Ewa Lorska

Acclaimed profiler Julia Wigier investigates a forest family murder while confronting personal trauma, only to discover the killer’s crimes continue.

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Caught between her Roma roots and pressure from her friends, a 17-year-old girl aspires to become a hip-hop musician despite her parents' strict rules.

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Monika and Enzo's whirlwind romance heads toward a fairy-tale ending until a bombshell revelation changes everything.

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Wojciech, who does not feel the ubiquitous joyful atmosphere, meets someone who changes his holiday plans. In turn, Karina and Szczepan get embroiled in a fight for an inheritance that may divide even their loved ones. They will see if the only thing that comes out well with the family is in the photos.

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Pola is at the peak of popularity - at the age of only 22, she fills the halls at her concerts and is very successful in the music industry. One day, after one of her performances, the girl under the influence of alcohol causes a car accident. To hush up the case, the star's father, and at the same time the star's manager, places her in an addiction therapy and treatment center, where the singer is forced to do community service. Soon there he meets Borys - a charismatic instructor, famous for his unconventional methods of work.

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Three men, one place and one event that will change the life of each one of them.

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In the 1940s, a small band of underground paramilitaries attempt to fight back against the Soviet-backed security ministry in post-war Poland. Determined to fight for their country's future, the group goes to extreme lengths to make their voice heard.

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Arkadiusz Jakubik's directorial debut plays out on many levels. One of them is, as in the title, a simple love story. However, parallel to it and on the same footing is the reality of filmmaking.

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Father Matthew is about the adventures of a Roman Catholic priest who, after returning from a mission to Belarus, is sent to work in a small parish. As a pastor, together with a friendly policeman, he solves mysteries and gives help to his parishioners, as well as all those who are in need.

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When a group of bandits accidentally kill a boy in a club, his father and sister try to find the guilty and bring them justice.

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Ania, a sensitive, shy green-architecture student, tends the gardens of an elegant building and finds herself falling for its handsome tenant, Marcin. Ambitious and adept at lying to charm women, Marcin faces a sudden financial crisis he can only escape if his wealthy aunt Nela believes he’s already married, so he must persuade Ania to pose as his wife.

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Kryminalni was a Polish crime drama television series that aired on TVN network from September 18, 2004 until May 24, 2008. It ran for 8 seasons and 101 episodes were broadcast in total. It was created by Polish director and screenwriter Piotr Wereśniak and produced by MTL Maxfilm studio. The series followed life and work of police officers from the elite Criminal Terror and Murders Division of the Warsaw Metropolitan Police; the title refers to police officers in the crime section. The three main characters were Adam Zawada, an experienced, tough cup, his younger colleague Marek Brodecki and Barbara Storosz, an ambitious female officer who in the first season joins the team just after graduating. Although none of the main actors had had star status before the series debuted, all three of them rose to prominence and popularity during the 5-year-long run. Many of Poland's best known actors guest starred, usually playing roles of people involved in just one particular investigation. The serial was one of the most popular in Poland: each week it had an audience of 4 million.

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Using the backdrop of the banality and ordinariness of everyday life in a small provincial town, the film analyses the relationship between two women friends, who struggle to find their way in post-communist Poland. The small events of their lives represent universal feelings of being trapped and lost in a new world, in contrast to the successes of the dark side of democracy - drug dealing, crime and pornography. By its very nature, the film creates a picture of provincial Poland after democracy, but its charm is in the understated relationship between the two friends and the people around them and in the mosaic structure that builds up the film piece by piece.

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