Nicole Garcia

Stage actress turned film actress and director, Nicole Garcia has worked with the greatest French directors. Mysterious, singular, elegant, she has become a major figure in French cinema, but in her forties, she wanted to tell her own stories. She took a big risk when she was being offered fewer roles as an actress and became a film director.

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With a father suffering from neurodegenerative disease, a young woman lives with her eight-year-old daughter. While struggling to secure a decent nursing home, she runs into an unavailable friend with whom she embarks on an affair.

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She is said to be cold, secretive and mysterious. She has the reputation of not letting anything of her intimate thoughts, her private life, her joys as well as her torments show through. She managed to protect her family, her loves, her choices from the curiosity of magazines and her public. A tour de force for a sixty year long career with more than one hundred and thirty films shot with the greatest filmmakers in the world. However, the raw material for a very personal account of Catherine Deneuve exists: it can be found in the interviews given by the actress from her beginnings until today. They allow us to discover another Catherine Deneuve.

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As the dreams of Didier Mathure, a brilliant space engineer, literally go up in smoke when his rocket explodes on take-off, he is transferred to head GEPAN, a unit specializing in UFOs. He is tasked with coming up with scientific explanations for the UFO sightings that are currently dominating the headlines. This is a nightmare job for a die-hard rationalist like him, and he is determined to find a way out as soon as he can.

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Inspired by the adventures of Arsène Lupin, gentleman thief Assane Diop sets out to avenge his father for an injustice inflicted by a wealthy family.

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If Jean Rochefort remains so dear to our hearts, it is because this extraordinary actor alone embodies a cinema and a France imbued with freedom and carelessness. Through his films, archives and the testimony of those close to him, we discover a complex man, a sad clown saved by his taste for words and for fun.

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One day, Jean-Louis discovers that his heart has stopped. He is not dead, can walk and talk, but his heart is no longer beating. With the help of his wife and a friend, he tries to understand the origin of this mystery.

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Claire, a 50-year-old divorced teacher, creates a fake Facebook profile of a 24-year-old woman to catfish Alex, the roommate of her former lover, Ludo.

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To celebrate 2019, Barthès & Dedienne are hosting a sleepover with some friends.

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They are possessive, benevolent, clumsy, absent, omnipresent, overwhelmed, guilty, indulgent, loving, fragile, in full possession of their wits, or losing their heads. Alive or already a memory. They are mothers, and it’s their party.

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Lucie is in remission and her illness is almost a distant memory. Her family pushes her to live life to the fullest, and in doing so Lucie meets the charming and arrogant Clovis, who is immediately beguiled by her wit and humor. It is Dalila, however, an eccentric and delightful dance teacher, who inspires Lucie to rebuild her life and to grow into the woman she always wanted to be. For her mother, for her daughter, for Clovis.

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Two years have passed. After missing their separation, the Leroy seem perfectly successful in their divorce. But the appearance of two new lovers in the life of Vincent and Florence will set fire to the powders. The match between the former spouses resumes.

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Jérôme Varenne, a French financier, lives and works in Shanghai with Chen-Li, his life and business partner. One day, during a short stay in Paris, while paying a call to his mother, he is very displeased to learn from her and his hated brother, that the family house in Ambray is going to be sold. Jerome decides to go to the town where he grew up to see what is going on. Little does he know how eventful his escapade will be. Little does he know that it will change his life from soup to nuts...

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Beneath her eccentric appearance, Captain Marleau is a formidable detective. Her Sherlock Holmes deerstalker cap, her character, her unusual appearance, her humor, her unpredictable behavior--Captain Marleau is not your average gendarme. She never rushes an investigation; she becomes the investigation and relentlessly pursues the suspects.

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In Brittany, a notary is killed with shots to the head. His wife Joséphine is a suspect. Her husband had just sold part of their property to two shady real estate developers who wanted to transform the little fishing village into an ultra-modern marina for wealthy clients.

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Twenty years have passed. Thérèse lives alone in Paris. We exiled her there. She seems to be asking nothing more for life. She is sick and lives in slow motion. One day, we ring rue du Bac. It is Mary, her daughter, whom she sees so little. She is twenty years old now and comes to see her to escape her middle-class south-west. She is very in love with a boy, she expects from her mother a support, a freedom of point of view. His name is Murad. The arrival of her daughter awakens Therese with her reserve and torpor. It does not shock Mary, who is very busy with her love. Thérèse proposes to meet Mourad. She quickly understands that he is not willing to marry Mary but wants her without wanting to bond more deeply to her. It is she Therese, that the young man looks ... She wanted to help her daughter to be happy, a wish too official not to be suspicious. Here she is delivered to the power of her own seduction ...

