Catherine Mouchet

For twenty years, Bruno and Malik have lived in a different world—the world of autistic children and teens. In charge of two separate nonprofit organizations (The Hatch & The Shelter), they train young people from underprivileged areas to be caregivers for extreme cases that have been refused by all other institutions. It’s an exceptional partnership, outside of traditional settings, for some quite extraordinary characters.

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Burned out and taken for granted, a working mom suspects her partner is cheating, so to win back his attentions, she feigns a medical diagnosis.

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The story of five generations of the Austrian-Brazilian Knieps family, from the inauguration of their family-owned Great Mystical Circus in the 1910s up to the early 21st century, following both the family and the circus from their prime through to their decadence.

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After many years of confrontation, the treasures of Spain and France are empty. In 1721, the regent of France draws up an ambitious plan to inaugurate an era of peace and prosperity that will heal the economies of both nations: his intention is to build a solid network of marriage alliances that will involve four children of very different ages who know nothing of betrayals and power games…

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Telling the true story of Marvin Bijou, a young boy from a working-class family in a small village, who suffers constant bullying at school and home for being ‘different’ – too sensitive and too feminine. A chance encounter with a drama teacher opens the doors to a world that offers him the chance to escape his situation.

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A film about belonging, gay rural life, physical labor & elderly bodies. The arrival of Toto the marcassin at Madeleine's house, Vincent's trip to India and his troubles with the monkeys, or Joseph's dreams provoked by the continuous pressure machine, are three stories that Pierre will share and that in one way or another summon up our relationship with the animal, with this other neighbor

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Just as the disheveled and alcoholic filmmaker Ismaël embarks on a difficult new film project, his life is sent into a tailspin. His wife Carlotta, presumed dead for 20 years, come crashing back into his life creating chaos in his work and his current romantic relationship with the starry-eyed astronomer Sylvia.

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In 1800, Brittany is on its knees, overwhelmed by the regime in place and by the omnipotent clergy. It founders in an economic slump without end in sight and, in the middle of all this, a young, suffering girl pushes back as best she can. She is known as the "Poisoning Angel," an isolated child, mistreated by life and rocked by morbid thoughts. She will become one of the world's most notorious serial killers and will sow death, perhaps merely to be looked at and loved.

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Elisa, on a verge of divorce, leaves Paris with her son Noe to settle in her hometown of Dunkerque to find the biological mother who gave her up for adoption 30 years before.

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Julien and Marguerite de Ravalet, son and daughter of the Lord of Tourlaville, have loved each other tenderly since childhood. But as they grow up, their affection veers toward voracious passion.

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Witnesses (French: Les Témoins) is a French police procedural television series, created by Marc Herpoux and Hervé Hadmar. In the first season, police detectives Sandra Winckler and Justin investigate when bodies of murder victims are unearthed and left for discovery in the show homes of a housing developer. Former chief-of-police, Paul Maisonneuve, is implicated. In the second season, Sandra and Justin find themselves on the trail of a serial killer whose modus operandi is to murder all former lovers of his kidnap victims.

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Victoria, a little black girl aged 8 from a humble background, happens to spend the night with the bourgeois family of Thomas, one of her classmates. Years later, they see each other again and Marie is the fruit of their fleeting relationship. But Victoria decides not to tell Thomas and raises her child alone. When Marie turns seven, Victoria decides that her daughter must have a better future and again turns to this family that she lost sight of long ago.

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A doctor and his son fall in love for the same woman, who has lost her child.

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A virtuous monk descends to the depths of sin and depravity after Satan sends an unholy temptress to lead him astray.

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Simon, a depressed hitman, tries to hang himself in a forest. Bernard, a young man with no history who passes by by chance, saves him. The old man, sick, cannot drive without risking an accident. Claiming to be a rodent controler, he hires Bernard to take him to Cap d'Agde. Simon, lonely and cynical, is forced to travel in the company of this talkative and confusingly optimistic driver.

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When Frédérick, the patriarch of the Alsatian Muller family, is conspicuously absent from his son Charles' funeral, Frédérick's surviving son and his granddaughter, raw from their loss, await an explanation. Once revealed, Frédérick's reasons and the painful secret Charles harbored for years threaten the foundations of the entire family.

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Alexandre Dumas, at the height of his career, takes Auguste Maquet, his chief literary collaborator or 'ghost writer' ten years his junior, to meet a young unknown admirer, Charlotte Desrives. The two men are at the summit of their artistic collaboration for they have just published "The Count of Monte Christo", "Queen Margot" and "The Three Musketeers". If it's Maquet who writes the majority of the texts, both the honours and fame go to Dumas.

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Louis was adopted when he was just a baby. Now sixteen-year-old Louis wants to know where he comes from. He therefore heads south to find the mother he's never known. Totally thrown by this unexpected visit, Solange rejects the child she never desired. Louis will nevertheless do everything he can to make her accept him.

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French adaptations of the stories by Agatha Christie.

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A French tradesman travels in time and liberates an oppressed tribe in another world.

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Francis, who is in his forties, manages the French subsidiary of an American high-tech company. But the shareholders suddenly decide to close it. Depressed by the idea of being unemployed and the prospect of losing his second wife, Francis decides to consult a fortune-teller. The experience is a real eye-opener for him and the start of a new career: He pretends to be a fortune teller himself and turns into Madame Irma. How to explain that to his wife Clotilde?

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The sudden death of a teenager during a soccer match puts a small community completely off-balance.

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Published in Paris in 1954, Story of O was an immediate bestseller and literary scandal: an elegantly written S&M fantasy that had all the hallmarks of being an autobiographical account by the pseudonymous Pauline Réage. In 1994 Dominique Aury, a mild-mannered, dowdy editor for France’s prestigious Gallimard press, revealed her authorship. Pola Rapaport explores Aury's inspiration, recreating the world of '50s literary Paris and setting it against dramatic sequences that bring the infamous book to life. The author as well as various French intellectuals expound on the thorny relationship between sexuality and power, submission and freedom, liberation and non-being.

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An old man bequeaths his fortune to a television host, much to the chagrin of his own family.

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Bénédicte, Martine, and Juliette were classmates who formed an inseparable trio. Fifteen years later, Bénédicte and Martine return to their small native town of Pithiviers for Juliette’s funeral. But Juliette remains present in Bénédicte and Martine’s remembrances and through her eighteen-year-old daughter Scarlett, who bears a striking resemblance.

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Sébastien Chantoux, a psychoanalyst, decides to move to the Creuse. Adapting little by little to the local customs, he joined "Troc'en Creuse", an association that promotes exchange between individuals. He proposes, within this framework, psychoanalysis sessions.

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At the start, Christine Blanc is a temp, her boyfriend has gone. Near the story's end, she's been offered a steady job, she has a fiancé, other men seem interested in her, she's passed her driving test, and, after she wins 1000 Euros in a scratch-off, her colleagues sing that she's a jolly good fellow ("one of us"). But something's askew: her gaze is too direct, her eyes open too widely; conversational gambits hit odd notes; she parrots others' words; she cooks too much food when she invites a supervisor to dinner. When the supervisor takes Christine on a spontaneous outing that disorients her, her oddities become something else. Can things ever be normal?

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