnapping ring, while the prostitution racket and the drug trafficking go to the others. Max is not satisfied with his share, and after killing the old boss he gets rid of the other two lieutenants. However, a police officer finds a lighter at the murder scene which could lead to Max, who then kidnaps the policeman's daughter.

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Antonio Gramsci, sentenced to twenty years in prison by the fascist tribunals, relives the stages of his political career and private life.

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CIA agent Eddie Fulmer is tasked with finding a terrorist who stole nuclear warheads and is hiding in Bangkok. The terrorist is the father of Fulmer's ex-girlfriend Erica, complicating matters.

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The presence of mafia boss Vangelli's yacht in front of the island of Ventotene brings a group of prisoners of the penitentiary close.

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A school bus with young children being kidnapped. Commissario Betti will solve the case. High action is promised, including hostage, bank robberies, car chases, prison scenes and mafia bosses!

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The film focuses on Murri; the token maverick cop. He is called in after a bunch of criminals pull off a successful prison break and spend the night picking off various informers and people they don't like. Murri investigates; hooking up with one of the criminal's nieces along the way. He uses his own methods; which mostly involve breaking all the rules, and thus comes under a lot of scrutiny from his superiors who don't take too kindly to the cop's way of working.

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A young Viennese policeman can not free himself from his mistress and is also extorted over his illegal arms business.

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The series follows the adventures of lighthearted Jean-Paul Moulin, a police Commissaire, and his team as they solve crimes.

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In wartime France, Pharmacist Eliane begins a torrid affair with her shop assistant Armand, but she soon becomes dominated by him. He demands more and more from her, humiliating her and putting her family at risk.

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Based on the drama by Wolfgang Bauer. Fery Kaltenböck is a painter of the Viennese avant-garde in the post-1968 milieu. His lack of success plunges him into depression. Out of frustration, he builds the Pölten painter Blasius Okopenko into a star, only to subsequently destroy him and gain fame through the scandal. But his plans fail because he underestimated Okopenko. When Kaltenböck realizes that he is becoming the manipulated man, depression and conscience drive him to suicide, and he hangs himself.

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An armored van is attacked and the gangsters hide the loot in a graveyard.

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