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Is there such a thing as strictly feminine cinema? Is it more difficult for a woman than for a man to direct a film? Is gender parity necessary in the industry? Actress and producer Julie GAYET and actor and director Mathieu BUSSON ask these questions to twenty French woman filmmakers, who face a camera together for the first time. After over an hour of lively, informal, spontaneous and funny interviews, it becomes obvious that these issues are still problematic and definitely worthy of a documentary. As Mia HANSEN-LØVE remarks, “In the eyes of the people, a woman’s film is always a woman’s film, while a man’s movie is simply… a movie”.

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Paris, North Station, anything comes by, even trains. One would like to stay, but they have to hurry up... Like other thousands lives crossing, Ismael, Mathilde, Sacha and Joan are going to meet here...

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"Everything will be fine" the doctor promised Jo while she was giving birth to her first child. But, some forty years and four sons later, nothing is happening like it should be during this month of August: as she arrives on Greek soil to organize her traditional festival with her tribe, Jo learns that the latter has been cancelled, courtesy of the economic crisis. The hour seems to be tragic but the maternal instinct grows stronger, she is ready to do everything for the happiness of her sons. Between squabbles and blood and destiny blows, this summer will be like no other.

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In the harbor city of Le Havre, France, a woman is stabbed during the night, just below the windows of her neighborhood. Pierre (Yvan Attal) has witnessed the murder, and heard the wails of the women crying for help. So have the neighbors, certainly. But at the end, nobody called the police. Nevertheless, sorrows are too heavy for Pierre, which feel the needs to tell everything to his wife (Sophie Quinton), and to the police. During the investigation, it appears that 38 people witnessed the murdering, and none reacted...

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Entirely made in California, the film brings together 30 American and European actors in an epic which crosses the mythical territories of that cinematic land from Zabriskie Point to Mulholland Drive. California is revisited through the movie memories incarnated by the very presence of famous actors and actresses. "The American Tetralogy" is a way of staging reality which questions the fictional nature of the movies.

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Nervous about his upcoming wedding, a man faces temptation from another woman.

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In the summer, 27 year-old Sam drives towards the south of France in his Ford. He meets Matthieu and his sister Léa and takes them along in his apparently aimless journey. Matthieu has a crush on Sam and tries to seduce him. Léa is a beautiful, young, provocative girl who likes men so much that she got pregnant. She soon brings along Jérémie with them. Throughout the trip, they learn to know, fight and love each other. In spite of a blooming relationship with Matthieu, Sam isolates himself because of his secret: he is headed for Spain to find his long-lost mother.

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As she does every morning, Lucie takes advantage of her journey to work to lose herself for a while in the pages of a good book. And as she does every morning, she joins her colleagues at the office with a smile. It's a working day just like any other. Then suddenly all activity in the office stops. All attention is turned towards the window of the opposite building opposite and abanner reading: Man Alone. Is it a hoax? A cry for help? Everyone has his own interpretation, and will try, by any means possible, to discover what lies behind this mysterious message.

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A realist dramedy about dedicated social workers who devote their long shifts to helping pregnant women.

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Several scary black-and-white animated segments in different styles appeal to our fear(s) of the dark.

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Three couples and a single guy, from different social and career backgrounds, and of various ages, struggle with finding happiness in their lives.

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The seemingly separate lives of a group of men intersect entwining the fates of each of them over the course of a week.

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Based on the 2000 book of the same name by Emmanuel Carrère, it is inspired by the real-life story of Jean-Claude Romand. L'Adversaire's protagonist Jean-Marc Faure (Auteuil) pursues an imaginary career as a doctor of medicine in a plot more closely based on Romand's life and Carrère's book than was Laurent Cantet's 2001 film L'Emploi du Temps. The film was nominated for a Palme d'Or at the 2002 Cannes Film Festival.

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The story of a woman that remained distracted for a long time from her life, from the passions that made her feel alive. The importance of true love is compared with the material value of diamonds. Only one truly lasts forever. She's got to find the thing that values most for her, the thing that gives psychical stability and real happiness again to her life.

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Jean-Paul Mantegna, the son of Italian immigrants now living in Nice, is a hunted man, riddled with debt and involved in borderline illegal companies. To extricate himself, he has to rely on Philippe and François, his two brothers, and on Raphaël, his father; a family torn by disputes and tragic events. However, by rebuilding family unity, Jean-Paul also discovers the secret of his own destiny...

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Camille, a mercurial César-winning actress, has seen better times. Estranged from her husband, she's with her children only every other weekend. It's her weekend, but her agent has booked her to MC a Rotary club dinner in Vichy. She takes them with her, and when her husband learns this, he demands to pick them up at once. She bolts in a rented car to the seaside, trying to improve her relations with the children, especially the precocious and distant Vincent. He loves astronomy. A rare meteor shower is due in a few days, so she suggests they go to a plateau in Spain hoping to see it. He agrees, but the relationship remains difficult, and her husband is on their trail.

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