Pavel Filonenko

The last film in Vidokle's trilogy on Cosmism is a meditation on the museum as the site of resurrection-a central idea for many Cosmist thinkers, scientists and avant-garde artists. Filmed at the State Tretyakov Gallery, the Moscow Zoological Museum, The Lenin Library, and the Museum of Revolution, the film looks at museological and archival techniques of collection, restoration and conservation as a means of the material restoration of life, following an essay penned by Nikolai Federov on this subject in the 1880s. The film follows a cast comprised of present-day followers of Federov, several actors, artists and a Pharaoh Hound that playfully enact a resurrection of a mummy, a close examination of Malevich's Black Square, Rodchenko's spatial constructions, taxidermied animals, artifacts of the Russian Revolution, skeletons, and mannequins in tableau vivant-like scenes, in order to create a contemporary visualization of the poetry implicit in Federov's writings.

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Danya is a successful advertiser with delayed life syndrome. He tolerates the present for the sake of an ideal future, which he constantly dreams of: a solid income, a house in Italy and a pretty wife from social networks. He strives with all his might towards his goal, but life makes its own adjustments, or rather death. Postponing everything for later, Danya starts an old disease and suddenly falls into a coma. He finds himself in the waiting room of the afterlife, which suspiciously resembles the airport from his latest commercial. There are only two flights — to heaven or hell. However, the chance to return to the world of the living is not lost either. While whiling away the time at the local bar "Darling, I won't call you back", Danya rethinks her life and tries to fix everything.

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