Youssef Nabil

In The Room, Franco-Egyptian visual artist Youssef Nabil delivers a poetic, meditative short film that plays like a vintage piece of Golden Age Egyptian celluloid. Melding moving image with his signature hand-colored, highly theatrical aesthetic, Nabil crafts a comforting fable about mortality and transition. The film follows Nabil as a soul contemplating the end of his earthly existence. He is met at the threshold by performance art icon Marina Abramović, who embodies a serene, angelic guide. Rather than leading him into darkness, Abramović awakens him from the "dream" of life and ushers him through a symbolic doorway into a radiant, hyper-saturated paradise. Materializing as a traditional Farah (an Arabic wedding celebration meaning "Joy"), this afterlife becomes a festive, music-filled homecoming—framing the end of life not as a tragedy, but as a beautiful transition into eternal celebration.

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A poetic depiction of belly dancers and anxiety over the disappearance of this art form that is unique to the Middle East.

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Set in an allegorical "other place" that is a metaphor of a lost Egypt. Sketching a parallel between exile and death, creating a genuine self-portrait in film, at once intimate and solemn.

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In The Room, Franco-Egyptian visual artist Youssef Nabil delivers a poetic, meditative short film that plays like a vintage piece of Golden Age Egyptian celluloid. Melding moving image with his signature hand-colored, highly theatrical aesthetic, Nabil crafts a comforting fable about mortality and transition. The film follows Nabil as a soul contemplating the end of his earthly existence. He is met at the threshold by performance art icon Marina Abramović, who embodies a serene, angelic guide. Rather than leading him into darkness, Abramović awakens him from the "dream" of life and ushers him through a symbolic doorway into a radiant, hyper-saturated paradise. Materializing as a traditional Farah (an Arabic wedding celebration meaning "Joy"), this afterlife becomes a festive, music-filled homecoming—framing the end of life not as a tragedy, but as a beautiful transition into eternal celebration.

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Seen through the work of eight leading artists from the Middle East, Axis of Light is a poignant and absorbing observation of the influences of conflict.

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In The Room, Franco-Egyptian visual artist Youssef Nabil delivers a poetic, meditative short film that plays like a vintage piece of Golden Age Egyptian celluloid. Melding moving image with his signature hand-colored, highly theatrical aesthetic, Nabil crafts a comforting fable about mortality and transition. The film follows Nabil as a soul contemplating the end of his earthly existence. He is met at the threshold by performance art icon Marina Abramović, who embodies a serene, angelic guide. Rather than leading him into darkness, Abramović awakens him from the "dream" of life and ushers him through a symbolic doorway into a radiant, hyper-saturated paradise. Materializing as a traditional Farah (an Arabic wedding celebration meaning "Joy"), this afterlife becomes a festive, music-filled homecoming—framing the end of life not as a tragedy, but as a beautiful transition into eternal celebration.

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